Category: Show Reviews

Single of the Week: “Gunslinger” by Natalie Bergman

Remember Wild Belle? The brother/sister duo that played a blissful blend of psych, ’60s girl groups, and reggae that released three outstanding records in the 2010s and just disappeared? Well, the group’s sister, Natalie Bergman, went solo, signed to Third Man Records, and is pushing the sonic envelope that her old band was already making with the blissful new track, “Gunslinger.”

“Gunslinger” is the first track off My Home Is Not In This World, in stores and on servers July 18th. You can prepare for this by preordering or presaving here!

Big Ears 2025 Festival Diary

Big Ears doesn’t need you; you need Big Ears. You might think “but wait, I already have ears and I don’t need them to be too big!!” but that is only because you don’t know I’m talking about the annual Big Ears Festival in Knoxville, Tennessee which took place March 27th—30th for the 11th time since it’s it was founded in 2009 by the Knoxville born and bred Ashley Capps, the founder of Nashville’s Bonnaroo. I have known the outstanding lineups since 2010, when Terry Riley was Artist in Residence and Bryce Dessner of The National was guest curator. Continue reading “Big Ears 2025 Festival Diary”

April \m/etal show photos + reviews: Cradle of Filth, Arch Enemy, Meshuggah, and more!

Photo Galleries and Show Reviews by: Alan Ralph @ConcertGoingPro

Beginning the last weekend of March and into April, San Francisco (and Spinning Platters!) has gotten very \m/etal!  Just look at the list of 60+ band names on the left column (on mobile, look near the bottom of the page), this does not happen too often around here anymore…

Spinning Platters is going to attempt to attend, photograph, and review as many of these as possible, and throughout the month will report back here with our findings (photos and possibly a review) shortly after each show! \m/

Continue reading “April \m/etal show photos + reviews: Cradle of Filth, Arch Enemy, Meshuggah, and more!”

Show Review: Beth Gibbons with Cass McCombs at The Warfield, 4/15/25

On October 21st, 2011, I impulsively bought a ticket to see Portishead at The Greek Theater that night. My familiarity with the band was effectively “I know the singles” and not much more, but I had lots of friends attending, and nothing else was going on. When I did show up, I couldn’t find my friends, and eventually found a friend that I hadn’t seen in years, and enjoyed reconnecting. Then the music started, and I was profoundly transfixed for nearly two hours. It was emotionally turbulent and a genuine catharsis. Nothing happened as planned, and it may have been all the better for it. 

Continue reading “Show Review: Beth Gibbons with Cass McCombs at The Warfield, 4/15/25”

Show Review: Hiromi’s Sonicwonderland at The Moore Theater, 4/13/25

I have to admit here right out of the gate that I’m pretty new to the world of Japanese jazz composer and keyboardist Hiromi Uehara. At some point last year, the YouTube algorithm decided to recommend to me her solo piano composition “The Tom and Jerry Show,” and I instantly became obsessed. However, like many YouTube recommendations, it allowed me a point of entry into her vast solo piano compositions, but for whatever reason, I couldn’t find a way into her combo-based music. Maybe I just got too wrapped up in the aural aesthetic of her solo piano work, or maybe I just got stuck. On April 4th of 2025, her newest album from her quartet Sonicwonderland, Out There, a 9-song jazz fusion masterpiece that clocks in at almost exactly an hour. On this crisp Sunday Seattle evening, less than two weeks after her newest album’s release, I gathered with an excited all-ages crowd at The Moore Theater to hear her and her virtuoso band breathe a different kind of life into her brand new Out There compositions. Continue reading “Show Review: Hiromi’s Sonicwonderland at The Moore Theater, 4/13/25”

Show Review: Martha Wainwright at Great American Music Hall, 4/2/25

Comes out and plays through the album that made her, that created a being separate from lineage, too mature for this crude southern land, the pedigree and the world wise chanteuse disorienting pop music. Self aware, the first line is an irrepressible fein to the Carpenter’s ‘Superstar’. The very first line claims a place: Long ago, and so very… Continue reading “Show Review: Martha Wainwright at Great American Music Hall, 4/2/25”

Show Review: Bit Brigade at Nectar Lounge, 3/23/25

“Virtuoso Musicianship via 80’s Nintendo Game Delivery System”

Long before I saw any live music or before I even owned an album on CD or cassette I listened to countless hours of Japanese composers that I didn’t know the names of as I fettered my preteen hours away playing video games on my Nintendo. To say that these songs had an impact on me would be an understatement. Experiencing Bit Brigade play two of the games I played the most often last Sunday night tapped into something more important to me and my development as a music listener than I can quite put into words. 

Show Review: Franz Ferdinand with Telescreens at The Warfield, 3/28/25

The last time I saw Franz Ferdinand live was in 2013, and they played a last-minute gig to raise money for a fan who lost everything in a fire. It was in the basement of the clothing store Vacation in the Tenderloin and admission was “Five Lotto Scratchers.” It was pretty damn magical. Like, in my top 10 show experiences ever. The problem with seeing a “peak magic” show is that it’s hard to go back.
Continue reading “Show Review: Franz Ferdinand with Telescreens at The Warfield, 3/28/25”

Show Review: The Linda Lindas with Be Your Own Pet at The UC Theatre, 3/20/25

It’s been about six years since Spinning Platters first encountered The Linda Lindas. They were all in middle school at the time but managed to score the opening slot for Bikini Kill’s second show in 20 years. They played 30 minutes worth of classic punk covers with the skill of players twice their age but with the enthusiasm and curiosity of, well, pre-teens. Fast forward six years, and they have three albums worth of critically acclaimed original material and have risen to be the band effectively leading Gen Alpha to rock ‘n roll. 

Continue reading “Show Review: The Linda Lindas with Be Your Own Pet at The UC Theatre, 3/20/25”

Noise Pop 2025: A Recap

Noise Pop 2025 kicked off with a bang — and my festival experience started with picking up my badge at the California Academy of Sciences on a Thursday evening. Coinciding with the Academy’s weekly NightLife program, the scene was electric. Even though I was solo, it struck me as possibly the best Bay Area date night I’ve seen in years. Noise Pop was in full swing, contributing DJs and a dance floor to the evening’s programming. But the real magic came from the Academy itself. There’s something about wandering through the aquarium under black lights, music pulsing through the exhibits as exotic fish glide by. People of all ages roamed the space in pairs or pods, sipping craft cocktails from the multiple bars scattered throughout. Small science demos popped up in every corner, adding an intellectual edge to the atmosphere. It was a perfect blend of science, art, and social buzz — I’d give it a solid 100 for ingenuity and wholesome romantic fun. Continue reading “Noise Pop 2025: A Recap”