Good news! The *actual* greatest rock band in America has gifted us a new single, “Hell,” and it’s a cathartic piece of anxious psychedelic darkness. This is probably the biggest song to come from Sleater-Kinney- in a short 3:22, we are taken on a cinematic roller coaster that builds and releases and contracts and I haven’t even started on the video. Miranda July is making her third appearance in a Sleater-Kinney video, and, really, she is so good at expressing a wide array of emotions with just her eyes. Brilliant.
2024 marks the 30th Anniversary of the band’s first release, “You Ain’t It.” To mark this momentous occasion, they are releasing their 11th studio album, Little Rope, on January 19th. And, of course, they are going on a Spring North American tour! Dates are here, and tickets go on sale at 10 a.m. local time on October 6th!
I keep trying to figure out what the story of “Lenny” actually is, which maybe why I’ve listened to it so much. Atka says, “This is a song about how one man’s tunnel-visioned obsession with finding meaning turns everything around him into a swamp of meaninglessness that also sucks in everyone around him. It’s witnessing empty repetition right in front of your eyes and the helplessness and all-limbs-dropping-to-the-floor exhaustion felt as a result, when caring for someone who is depressed. And ultimately it’s about the absence of being perceived by that person and one’s drift into a ghost-like state. When no one is watching or sees me – do I even exist? Lenny is about “reverse-paranoia” if you want it.” The song itself is heavy on the analog electronics, with a Kraftwerkian anxiety that somehow doesn’t sound like The Postal Service. All I know is I both really want to know Lenny, but I also don’t want Lenny to get dragged down by my own mental health.
Anyways, you can also dig deep into the inner workings of “Lenny” and reading your own struggles with your own psyche into the song by streaming it here! Atka has plenty more coming your way, including an EP called The Eye Against The Ashen Sky, due out November 3rd!
Modern shoegazers Crumb and Psych’s reigning chanteuse Melody’s Echo Chamber have never come to mind as a collaboration that felt like the world needed. Both bands are fantastic, but their similarities never really gelled to me. And then I heard “Le Temple Volant.” What an airy, breezy groove of a song! I can listen to a song like this endlessly… I speak no French, and it doesn’t matter. This one-off single screams for a full-length collaboration of goodness like this.
You can enjoy “Le Temple Volant” in all the usual places. Both Crumb and Melody’s Echo Chamber are currently on the road, sadly separately. Tour dates after the jump, and maybe enough streams of this track will get a clever booker to put the two bands together for a Spring package run? Please?
Country music is a messy, messy place these days. The narrative seems to always be dominated by the Jason Aldeans and Toby Keiths, and Morgan Wallens, folks that dominate the mainstream not because they make good music but because they speak to the petty grievances of right-wing America. (I’m not putting Oliver Anthony in this boat, and someday I’ll write a real blog post about that song, but I don’t think he’s saying what people think he’s saying with that song.) Anyway, I’ve already said too much about despicable white men who are deathly afraid of losing power and control. I’m much more interested in the people looking to speak the truth, unafraid of losing power. Maren Morris’ new EP, The Bridge, does just that. It’s a direct rebuttal of “Try That In A Small Town,” two singles about the crushing weight of hate in this country and how to navigate it. Neither of the tracks are actually political anthems. She’s managed to hit that specific feeling of being overwhelmed by the hell we are in, and sometimes it feels like we are just doomed, but we’ve gotta take a step out and rest and then get back to work, because we are all humans and need to treat each other as such.
Anyways… I’m also on Day 12 of testing positive for my first ever COVID-19 infection (and hoping hard to test negative tomorrow and finally leave my room) and feeling SUPER angry about how we don’t have any sufficient ways to protect ourselves while still existing and such. So, yeah, I’m feeling raw and Maren Morris is like a nice weighted blanket telling me that I’m not alone, and maybe, just maybe, we will get through this. The Bridgeis out now and is available on all your DSPs. Hopefully, we will see a physical release, too!
I was first introduced to the great Anna Hillburg via her amazing (and educational) Instagram Series “Tootin’ Tuesdays!” where she would cover classic trumpet riffs in well known songs, with a bit of history and well crafted video. BUT! We aren’t here to talk about “One of the few things that gave me hope during the deep pandemic,” because she’s also finished the third portion of her epic music video trilogy that began with “Your Room” and “middled” with “No Fun.” “Girl Girl Girl” finishes off the story, and might be my favorite movie of the year at this point.
“Girl Girl Girl” is a track off Hillburg’s upcoming record Tired Girls, coming your way October 13th! You can do all you need to do to anticipate your listening (by that, I mean Preorder or Presave) of it here! And there’s a record release show at The Make Out Room in SF on October 20th at 7:30pm, so please remember to leave work early that day? Probably in an angry huff? Maybe knock over a water cooler while you are at it?
I’ll be frank- I’m feeling super under the weather this week, and I had two other “single of the week” nods in the queue… Then I found this perfect encapsulation of my teenage years as an angsty gen-xer, crushing relentlessly and telling nobody. The sound- Hannah Marks is a jazz musician and she’s basically assembled an amazing jazz band and has told them to play punk rock, giving us the best Sonic Youth song since, well, since Sonic Youth broke up. And that video? <chef’s kiss>
“(I Wanna Be Ur) 90s Dreamgirl” is the most recent single off Marks’ upcoming record Outside, Outlier, coming your way on October 20th!
I’ve had two doctors recently tell me that I need to cut back on my caffeine intake dramatically. And, although Matcha doesn’t seem to be cutting it, Marnie Stern seems to have felt my pain and struggle and released her first single in about ten years, and it’s the perfect substitute! “Plain Speak” is classic Marnie- as frantic and furious as a panic attack (which is the main reason I need to cut back on my caffeine and increase my time spent actually sleeping), combined with the tethering of lyrics that are optimistic without being cloying. Stern has perfected empathic composition, and, really, it couldn’t have come at a better time.
Guitar master Marnie Stern’s new record, The Comeback Kid, is coming your way on November 3rd, which is exactly one week after my birthday, which is PERFECT! Preorders have already kicked off! And if you become a VIP member of Joyful Noise Recordings, you can get the fancy version with a bonus 7″, in addition to all the other perks of membership like random access to free tickets, the ability to download the full catalog, and fancy other stuff!
I may still be riding out my Outside Lands buzz from last weekend, but that UPSAHL set was truly magical, especially for being to be basically hit over the head with a bit of dirty rock n roll ferocity before my coffee even kicked in. UPSAHL debuted the A-Side to this single, “0 to 100,” a lovely, emotive ballad this weekend. It’s a solid song, but I flipped over the virtual single (ok, I mimed flipping over the invisible 7″. Shut up, let me have my fun.) and found the more emotionally complex “FBL.” On some level, it’s a party starter. On other levels, it’s a complex look at partying and reality and how those worlds coincide, and it’s one phenomenal track by a young talent that’s gonna keep blowing our minds, I suspect.
Both “0 or 100” and “FBL” are part of The PHX Tapes Vol 3, a continuing series of singles from UPSAHL. Vol. 1 and 2 are also out in the world and ready for your listening pleasure.
I know, it’s the first day of Outside Lands, and, sadly, the first year in a while without an Outside Lambs area, so, of course, I have to pick a “McLamb” for Single Of The Week. Well, the pun is unintentional. The song? Purely intentional. A warm and hooky song about the lengths people go to in order to become an idealized sexual partner? Well, that ticks all the boxes for me. I love the song, and I’m ready to dig further into McLamb’s catalog.
Eliza McLamb has recently signed with Royal Mountain Records, so expect more to come. Until then, you can enjoy “Mythologize Me” in all the usual places, and check out her podcast, Binchtopia, here!
It’s been about six years since the last Corinne Bailey Rae single. And I’ve always known that Rae has been unafraid to showcase a wide variety of influences, but I never would’ve expected a super sweaty, 1:57 driving rocker to come from her. It’s so fast you could miss the song, but if you jump in before it gets away from you, you get a concise story and a solid HIIT workout all at once.
“New York Transit Queen” is the first single from Black Rainbows, a multi-media project that Rae has been working on for the past six years, inspired by Theaster Gates’ collection at Stony Island Arts Bank. The audio portion can be pre-ordered here and will be out on September 15th.
