Film Review: Django Unchained

django-unchained-2

starring: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson

written and directed by: Quentin Tarantino

MPAA: Rated R for strong graphic violence throughout, a vicious fight, language and some nudity

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Film Review: Les Misérables

Les-Mis-Hathaway-Jackman

starring: Hugh Jackman, Russell Crowe, Anne Hathaway, Eddie Redmayne, Samantha Barks, Amanda Seyfried, Sacha Baron Cohen, Helena Bonham Carter, Aaron Tveit

screenplay by: William Nicholson

directed by: Tom Hooper

MPAA: Rated PG-13 for suggestive and sexual material, violence and thematic elements

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Film Review: This Is 40

Paul Rudd and Leslie Mann in THIS IS 40
Paul Rudd and Leslie Mann in THIS IS 40

starring: Paul Rudd, Leslie Mann, Maude Apatow, Iris Apatow, Jason Segel, Annie Mumulo, Robert Smigel, Megan Fox, Charlyne Yi, Albert Brooks, John Lithgow, Chris O’Dowd, Melissa McCarthy, Lena Dunham

written and directed by: Judd Apatow

MPAA: Rated R for sexual content, crude humor, pervasive language and some drug material

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Spinning Platters Interview: Ang Lee on “Life of Pi”

Ang Lee on the set of LIFE OF PI

They said it couldn’t be done: a movie version of Yann Martel’s bestselling novel Life of Pi, an intensely visual parable that consists almost entirely of a teenaged Indian boy named Pi lost at sea on a tiny rowboat with a wild tiger as his only companion? Bah, said some. Blergh, exclaimed others. Bloop, said NeNe Leakes. But clearly the naysayers hadn’t considered the possibility that Ang Lee, the Oscar-winning 58-year-old director of such contemporary classics as Crouching Tiger, Hidden Dragon and Brokeback Mountain, would consider taking the helm. But take it he did, choosing the spiritual allegory as his follow-up to the modestly received Taking Woodstock.

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Spinning Platters Interview: Joe Wright on “Anna Karenina”

Joe Wright and Keira Knightley on the set of ANNA KARENINA

“I cannot believe that I am less important than Tyra Banks!” Joe Wright exclaims with mock-indignation. He has every reason to be nonplussed. Through a bizarre chain of last-minute developments, I have found myself with a direct conflict to our scheduled interview time: the opportunity to ask Tyra Banks a question over the phone for a rare pre-taped episode of Bravo’s Watch What Happens Live. The call had originally been scheduled over an hour prior to my interview with Wright, but TyTy took her sweet-ass time arriving to the taping; so now here I am, sitting at the Ritz-Carlton with my iPhone flattened against my ear, waiting anxiously for my Tyra cue while Wright, the British director of such Oscar-nominated dramas as Pride and Prejudice and Atonement, paces in front of me with an unlit cigarette. I am fully aware that I am showing questionable judgment and hope that Wright’s next interviewer will show up so that we might reshuffle our schedule, but the next interviewer is nowhere to be found, and I am now personally responsible for keeping Joe Wright waiting.

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Spinning Platters Interview: Robert Zemeckis on “Flight”

Robert Zemeckis and Denzel Washington on the set of FLIGHT

François Truffaut once said that a great movie is the perfect blend of truth and spectacle. This is one of Robert Zemeckis’ favorite quotes, and as evidenced by his staggering filmography, a guiding principle in his work. From his 1984 action-comedy Romancing the Stone onward, he has displayed an virtuosic ability to craft culture-defining megahits that use cutting-edge technology to tell unforgettable stories. Comedic VFX-driven comedies like the Back to the Future films, Who Framed Roger Rabbit, and Death Becomes Her led to such powerfully soul-searching dramas as Forrest Gump (which won him the Oscar for Best Director), Contact, and Cast Away (which came out a few months after his deliciously sinister suspense flick, What Lies Beneath). Zemeckis’ interest in new filmmaking technology then led him on a decade-long detour into animation, and for a time, it seemed like we may have lost the visionary who so radically broadened the horizons of live-action film. But now, twelve years after his last non-animated movie, he is back with Flight.

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Film Review: “Silver Linings Playbook”

Jennifer Lawrence and Bradley Cooper in SILVER LININGS PLAYBOOK

starring: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Chris Tucker, John Ortiz, Julia Stiles

written by: David O. Russell (screenplay), Matthew Quick (novel)

directed by: David O. Russell

MPAA: Rated R for language and some sexual content/nudity

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Spinning Platters Interview: Jackson Rathbone on “The Twilight Saga: Breaking Dawn – Part 2”

Jackson Rathbone in THE TWILIGHT SAGA: BREAKING DAWN – PART TWO

How will civilization sustain itself without a Twilight movie to look forward to every fall? I for one will miss my annual trip to the theater each November to watch a Morrissey-looking vampire and shirtless werewolf fight for the love of an unhappy lesbian. One person with an even more personal take on the conclusion of the series is X-Men enthusiast, Civil War buff, and Twilight actor Jackson Rathbone (he plays Jasper Hale, neither the Morrissey-looking vampire nor the shirtless werewolf ), whom I spoke to during a recent press junket.  Looking less pale and significantly less blond than he does in the films (Rathbone had to dye his naturally dark hair blond to match the character description in the books) the charming Texan talked about his illustrious ancestry, his action figures and what might be next now that Breaking Dawn has broken.

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Film Review: “Lincoln”

Daniel Day-Lewis in LINCOLN

starring: Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt, James Spader

written by: Tony Kushner

directed by: Steven Spielberg

MPAA: Rated PG-13 for an intense scene of war violence, some images of carnage and brief strong language

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Film Review: “Skyfall” (aka The New James Bond Movie)

Daniel Craig as James Bond in Skyfall.

Starring: Daniel Craig, Javier Bardem, Ralph Fiennes, Naomie Harris and Judi Dench

Written by: Neal Purvis & Robert Wade and John Logan

Directed by: Sam Mendes

MPAA: Rated PG-13 for intense violent sequences throughout, some sexuality, language and smoking

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