Category: Interviews

Spinning Platters Interview: Miranda July on “The Future”

Miranda July in THE FUTURE

Miranda July is an anomaly in the film industry. Perhaps this is because, although she has experienced success within it, she understands there is much more to the creative world outside of it. A multimedia artist in the truest sense of the term, July has been celebrated as much for her performance art as for her filmmaking. Her multimedia pieces have been shown and performed in galleries around the world. Her debut collection of short stories, No One Belongs Here More Than You (2007), won the Frank O’Connor International Short Story Award. And her debut film, Me and You and Everyone We Know (2005), which July wrote and directed as well as starred in, won four prizes at the Cannes Film Festival, in addition to numerous critics awards and a Special Jury Prize at Sundance.

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Spinning Platters Interview: Lone Scherfig on “One Day”

Lone Scherfig on the set of ONE DAY

“Look at this city!” Lone Scherfig is staring out at the San Francisco skyline from a conference room at the Ritz Carlton, perched high atop Nob Hill. Despite being a celebrated international director with a penchant for filming in the world’s loveliest locations, the 52-year old Danish director is in San Francisco for the first time (the closest she’d come previously was an appearance at the Mill Valley Film Festival). “You have so much good architecture here,” she exclaimed, eyes scanning the cityscape before us.

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Spinning Platters Interview: Emma Stone, Octavia Spencer and Tate Taylor on “The Help”

Emma Stone, Octavia Spencer and Viola Davis in THE HELP

Emma Stone has a lot on her mind this summer. After a star-making and critically acclaimed turn in Easy A transformed the now 22-year-old into one of Hollywood’s most in-demand young actresses, Stone filmed three consecutive high-profile projects: Friends With Benefits (for her Easy A director Will Gluck), Crazy, Stupid, Love., and The Help. And now, as these things sometime happen, all three films have been released within just one month of each other, with Stone doing press for the latter two. Add in her Comic-Con duties promoting her role as Gwen Stacy opposite Andrew Garfield in next summer’s highly anticipated The Amazing Spider-Man, and you’ve got one hell of a busy summer.

But right now Emma Stone only has one thing on her mind: cookies. Specifically, the giant chocolate chip cookies available at the Four Seasons.

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Spinning Platters Interviews: Brit Marling and Mike Cahill on “Another Earth”

When Mike Cahill and Zal Batmanglij were students at Georgetown, they co-directed a film and entered it in the campus film festival. The film won a prize, and they were invited onstage for a Q&A. From the stage, they noticed a “little waify blonde girl” jump up in the front row and start what became a full-audience standing ovation. “Who was that?” Batmanglij said to Cahill later. “There was something about her. Did you see her?” The young woman in question was Brit Marling, a fellow Georgetown student who was studying economics. She soon approached the student filmmakers and expressed her desire to collaborate with them. The trio began working on a series of shorts, and eventually moved to Los Angeles to live together while banging out scripts and hoping for the opportunity to show others their work.

Fast forward to January 2011: Cahill and Batmanglij have each directed a film, both co-written with and starring Marling, and both have been accepted to the Sundance Film Festival. Cahill’s film, Another Earth, premiered to a standing ovation, and went on to win the 2011 Alfred P. Sloan Prize for feature films focusing on science or technology. Another Earth and Batmanglij’s film, The Sound of My Voice, would both be picked up by Fox Searchlight. And now Cahill and Marling are touring the country speaking at their own Q&A’s to promote Another Earth, which opens on July 29. Spinning Platters recently jumped into this whirlwind of standing ovations and film festival prizes to speak individually with Marling and Cahill about the marvelous insanity of the last seven months.

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10 Quick Questions with Robert and David Perlick-Molinari of French Horn Rebellion

French Horn Rebellion are an electronic music duo from Milwaukee, Wisconsin. They consist of brothers Robert and David Perlick-Molinari, and, yes, they do actually incorporate the french horn into their mix of disco, pop, and a whole slew of other sounds. This Thursday, May 19th, we’ve got two opportunities to enjoy these guys live. They are opening for Yelle at The Regency Ballroom at 8 PM, and then running over to Rickshaw Stop for a Popscene DJ set right afterwards. Spinning Platters had a chance to talk to the brothers about the creative process, the french horn, and so on.

How do you treat the french horn on your records? The instrument is there, but rarely sounds like a french horn…
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Spinning Platters Interview: Aimee Teegarden and Thomas McDonell on “Prom”

Aimee Teegarden and Thomas McDonell in PROM

Aimee Teegarden and Thomas McDonell are a bit of an odd couple. And I say “couple” figuratively, since the two aren’t actually reported to be dating (an increasing rarity in these promotional showmance times we live in). Teegarden is, at 21, already a consummate media professional. An actor in film and television from the age of 14, she recently spent five very big years of her young life living in Austin while filming the critically beloved NBC series Friday Night Lights, currently airing its fifth and final season. Talking with Teegarden feels like chatting with the button-cute president of the FBLA: she is bright, quick, and upbeat. But ironically, playing a teenager for five years meant she had to miss high school herself. “I was working,” she says ruefully.

McDonell, on the other hand, is new at this. The well-spoken NYU-trained actor, 24, got his first film role when he auditioned “as an experiment” for a small role in the Jackie Chan movie The Forbidden Kingdom while living in China to study contemporary art. This was followed by another small role in Joel Schumacher’s Twelve. And now, he suddenly finds himself playing the romantic bad-boy lead opposite Teegarden in Disney’s Prom, which the studio is hoping will take off like High School Musical. He has also been cast as the younger version of Johnny Depp’s character in Tim Burton’s upcoming Dark Shadows film. It seems like big things are in store for him. But for now, he is brooding through his exhaustion.

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Spinning Platters Interview: Saiorse Ronan and Joe Wright on “Hanna”

Joe Wright and Saiorse Ronan at the WonderCon panel for "Hanna" in San Francisco last weekend. Photo by Kendall Whitehouse.

“Does anyone have a terrible allergy to cigarette smoke?” Joe Wright, the director of Hanna, is hoping the answer is no. It’s a Friday afternoon, and he’s looking a bit rough. Perhaps it’s a combination of jetlag and the looming specter of WonderCon 2011, which will be kicking off in a few hours. While Wright is no stranger to publicity tours, this is the first time he’s working the geek festival circuit. His previous three feature-length directorial efforts — Pride and Prejudice (the 2005 version starring Keira Knightley in an Oscar-nominated lead performance), Atonement (the breakthrough film of Hanna star Saiorse Ronan, whose performance garnered her a Best Supporting Actress nomination at the age of 13), and The Soloist, a contemporary drama starring Robert Downey Jr. and Jamie Foxx — did not take him down this particular promotional path.

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Spinning Platters Interview: Rainn Wilson and James Gunn on “Super”

Rainn Wilson and James Gunn at WonderCon in San Francisco last weekend. Photo by Kendall Whitehouse.

Rainn Wilson and writer/director James Gunn were in San Francisco this past weekend to promote their bold and demented new film, Super (read our Spinning Platters review here), at WonderCon. It was my first time entering the WC fray, and I found myself wishing I’d brought a bag of bread crumbs while navigating the labyrinthine expanse of Moscone South. But eventually I found the designated press room, where I waited patiently with a table of my fellow online press while Wilson and Gunn worked their way down a seemingly endless line of video interviews. One queasy highlight of this was watching Gunn being forced to awkwardly refer to “Jenna Fischer, my ex-wife” each time he was asked how Wilson came to be involved with the project.

But eventually the video interviews concluded, at which point they were escorted directly to our waiting table. “Here are the nerds!” Wilson cried out in relief upon approaching us. As they got seated (and Wilson bellowed “Hello machines!” into our assorted collection of recording devices), we kicked off a lively conversation on topics like how to make a homicidal maniac sympathetic, pioneering the concept of superhero female-to-male rape, and Wilson’s efforts to keep his character as far from Dwight as possible.

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Spinning Platters Interview: Tom McCarthy on “Win Win”

Tom McCarthy directing Paul Giamatti on the set of WIN WIN. © 2011 - Fox Searchlight

As an actor, Tom McCarthy is that guy you know you’ve seen somewhere. You can’t quite put your finger on it, but he was definitely a cop/lawyer/scientist/reporter in something. And in his 20 years as a screen actor, McCarthy has indeed worked with an impressive roster of directors, including George Clooney (Good Night and Good Luck), Peter Jackson (The Lovely Bones), and Clint Eastwood (Flags of Our Fathers). He also had key arcs on acclaimed TV series Boston Public and, perhaps most notably, the final season of The Wire. But it is McCarthy’s work as a writer and director which has earned him the greatest praise.

After breaking out with the 2003 Sundance favorite The Station Agent, in which Michelle Williams took one of her first major steps toward becoming the indie queen she is today, McCarthy directed the celebrated drama The Visitor, which scored an Oscar nomination for lead actor Richard Jenkins. And now, after receiving his own Oscar nomination for co-writing Up, McCarthy is back with the highly anticipated Win Win, the crowd-pleasing tale of a down-on-his-luck high school wrestling coach (Paul Giamatti) who unwittingly discovers a talented young wrestler (newcomer Alex Shaffer) while engaged in some shady business dealings. McCarthy recently sat down with Spinning Platters to discuss the plight of wrestling in New Jersey, how he nearly turned down The Wire, and the creative liberation of costarring in 2012.

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Spinning Platters Interview: Gregg Araki on “Kaboom”

Gregg Araki directing Thomas Dekker and Juno Temple on the set of KABOOM

For most of the ’90s, the name “Gregg Araki” was synonymous with edgy underground movies about armageddon and alienation, with bursts of disturbing violence and, most importantly for those of us who were going through puberty at the time, lots of graphic pansexual coupling. Emerging from the New Queer Cinema scene with films like The Living End and Totally Fucked Up, Araki earned his place in the cult-movie pantheon with his sex-and-apocalypse masterworks The Doom Generation and Nowhere.

Then, after 1999’s comparatively tame romantic comedy Splendor, Araki stunned fans and critics alike with the devastating drama Mysterious Skin, which starred Joseph Gordon-Levitt in a revelatory, career-best performance as a furious hustler living in the aftermath of the molestation he suffered as a young boy. Araki followed this with a much lighter offering, the delightful Anna Faris stoner comedy Smiley Face.

But for those of us who’ve always had a soft (or hard) spot for his ’90s heyday, there’s good news: the old Araki is back in business with Kaboom, which out-sexes and over-apocalypses even his most delirious big-screen moments. Araki recently sat down with Spinning Platters to discuss creative freedom, talking to Republicans about gay sex, and the Doom Generation commentary track we’ve all been waiting for.

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