Category: Interviews

10 Quick Questions with Robynn “Cup” Iwata from cub

Long ago, I was a teenage punk. I did not have a ticket to the final Ramones show at The Warfield, and didn’t have any tricks yet for getting into a sold out show. My friends and I waited a bit, and eventually got a flyer that said “Free All Ages Punk Show at Trocadero Transfer: The Queers, cub, The Potatomen.” This was a key show for me. I bought a cub / Potatomen split 7″ and cub became one of my very favorite bands. The record they were touring was Come Out Come Out, which has become a twee punk classic. Mint Records has recently released a 30th anniversary remaster of this classic jam(buy it here), and we got to talk with Robynn “Cup” Iwata, the band’s guitarist as well as a member of Bay Area experimental legends I Am Spoonbender, and once part of the highly influential and legendary record store, Open Mind Music. 

1.) Things have been quiet with cub for a long time. What made you folks decide to get together for this reissue after all that time apart? Continue reading “10 Quick Questions with Robynn “Cup” Iwata from cub”

How Did Sydney Kane Get Here?

How Did I Get Here? is back for its first episode of 2026. And my chat was with the amazing musical comedian Sydney Kane ahead of her bringing her one-woman show, Wife Material, on a West Coast tour! We talked about, well, a bunch of the usual tangential silliness, all while learning about how she found her voice and her way into comedy.

Sydney Kane is bringing Wife Material to SF for SF Sketchfest at Eclectic Box on Sunday, January 25th (Tix Here) and to LA at Hudson Backstage Theater on February 16th (Tix Here). Follow her on Instagram for more everything. And, if you really want to learn about all things Bay Area Burrito, here is such a bonkers and well-researched guide that I will still argue is wrong at times. 

Side Note: We discuss how amazing Jenny Slate is, and I realized she is ALSO playing SF Sketchfest. Catch her with Max Silvestri and Gabe Liederman at the Sydney Goldstein Theater on February 1st (Tix Here)! 

Show Review: Highlights of Aftershock 2025!

Review by:
Alan Ralph @ConcertGoingPro and Emily Anderson @emilyphotoadventure

Photos by:
Alan Ralph @ConcertGoingPro unless otherwise stated

Nearly one year ago, at the very end of Spinning Platters’ Aftershock 2024 review, this question was raised: “West Coast’s Biggest Rock Festival had such a stellar lineup this year, HOW are they possibly going to outdo themselves in 2025?!?!” 

If one hundred people were asked if 2025 was better than 2024, there would undoubtedly be one hundred different answers and opinions. Aftershock 2024 was so exceptionally good and a heavy metal fan’s wet dream – Iron Maiden, Judas Priest, Slayer, Pantera, Slipknot, Mastodon, Anthrax, Clutch, Ministry, Body Count and more! Fans of other genres of rock, punk, and loud music were still out in force, as Aftershock 2024 set an attendance record of 40,000 people per day, but may have felt neglected by the sheer amount of metal that closed every night of the festival.

For the 13th annual Aftershock in 2025, promoter Danny Wimmer Presents (DWP) altered the overall lineup to cater to the rest of those fans while still appealing to the heavy metal fans, by combining every Warped Tour, Ozzfest and Rockstar Mayhem Festival lineup, put it all in a blender, and poured it in a tall glass of Discovery Park for four days of the best rock, alt-rock, metal, 2000’s nu-metal, hardcore, and pop-punk bands, all in one place at one time in the outskirts of downtown Sacramento!  

Continue reading “Show Review: Highlights of Aftershock 2025!”

How Did Molly Neuman Get Here?

Molly Neuman is a rock n roll legend. She is the drummer for Riot Grrl groundbreakers Bratmobile. She was also a member of The Peechees and The Frumpies. AND she helped run Lookout Records in the late 90s. AND managed The Donnas. AND was Vice President at early digital music distributor eMusic. This is only a small portion of her career.

She’s now President of CD Baby and hitting the road with Bratmobile this Summer: Continue reading “How Did Molly Neuman Get Here?”

Spinning Platters Interview: Martha Wainwright

Martha Wainwright is the kid-sister scion of a Canadian-American folk music dynasty, a fact not so notable for what is to American Popular music, a particular provincial renown, but for multi-generational musical avouchment; the inescapable gravity of a family that sings its sins to the public. She grew up at the knees of Leonard Cohen, Emmilou Harris, Richard and Linda Thompson, etc. It is an inescapable and fascinating bramble of musical history.
 
I want you to watch the YouTube video of ‘Proserpina‘ from Not So Silent Night, McGarrigle & Wainwright Christmas Celebration at the Royal Albert Hall, December 9th, 2009. This is the last song written by her mother, Kate McGarrigle, and performed here by her, a month before she died of cancer far too young at 63. The recommendation menu will likely offer Martha’s haunting rendition in a sparse head-on video of the track that anchored her 2012 Album, Come Home to Mama. The song stands on its own, but the context dares you to tears. A mother twice over, Martha Wainwright is well grown up now.
 
Of her father, louche folk singer, Loudon Wainwright III, she has said, “For most of my childhood Loudon talked to me in song, which is a bit of a shitty thing to do, especially as he always makes himself come across as funny and charming while the rest of us seem like whining victims, and we can’t tell our side of the story. As a result he has a daughter who smokes and drinks too much and writes songs with titles like ‘Bloody Mother Fucking Asshole’.” That song was the hand grenade she smuggled into her eponymous first album twenty years ago. The current tour is built on this anniversary. But it is also a tour of her recent memoir, ‘Stories I Might Regret Telling You,‘ from which she reads some of that bramble at each show.
 
Martha was kind enough to grant me some of her time between the tour’s first and second leg.
 

Continue reading “Spinning Platters Interview: Martha Wainwright”

How Did Nadia Quinn Get Here?

Nadia Quinn is an NYC-based singer, songwriter, comedian, writer, and actress, and she probably has 100 other jobs that we neglected to cover. We had a great conversation about family and comedy and the stress of comedy music.

Nadia has TWO appearances at SF Sketchfest this week. She is part of the Middle Aged Dad Jam Band at Great American Music Hall on February 1st and brings her own show, The Nadia Quinn Show, to The Lost Church on February 2nd. The State’s Ken Marino and Thomas Lennon are expected to crash both events. I plan on attending both shows, so if you see someone who looks like a visually impaired Jack Black, feel free to say hello!

How Did Zoe Ko Get Here?

Zoe Ko is a pop/rock songwriter who has gifted the world some great, highly infectious singles and an EP in 2023. 2024 has been incredibly productive for her, and we had a great chat about nurturing your career, finding your people and your sound, and a lot about her future, including touring and what we should expect in the studio.

Zoe Ko’s latest single, “Lucky,” can be found here. Her website is here, but her Instagram is the best place for new news as it drops!

Spinning Platters Interview: Eva Hendricks of Charly Bliss

I’ll admit it. I never thought I’d see another Charly Bliss record. When COVID struck, the lead singer, songwriter, and lyricist, Eva Hendricks, had been in Australia and ended up moving there. How does a New York-based band survive when their singer lives on the opposite side of the world at a time when travel was nearly impossible?

Then, one day, after three years of silence, a new song appeared. Then another. Finally, we got the exciting news that a new album and tour were right around the corner. That album, Forever, comes out this Friday, August 16, on the UK-based label Lucky Number. It not only sounds like what we’ve heard before from Charly Bliss, but it is also a step forward in both songwriting and lyricism. 

How did this happen? How did the band keep it all together and get to the point where they were going to keep this band going forever? I hopped on Zoom with Eva, 17 hours ahead on the clock in Australia, to find out! Continue reading “Spinning Platters Interview: Eva Hendricks of Charly Bliss”

Interview: Yasuko Onuki & Ichiro Agata of Melt-Banana

Melt-Banana has always been my favorite band from Japan. For over 40 years, they’ve been releasing some of the fastest and most furious guitar-driven music and show no signs of slowing down. In tempo or workload. On August 23rd, they will be releasing their first record in 9 years, “3+5,” which is available to preorder here. Shortly after the release, they will be touring the UK, and hopefully, they will join us back in the States soon. We had the opportunity to chat it Yasuko Onuki and Ichiro Agata during their break between US and UK tours, and I believe I was able to tone down my fanboy instincts to have a coherent chat:  Continue reading “Interview: Yasuko Onuki & Ichiro Agata of Melt-Banana”

Interview with Bay Area Theatre Legend Andrea Gordon

Interview by Sahar Yousefi
Written by Edward Mulryne and Sahar Yousefi
 
Andrea Gordon takes the helm as Director of Play Reading and Production at the Magic Theatre in San Francisco. Photo by Jessamyn Picton, 2024.
Acclaimed theatre writer, director and producer Andrea Gordon is presenting a six-part series of monthly play readings with her company Rainbow Zebra Productions at the Magic Theatre in San Francisco. Titled the ‘Reading Series Extravaganza’, every performance will feature a piece of new writing and local actors, with casting by Liam Vincent.
 
Curious to know more about this ambitious and community-minded project, Spinning Platters recently sat down with Andrea Gordon for an interview.

Continue reading “Interview with Bay Area Theatre Legend Andrea Gordon”