Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Photos and review by: Alan Ralph @ARPhotoSF
Swedish band Ghost has returned to the US and is currently on a 7 week tour as the sole support act for the mighty Iron Maiden! In addition to those 26 shows, Ghost booked 14 headliner theater shows, including The Warfield in San Francisco.
Continue reading “Show Review: Ghost, The Warfield, July 2, 2017”
If Day One was about old school and hardcore and Day Two was about politics, then Day Three was about unadulterated partying and England. Admittedly, I am not much of an “oi/streetpunk” fan. It’s not that I am opposed to it, mind you, it’s just that very few of the bands in the genre have impressed their importance onto me. So it was with some trepidation that I embarked to the site of the final day of the festival, with every intention of keeping my mind open and enjoying some hearty music from across the pond.
Continue reading “Festival Review: Punk Rock Bowling — Day 3 (Las Vegas, NV)”
Despite, or maybe in spite, of the heat I woke up for day two feeling refreshed and ready to go. The usual first day kinks had been worked out and entrance into the venue was faster, although I heard some rumor about ISIS threatening to bomb Las Vegas was flying around, which may have accounted for the somewhat increased security at the venue. Punks don’t take too well to the authoritarian attitude of aggressive security guards, so you can probably imagine a lot of grumbling and arguments were to be heard from the lines. Regardless I made it inside with plenty of time to grab a water bottle and head to the stage for the opening act of the day.
Continue reading “Festival Review: Punk Rock Bowling — Day 2 (Las Vegas, NV)”
Where had the time gone? Somehow it was already Sunday, and Day 1 and Day 2 were already behind us!
Sunday promised to have the best weather of all, as well as some acts I’d been really looking forward to. Because I’d missed The Helmets last year – but heard them from my house and was impressed enough to text a friend who was already there, asking who they were – I knew in advance that I had to make it there early this year to see them in action. Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 3”
This year’s Saturday at BottleRock Napa Valley promised to be a beautiful warm and breezy 75 degrees, the perfect weather for a festival full of good music, great food and all the beer, wine, and cocktails you can handle! Once again, there were more acts scheduled than was possible to see all at once, so I had to pick and choose pieces of sets from the bands I most wanted to see to make it all work. (For example, who wants to decide between House of Pain and Bishop Briggs? I wanted to “jump around” and jam out with Ms. Briggs… Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 2”
Last weekend marked the return of my hometown’s beloved music, food and drink festival, BottleRock Napa Valley, which turned five this Memorial Day weekend. In addition to boasting phenomenal music lineups year after year, BRNV offers a wine garden, a “beer bend,” a silent disco, a beer and bourbon garden, displays of art throughout the festival grounds, and of course, the culinary delights that have come to be associated with this valley that is so much more than wine. Continue reading “BottleRock Napa Valley 2017 Festival Journal, Day 1”
The Magnetic Fields are an extremely strange phenomenon: a group that is wildly talented, successful, and fiercely loved by their fans, despite staying relatively far from the radio-friendly limelight. The songwriting of creative leader Stephin Merritt evokes memories of both Sondheim-esque theatrical compositions and shimmering 80s pop ballads; his lyrics range from whimsically poetic to wickedly tongue-in-cheek; and most of their records are complete conceptual pieces, collected in the space of an entire singular work. Despite his dozens of works ranging on anything from 69 songs about love to country-style tunes about the open road, Merritt has seldom penned works that speak specifically about his own life, which is where his new record 50 Song Memoir comes in. Comprised of one song for each of the years in his own life, starting in 1965 and ending in 2015 (when the recording for the album began), the work takes up five discs and two and a half hours of playing time — making it the perfect piece to play across the span of two nights.
In a now-relatively-infamous Tumblr post, Canadian electronic wunderkind deadmau5 (aka Joel Zimmerman) called out the DJ world for the lack of ingenuity and overall simplicity of their live shows. Ever since, he’s worked to keep pushing the envelope of his own performances, adding layer after layer of lights and screens that are all triggered by his own available controls, and his popularity continues to ride high even as the EDM scene itself shifts and changes. As a pretty popular act, it’s rare to see the synth mastermind outside of massive festivals or arena tours, so his Lots Of Shows In A Row tour was a treat to see — particularly at Oakland’s Fox Theater, a venue which has lately proven rather popular with the electronic music scene.
Continue reading “Show Review: deadmau5 w/Feed Me at the Fox Oakland, 4/25/2017”
If the experience of Sigur Rós live can be described as wondrous, then beholding them with an orchestra is a truly transcendent experience. Prior to this tour as a three-piece, I’ve always seen them with some form of miniature assemblage accompanying them, whether it’s the obscure-instrument-wielding Amiina or the Icelandic indie-folk group Parachutes, but never with a full symphony orchestra supporting them. Originally advertised as “career-spanning sets including fan-favorites (with orchestral accompaniment) and – “if things go to plan” – new, unreleased music (without orchestra)”, each night was a set similar to the current touring setlist, with the first half of the night seeing the band accompanied by the orchestra and the second with them playing solo. Despite the fact that each show had the same set of songs, each night was a different experience as the band and engineers discovered how to make the sound best fill the room, and the results were utterly spectacular.
Raiders of the Lost Ark is the quintessential action-adventure film. One could confidently claim that it is the greatest action-adventure film of all time! There is nothing about Steven Spielberg’s 1981 classic that isn’t famous — the giant boulder, the snakes, the hat & whip, every single line of dialogue, Marion’s alcohol tolerance, the airfield fist fight, the melting faces, poisoned dates, and so on. Yet, one component of the film is arguably more iconic than all the rest: John Williams’s score. The awe-inspiring, galloping main theme that nearly all humans can identify is a benchmark against which all other adventure film music is compared, and it is the basis for which this amazing night at the San Francisco Symphony exists!
Continue reading “Show Review: Raiders of the Lost Ark Live in Concert with the SF Symphony”
