Freestyle rap and improv comedy have plenty in common. First, both have some very strict rules: you aren’t supposed to come in with any pre-written material, and you have to adhere to a commonly expected rhythm that is consistent with the rules of your craft. So it seems almost obvious that improv comics would want to at least try their hand at freestyle rap. And, who knows? Maybe they might actually be good at it. Comedian Eliza Skinner decided it was worthwhile to find out, so she put together a show that challenges comics to attempt to freestyle rap. And she brought that show to SF for the first time as part of this year’s Sketchfest, just to show us that it kind of works a bit.
Continue reading “SF Sketchfest Review: Turnt Up with Eliza Skinner at The Eureka Theater, 1/27/17”
Category: Show Reviews
SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017
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It’s that time of year again: SF Sketchfest 2017 is in town, and as always, brings with it the promise of some great talent and good times. It also marks yet another anniversary for me with Spinning Platters (my 6th), which also always makes me smile. Anyway, this year is no exception in terms of the fun shows I went to, the first being this past weekend, at PianoFight. Kirsten Vangsness may be best known to many of us as her character Penelope Garcia on CBS’ Criminal Minds (or, as Shemar Moore’s character Derek Morgan called her, simply “Baby Girl”). But even if this is the only thing you know her from, my guess is that you, like me, adore her for the quirky, sweet lady she plays on the show. Her original one-woman show MESS intrigued me: I learned that she wrote it based on ideas from a TED Talk (which, admittedly, I haven’t had time yet to watch). I wondered if she would be anything like Garcia, or something else entirely. I admit, I had no idea what to expect, but I couldn’t wait to find out.
Continue reading “SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017”
SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17
Saturday, January 21st, 2017 was a historic day. It marked the most significant single day of protest the US has ever experienced. Nearly one out of every hundred Americans went to the streets to protest the agenda of the incoming administration. It was an amazing and profound experience, and I was proud to participate in it. With it, another, smaller record was broken: on this fateful day, 1,667 people experienced what will be known as the largest improv show in history. (Please don’t fact check this. It’s a joke. Don’t be that person.) Continue reading “SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17”
SF Sketchfest Review: Laraine Newman: The Audition at PianoFight, 1/21/17
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In the world of comedy, Laraine Newman is an industry legend. She’s been consistently working for over 40 years, starting as a member of the legendary first cast of Saturday Night Live, and branching out into dozens of roles in television, film and voice acting. She has an amazing amount of stories, and when I heard she was going to be doing a one-woman show as part of Sketchfest this year, I jumped at the chance to experience her live.
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Show Review: The Black Queen with Telefon Tel Aviv and Vogel at Rickshaw Stop, 12/28/2016
Dark industrialists stun with spectacular visuals and dizzying energy
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It was a dark night at the Rickshaw Stop on 12/28. Droves of music fans, clad in black, funneled in throughout the evening to enjoy the darker side of synth music, and while some folks are near impossible to please, it was pretty obvious that this was one of those nights that would be remembered. It’s not often that an electronic music show is perfectly curated, but clearly The Black Queen was not screwing around when they booked their tour mates.
Show Review: Japandroids at Bar Caradura, Mexico City, 11/25/16
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Several months ago, I decided, along with my girlfriend and a close friend, that spending Thanksgiving in Mexico City would be more fun than staying in the U.S. this year. We booked our flights, and made several fun plans, including a trip to see Lucha Libre on Friday, November 25th. We made these plans shortly before Japandroids announced their “comeback” tour of just a small number of cities worldwide, sadly skipping the Bay Area, but hitting Mexico City on Friday, November 25th. This, of course, meant it was time for me to accomplish the greatest show challenge of my life: a double-header in a foreign country, where I don’t know the layout, and I don’t speak the language. I had spent the past 37 years preparing for this moment.
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Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016
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Ladies and gentlemen, it’s that time again: Live in the Vineyard. For those unfamiliar, this is a biannual celebration of food, wine, and music, featuring a mix of hit artists and those that are up-and-coming. Events take place in locations all over the Napa Valley, typically culminating each (weekend) day in a concert at Napa’s Uptown Theatre. The event is exclusive in the sense that essentially the only way to attend is to win tickets via one of many contests available via the internet or the radio. This year’s fall event took place last weekend, with Friday night’s show a representative mix of the new and the tried-and-true: Britain’s Got Talent star Calum Scott, bluesy soul married duo JOHNNYSWIM, up-and-coming singer/songwriter Wrabel, American Idol winner Phillip Phillips, and celebrating their 20th anniversary as a band, o.a.r.. Continue reading “Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016”
Treasure Island Music Festival 2016 Journal, Day 1
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For 10 years, the Treasure Island Music Festival has been one of the best-run and best-booked music festivals in the world. Situated on Treasure Island’s west lawn, we got to experience picturesque views of San Francisco, along with some of the best weather and some of the most innovative performers of our time, often just before breaking out to the mainstream. For 9 of those 10 years, everything went off pretty much perfectly; this year, however, mother nature decided that things were going a little TOO well for the festival, and it was time to see how the good people of Noise Pop and Another Planet would handle, well, everything she’s got. In my own humble opinion, they handled it rather nicely, and the 10th year was, once again, extraordinary.
Continue reading “Treasure Island Music Festival 2016 Journal, Day 1”
Treasure Island Music Festival 2016 Journal, Day 2
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Day two of Treasure Island started out significantly easier. The winds were calm, and only light sprinkles were on the horizon. Still, I think people were a little nervous about the weather (Or simply stayed out partying late the night before), as when I arrived at 11:30 am on Sunday, the park looked pretty deserted. However, the ferris wheel was up and running, and the coffee line was short, so it made for a very good morning for me.
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Show Review: Boris w/Earth @ The Fillmore 8/25/16
To say that Boris’ performance at the Fillmore was good is an understatement of the highest degree. Though they are Japanese, they came to San Francisco like Romans. They saw, and they conquered. Playing the Japanese track list release of their seminal 2006 album ‘Pink’ they completely owned the stage. Woe to she/he who was not wearing ear plugs because this band plays LOUD.
First of all: Anyone who says women can’t play guitar can get back on the Misogyny Train with a one way ticket to “Fuckoff Town,” because Wata destroys the guitar. Does she explode around the stage like your most punk/metal/rock/insertsomethingovercompensatingHERE person? No. But that couldn’t possibly matter because her absolute control over her instrument and her ability with it shine spectacularly.
But let’s backtrack a little bit. Tour mate’s and opening act, Earth, got the crowd started with their unique western styled sludge metal. They played 5 songs in their 45 minute set, all of which drew in attention like the white flash of a nuclear blast. Clad in white cowboy hats, the guitar players clearly needed no bass (especially with a beautiful moog pedal to replace it) and were in their grandest element before a packed house. I kept seeing images from Sergio Leone westerns over their music which was, in my mind, a worthy replacement of the already wonderful Ennio Morricone scores.
If you think playing the drums FAST is hard. Imagine playing them slowly. There is nothing harder than to play slowly (as far as I am concerned) but Adrienne Davis is 100% unperturbed by downbeat half-time tempos and wrecks on the drums in a way that is utterly fascinating to watch.
Throughout the night, all I could say was “What a fucking show.” That is what was delivered. Whether you like their music or not, you got a memorable performance. One for the books; not to be forgotten, etc. etc. etc. Between Takeshi’s masterful double neck Bass/Guitar (just look at the god damn pictures), Wata’s shredding leads, and Atsuo, the hype master’s, precision drumming (complete with gong bashing insanity), you could not ask for a better show.
And just when I thought, “How can they top anything that I just saw?” Instead of an encore set of anything recent, they brought Earth back on stage (completely) and played an epic sludgey jam to close the night. How often do you get to see 2 drummers and 4 guitarists (one who can switch from bass to guitar at will) just rock the fuck out together for 8 minutes? The answer is not very often. If only you could have been there!
They’ll be in Los Angeles tonight and continuing the rest of their US tour throughout the next month or so and they are NOT to be missed.
Earth Setlist: Introduction/Coda Maestoso in F (Flat) Minor | Even Hell Has Its Heroes | The Bees Made Honey in the Lion’s Skull | Torn by the Fox of the Crescent Moon | Old Black | High Command.
http://www.setlist.fm/setlist/earth/2016/the-fillmore-san-francisco-ca-33fc1415.html
Boris Setlist: Blackout | Pink | Woman on the Screen | Nothing Special | N.F. Sorrow | Pseudo-Bread | Afternburner | Six, Three Times | Talisman | Are You Ready | Electric | My Machine | Just Abandoned Myself | Farewell | (Encore) Ouroboros Is Broken (Earth cover w/Earth)
Setlist based on Previous and Following concerts dates where the setlist was identical.
*More photos will be added at a later date.