Show Review: The Black Queen with Telefon Tel Aviv and Vogel at Rickshaw Stop, 12/28/2016

Dark industrialists stun with spectacular visuals and dizzying energy

The Black Queen
The Black Queen

It was a dark night at the Rickshaw Stop on 12/28. Droves of music fans, clad in black, funneled in throughout the evening to enjoy the darker side of synth music, and while some folks are near impossible to please, it was pretty obvious that this was one of those nights that would be remembered. It’s not often that an electronic music show is perfectly curated, but clearly The Black Queen was not screwing around when they booked their tour mates.

Continue reading “Show Review: The Black Queen with Telefon Tel Aviv and Vogel at Rickshaw Stop, 12/28/2016”

Show Review: Japandroids at Bar Caradura, Mexico City, 11/25/16

japandroids1
The only moment that the crowd was still enough for me to even attempt a photo.

Several months ago, I decided, along with my girlfriend and a close friend, that spending Thanksgiving in Mexico City would be more fun than staying in the U.S. this year. We booked our flights, and made several fun plans, including a trip to see Lucha Libre on Friday, November 25th. We made these plans shortly before Japandroids announced their “comeback” tour of just a small number of cities worldwide, sadly skipping the Bay Area, but hitting Mexico City on Friday, November 25th. This, of course, meant it was time for me to accomplish the greatest show challenge of my life: a double-header in a foreign country, where I don’t know the layout, and I don’t speak the language. I had spent the past 37 years preparing for this moment.

Continue reading “Show Review: Japandroids at Bar Caradura, Mexico City, 11/25/16”

Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016

o.a.r. headlines Live in the Vineyard 2016 Night 1
o.a.r. headlines Live in the Vineyard 2016 Night 1

Ladies and gentlemen, it’s that time again: Live in the Vineyard. For those unfamiliar, this is a biannual celebration of food, wine, and music, featuring a mix of hit artists and those that are up-and-coming. Events take place in locations all over the Napa Valley, typically culminating each (weekend) day in a concert at Napa’s Uptown Theatre. The event is exclusive in the sense that essentially the only way to attend is to win tickets via one of many contests available via the internet or the radio. This year’s fall event took place last weekend, with Friday night’s show a representative mix of the new and the tried-and-true: Britain’s Got Talent star Calum Scott, bluesy soul married duo JOHNNYSWIM, up-and-coming singer/songwriter Wrabel, American Idol winner Phillip Phillips, and celebrating their 20th anniversary as a band, o.a.r.. Continue reading “Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016”

Treasure Island Music Festival 2016 Journal, Day 1

Photos by Paige Parsons unless otherwise noted
All photos by Paige K. Parsons unless otherwise noted.

For 10 years, the Treasure Island Music Festival has been one of the best-run and best-booked music festivals in the world. Situated on Treasure Island’s west lawn, we got to experience picturesque views of San Francisco, along with some of the best weather and some of the most innovative performers of our time, often just before breaking out to the mainstream. For 9 of those 10 years, everything went off pretty much perfectly; this year, however, mother nature decided that things were going a little TOO well for the festival, and it was time to see how the good people of Noise Pop and Another Planet would handle, well, everything she’s got. In my own humble opinion, they handled it rather nicely, and the 10th year was, once again, extraordinary.

Continue reading “Treasure Island Music Festival 2016 Journal, Day 1”

Treasure Island Music Festival 2016 Journal, Day 2

Photos by Paige Parsons unless otherwise noted
Photos by Paige K. Parsons unless otherwise noted

Day two of Treasure Island started out significantly easier. The winds were calm, and only light sprinkles were on the horizon. Still, I think people were a little nervous about the weather (Or simply stayed out partying late the night before), as when I arrived at 11:30 am on Sunday, the park looked pretty deserted. However, the ferris wheel was up and running, and the coffee line was short, so it made for a very good morning for me.

Continue reading “Treasure Island Music Festival 2016 Journal, Day 2”

Show Review: Boris w/Earth @ The Fillmore 8/25/16

Boris 01

To say that Boris’ performance at the Fillmore was good is an understatement of the highest degree.  Though they are Japanese, they came to San Francisco like Romans.  They saw, and they conquered.  Playing the Japanese track list release of their seminal 2006 album ‘Pink’ they completely owned the stage.  Woe to she/he who was not wearing ear plugs because this band plays LOUD.

First of all:  Anyone who says women can’t play guitar can get back on the Misogyny Train with a one way ticket to “Fuckoff Town,” because Wata destroys the guitar.  Does she explode around the stage like your most punk/metal/rock/insertsomethingovercompensatingHERE person?  No.  But that couldn’t possibly matter because her absolute control over her instrument and her ability with it shine spectacularly.

Earth 04

But let’s backtrack a little bit.  Tour mate’s and opening act, Earth, got the crowd started with their unique western styled sludge metal.  They played 5 songs in their 45 minute set, all of which drew in attention like the white flash of a nuclear blast.  Clad in white cowboy hats, the guitar players clearly needed no bass (especially with a beautiful moog pedal to replace it) and were in their grandest element before a packed house.  I kept seeing images from Sergio Leone westerns over their music which was, in my mind, a worthy replacement of the already wonderful Ennio Morricone scores.

If you think playing the drums FAST is hard.  Imagine playing them slowly.  There is nothing harder than to play slowly (as far as I am concerned) but Adrienne Davis is 100% unperturbed by downbeat half-time tempos and wrecks on the drums in a way that is utterly fascinating to watch.

Boris 05

Throughout the night, all I could say was “What a fucking show.”  That is what was delivered.  Whether you like their music or not, you got a memorable performance.  One for the books; not to be forgotten, etc. etc. etc.  Between Takeshi’s masterful double neck Bass/Guitar (just look at the god damn pictures), Wata’s shredding leads, and Atsuo, the hype master’s, precision drumming (complete with gong bashing insanity), you could not ask for a better show.

Boris + Earth

And just when I thought, “How can they top anything that I just saw?” Instead of an encore set of anything recent, they brought Earth back on stage (completely) and played an epic sludgey jam to close the night.  How often do you get to see 2 drummers and 4 guitarists (one who can switch from bass to guitar at will) just rock the fuck out together for 8 minutes?  The answer is not very often.  If only you could have been there!
They’ll be in Los Angeles tonight and continuing the rest of their US tour throughout the next month or so and they are NOT to be missed.

Earth Setlist: Introduction/Coda Maestoso in F (Flat) Minor | Even Hell Has Its Heroes | The Bees Made Honey in the Lion’s Skull | Torn by the Fox of the Crescent Moon | Old Black | High Command.

http://www.setlist.fm/setlist/earth/2016/the-fillmore-san-francisco-ca-33fc1415.html

Boris Setlist: Blackout | Pink | Woman on the Screen | Nothing Special | N.F. Sorrow | Pseudo-Bread | Afternburner | Six, Three Times | Talisman | Are You Ready | Electric | My Machine | Just Abandoned Myself | Farewell | (Encore) Ouroboros Is Broken (Earth cover w/Earth)

Setlist based on Previous and Following concerts dates where the setlist was identical.

*More photos will be added at a later date.

Show Review: Ratatouille—Feature Film with Live Orchestra

“In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read.” -Anton Ego, Ratatouille

There will be no negative criticism here. Ratatouille live at the San Francisco Symphony was absolutely wonderful, highlighting both the magnificent award-winning score by Michael Giacchino and the brilliant animated masterpiece that is Brad Bird’s 2007 Pixar film. Audience members of all ages, including many families, entered Davies Symphony Hall over the weekend to watch Ratatouille. The SF Symphony has delivered numerous memorable film screenings accompanied by live scores, and this one sits near the top.

Continue reading “Show Review: Ratatouille—Feature Film with Live Orchestra”

Show Review: Star Trek: The Ultimate Voyage: A 50th Anniversary Celebration

Screen Shot 2016-07-14 at 10.41.22 PM

Starfleet uniforms everywhere, a few Klingons posed for pictures, and ‘live long and prosper’ hand signals were shared — yes, the crowds gathered in Davies Symphony Hall last Thursday and Friday for the CineConcerts produced performance of Star Trek: The Ultimate Voyage: A 50th Anniversary Celebration. Fifty years ago, Gene Roddenberry’s incredible contribution to science fiction came to life in the form of Captain Kirk and crew on the starship Enterprise. Since 1966, Star Trek has taken on many forms of media — tv series, video games, feature films, books, and so on. These performances are as much a celebration of the progressive themes and groundbreaking stances in Star Trek as they are of the sense of human existence and exploration, and perseverance, that permeates through every incarnation of the original stories. Oh, yes, and a celebration of the music!

Continue reading “Show Review: Star Trek: The Ultimate Voyage: A 50th Anniversary Celebration

Album + Show Review: case/lang/viers

An album full of hope and loneliness, with a thoughtful approach to life and love’s and their quirky ironies.

Album cover: case/lang/viers
Album cover: case/lang/viers

It’s finally here, and it does not disappoint. When I heard last year that k.d. lang, Neko Case, and Laura Viers were releasing an album together, I naturally shrieked at my computer screen in excitement. Lang and Case are largely responsible for me (more or less) surviving my twenties intact. Their songs provided a compass by which I could navigate being sensitive and assertive, hopeful yet bitter. As with all collaborative projects between women, so much has been written about the harmonies, which are, yes, wonderful; but in my opinion, these have been over-extolled compared with the lyrical and textural content of the album.

Continue reading “Album + Show Review: case/lang/viers”

Show Review: The Music of John Williams—from Star Wars to Harry Potter!

Screen Shot 2016-07-07 at 11.55.48 PM

As you can see from the image above, this wasn’t your average night at the symphony. On Thursday, the San Francisco Symphony honored legendary film composer John Williams with a program full of his iconic, award-winning scores. From fantasy epics like Star Wars and Harry Potter, to memorable dramas like Schindler’s List and Lincoln, John Williams has put a musical stamp on well over 100 films, and is still writing amazing scores to this day, at age 84.

Continue reading “Show Review: The Music of John Williams—from Star Wars to Harry Potter!”