Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Lukas Nelson Charms a Packed Orpheum with Raw Talent and New Songs
On his second of three stops in the Grand Canyon State, he emerged from the dark wings with only his guitar. He opened, with a near-acapella rendition of You Were It, the first song he ever wrote, a confident yet vulnerable ballad from his upcoming release, American Romance (due out June 20th). Continue reading “Show Review: Lukas Nelson at Orpheum Theater — Flagstaff, 5/10/25”
If you’re anything like me, you can’t think of anything better on a warm spring Friday night than catching a great show, especially at a cozy little venue. Case in point: I had a recent opportunity to do just that when AWOLNATION stopped at San Francisco’s Regency Ballroom for the penultimate show of their Phantom Five Tour. Continue reading “Show Review: AWOLNATION with Makua and Bryce Fox at Regency Ballroom, 5/9/25”
Way back in 2020, Charli xcx released a record called how i’m feeling now. It was written and recorded during the pandemic’s deepest, most unsettling parts. And I think it’s a perfect record. And I spent an absurd amount of time listening and relistening to “party 4 u,” which was not a single. But it struck a chord with me and many, many others. Fast forward to 2020, and it is finally becoming a single and getting the love it deserves. The emotional weight of this song is immeasurable.
how i’m feeling now is getting a “glitter vinyl” repress, which can only be found on Charli’s webstore.
I have to admit something: after nearly six years in the Bay Area, this past weekend was my first time at the Greek Theatre in Berkeley. I promise, I love music. I just have never been drawn to a specific show there. That all changed when I saw that one of my all-time favorite musical acts was coming to town this year. Continue reading “Show Review: A Night at the Greek with Empire of the Sun, 5/3/2025”
Photos by Tiffany Michelle Black
One doesn’t simply review a Phish concert. First, you have to show your bona fides. With that in mind, I’ll simply state that my first time hearing Phish was Jeffrey Quinlan’s Junta cassette that he brought back from Bowdoin College, where his brother had seen them. My first show was in 1992; I left early. My 20th show was in 1995, and somewhere after then, I just stopped counting. I didn’t think I’d ever need that number again until I started writing this. I’d hazard a guess at around 40.
One can’t simply review a Phish concert anyway. Either you love them or you don’t, and I’m not going to convince anyone in the cult to like or dislike something; same for those outside the cult. Everyone is convinced; there is no middle ground. Continue reading “An Appreciation of Phish at Bill Graham Civic Auditorium, April 22 & 23, 2025”
Once again, Bumbershoot has released a lineup that is as close to “Spinning Platters” energy as possible. It’s bonkers in the most Gen-X meets Elder Millennial kinda “OMG! They got both Pretty Girls Make Graves AND Murder City Devils?!?! DEREK IS GONNA BE SO TIRED!” kinda way. And, seriously, the top line has Weezer, Sylvan Esso, Janelle Monae, and Bright Eyes?!?! We also have Digable Planets doing Blowout Comb, one of the most underrated albums of the ’90s. And the great Quasi (seriously- everyone needs to go to a Quasi concert before they die. Cathartic joy!)? And The Linda Lindas? And SPELLLING???? And HOLY SHIT LOOK AT THE POSTER:
2-Day tickets start at $199, which makes it the best deal for a festival of this size.
When Kraftwerk played the Greek Theatre in Berkeley on April 18, 2025, it was a crystalline reminder of why they remain the architects of electronic music’s DNA. Under the open sky of one of California’s most storied venues, the night was a precise microchip and as alive as the humming bodies on the floor. Continue reading “Show Review: Kraftwerk at The Greek Theater, 4/18/25”
Photo Galleries and Show Reviews by: Alan Ralph @ConcertGoingPro
Spinning Platters attended, photographed, and reviewed (not all) a dozen \m/etal shows in April! Beginning the last weekend of March and throughout April, San Francisco (and Spinning Platters!) had become very \m/etal! Just look at the list of 60+ band names on the left column (on mobile, look near the bottom of the page), which does not happen very often around here anymore…
Continue reading “April \m/etal show photos + reviews: Obituary, Exodus, Death Angel, and more!”
Remember Wild Belle? The brother/sister duo that played a blissful blend of psych, ’60s girl groups, and reggae that released three outstanding records in the 2010s and just disappeared? Well, the group’s sister, Natalie Bergman, went solo, signed to Third Man Records, and is pushing the sonic envelope that her old band was already making with the blissful new track, “Gunslinger.”
“Gunslinger” is the first track off My Home Is Not In This World, in stores and on servers July 18th. You can prepare for this by preordering or presaving here!
Big Ears doesn’t need you; you need Big Ears. You might think “but wait, I already have ears and I don’t need them to be too big!!” but that is only because you don’t know I’m talking about the annual Big Ears Festival in Knoxville, Tennessee which took place March 27th—30th for the 11th time since it was founded in 2009 by the Knoxville born and bred Ashley Capps, the founder of Nashville’s Bonnaroo. I have known the outstanding lineups since 2010, when Terry Riley was Artist in Residence and Bryce Dessner of The National was guest curator. Continue reading “Big Ears 2025 Festival Diary”
