Theatre Reviews – Page 4 – Spinning Platters

Show Review: Springsteen on Broadway at Walter Kerr Theater, 4/12/18

Several months ago, I first read that Bruce Springsteen was setting out to do a one-man show on Broadway. My immediate thought was, “I would really like to go to that, but I doubt I’m going to make it to New York anytime soon.” There was a period where you could sign up for the “Ticketmaster Verified Fans” program, which, somehow, determined who was an actual fan and who was a reseller (not entirely sure how this works, and not really sure it does, but that’s for another article). I almost signed up for that, but didn’t. I didn’t want to get my hopes up. Continue reading “Show Review: Springsteen on Broadway at Walter Kerr Theater, 4/12/18”

Theater Review: Dance Of The Holy Ghosts at Oakland Peace Center, Ubuntu Theater Project, 3/23/18

Edited by Jessica Vaden

Dance of the Holy Ghosts returns to playwright’s native Oakland roots

Berwick Haynes (Oscar) with Viola’s famous sweet potato pie and Michael Curry (Marcus) with his precisely organized Crayolas™?. Photo courtesy of Simone Finney, 2018.

They say the brain only recalls the parts it wants to remember. And so it goes, memory is fragmented, and unreliable, as we come to learn in Ubuntu Theater Project’s production of Dance of the Holy Ghosts by Marcus Gardley.

Gardley is an Oakland native, and there’s something about seeing a play in the space that it’s intended for that really draws on the fragility that a memory play evokes. Walking through the doors of Oakland Peace Center, one immediately confronts a specific time and place which then colors the viewer’s experience. Bringing it all together, a complete choir of gospel singers open the show in this untraditional but very fitting setting. Continue reading “Theater Review: Dance Of The Holy Ghosts at Oakland Peace Center, Ubuntu Theater Project, 3/23/18″

Show Review: Silence! The Musical

A biting, hilariously crude musical parody.

I don’t believe there’d be many folks who’d argue that Silence of the Lambs isn’t ripe for parody. The distinct characters, the famous lines, the bone-chilling seriousness of it all — all primed for spoofing. The good news is that the feat has been accomplished in a fun, shockingly crude way by Cloud 9 Theatricals, Lang Entertainment Group, and Ray of Light Theatre in their production of Silence! The Musical (show now extended through March 18th! – tickets here). The show is an incredibly tight, minimalist production punctuated by musical numbers culled from infamous lines of dialogue and plot elements of Jonathan Demme’s 1991 film. Scott Hayes and Anne Norland, who I had the chance to interview, play Hannibal Lecter and Clarice Starling, leading the bill of the 10 member cast. Yes, that’s right, the picture above includes 7/10 of the total cast. Aside from the two leads and Brian Watson as Buffalo Bill, the remaining seven cast members wear multiple hats, playing an assortment of characters including a chorus of lambs, FBI agents, work colleagues, guards, etc. The manic energy and precisely crafted parodical elements of the show make Silence! a ridiculously fun time at the theatre.

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Sketchfest Review: Julie Brown’s “The Homecoming Queen’s Got a Musical” at The Brava Theater, 1/24/15

The cast of Homecoming Queen's Got a Musical, courtesy of SF Sketchfest's Instagram (@sf_sketchfest) — The cast of Homecoming Queen’s Got a Musical, courtesy of SF Sketchfest’s Instagram (@sf_sketchfest)

Every year when the SF Sketchfest schedule comes out I spend a long time going through, making a list of everything that has someone I like in it, or is a show/concept I like, then painstakingly narrow it down to one show per time slot per day. At least, that’s the goal. These are the best two and a half weeks in San Francisco and I’m not going to waste them! So in this process, when I saw the name Julie Brown, the late 80’s kid in me had a fangirl spaz and decided this was the show that deserved my attention for the first Saturday night of Sketchfest. Did I know anything Julie Brown did since “Just Say Julie” on MTV and Earth Girls are Easy? No. Of course not! (Well, other than her small role as the Gym Teacher in Clueless) But this is what Sketchfest is about, seeing that great thing you might have lost track of. So off I trekked into the wilds of the Mission District, to the Brava Theater, with no idea what I was in for. Continue reading “Sketchfest Review: Julie Brown’s “The Homecoming Queen’s Got a Musical” at The Brava Theater, 1/24/15″

Show Review: Wainy Days Live on 2/1/14

I will fully admit to the fact that I had never seen Wainy Days prior to this evening at Marines’ Memorial Theater. The reason I went to this performance was because the cast bridged my favorite TV show when I was 12, The State, and my favorite TV show now, at the age of 35, Parks & Recreation. It’s silly that I’ve never seen it, as I think David Wain is one of the greatest comic minds of our generation. So, I knew I was in for a surprise or two.

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Show Review: Kristin Chenoweth at Zellerbach Hall, 5/11/2012

Kristin Chenoweth came to UC Berkeley’s Zellerbach Hall last night for the second date of a 19-city North American tour promoting her newest album, Some Lessons Learned, as well as her campy ABC series GCB. Or at least, that was the plan. Then, late yesterday afternoon, ABC announced their decision to cancel GCB, which is still in its first (and apparently only) season. An uneasy sense of anxiety hung over ~~the sold-out audience~~ me, wondering if and how Chenoweth would address the setback. How devastating of a blow would this be to her? Would she be able to rally by repeatedly shrieking “The show must go on!” and singing scales until shattering a tray of stemware? Or would she barricade herself in her dressing room, listening to “There’s No Business Like Show Business” and sobbing hysterically?

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Theatre Review: Becoming Britney at the Retro Dome, 3/2/2012

Everyone’s favorite Spinning Platters backup writer, I was summoned to cover an event that had conveniently piqued my interest: Becoming Britney. A show written in the space between the tongue and the inner cheek, the only concern was whether it would collapse under the weight of being over the top. Nope.

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Theatre Review: Stuffed and Unstrung by Henson Alternative at Curran Theater, 8/18/11

Stuffed and Unstrung is an improv show put on by the Henson Alternative using 80 Henson puppets and six performers. This sentence makes it sound good and intriguing, but actually watching it is like an explosion of joy in your brain. When I left the theater Thursday night, with tears in my eyes from laughter and an added spring in my step, I said to my friend “We should watch it again!” Continue reading “Theatre Review: Stuffed and Unstrung by Henson Alternative at Curran Theater, 8/18/11”

Theatre Review: Girlfriend at Berkeley Rep, 4/24/10

I hear you need somebody, I hear your looking for someone to love... — I hear you need somebody, I hear you're looking for someone to love...

In the last decade or so, the musical theater world has been inundated with shows that use pre-existing popular music instead of original works. Well many of these have been very successful, such as Mamma Mia!, Jersey Boys and the recent American Idiot, others have been critical and commercial failures, like Footloose and a proposed Radiohead musical.

While the success rate may vary on these, the one thing that they all have in common is the fact that every one of these shows uses music that the masses are very familiar with. There is a built-in audience for the show because of the fans. This show is a little bit different, though. It shows that the good people at Berkeley Rep are willing to take a risk. They are brave enough to chance a musical based on a relatively obscure power-pop record from the early ’90s, Matthew Sweet’s Girlfriend.

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