Films – Page 7 – Spinning Platters

Film Review: “The Smashing Machine”

The Smashing Machine feels like a lightweight bout before the main event

Mark (Dwayne “The Rock” Johnson) feels the brief glory in “The Smashing Machine.”

Over the past ten years, I’ve asked and been asked a recurring question when a conversation turns to movies: Dwayne “The Rock” Johnson is a good actor, so why isn’t he choosing better projects? For a moment, let’s set aside the very entertaining Jumanji reboot, the fantastic Fast Five, and the Moana phenomenon, because the rest of his filmography between 2014-2025 is abysmal at worst, forgettable at best. Johnson has raked in enough dough and created enough global popularity and goodwill to justify his choices. However, ask any of Johnson’s biggest fans (and some of his detractors) and they’ll tell you he maintains an undiscovered level to his acting abilities, the sort of emotional range he inched toward in 2004’s Walking Tall remake, Richard Kelly’s Southland Tales, and even Michael Bay’s Pain & Gain. Instead, Johnson has returned to lackluster, CGI-laden IP projects over and over again, resulting in diminishing returns. The combined trio of critical and box office disasters Black Adam, Fast X, and Red One were the final straw, and Johnson now appears to be shifting gears. The Smashing Machine is an impressive and appropriate first step in Johnson’s new career path, though the film lacks invention and purpose. Continue reading “Film Review: “The Smashing Machine””

Film Feature: MVFF48 Festival Preview #2

If it’s October, it must be Mill Valley. Yes, everyone’s favorite fall film fest opens tonight, Thursday, October 2nd. You can check out the full program here, and don’t despair if a screening is listed as “standby”: more tickets may be released before the screening date, and same-day wait list tickets most likely will be available. Check out the Box Office for more information. We already presented a sneak peak of three of of this year’s offerings, and below we highlight five more: four great features and an equally worthy documentary. See you at the Fest!

1.) Metallica Saved My Life
(United Kingdom, 2025. 99 min.)

Anyone looking for a sort “Behind the Music” exposé about Metallica would be better served by watching the 2004 documentary Metallica: Some Kind of Monster. That the band is still together 20+ years since that film is a testament to its staying power, which aligns with the angle this new doc takes. “Metallica is everybody” is the rallying cry of Swedish director Jonas Åkerlund’s new film, which Metallica’s PR team is no doubt swooning over. Despite its Metallica-can-do-no-wrong vibe, this documentary about the band’s devoted fans is infectious and disarming. Filled with stories of people from all walks of life and all across the globe who have found solace, connection, and joy in the band’s music and concerts, the picture paints a warm portrait of a Metallica family that embraces anyone who wants to love the band and its community. Particularly affecting interviews from a trans man in Austin and fans from Iraq, Botswana, and Ukraine are emotionally raw, and help keep the picture from sinking too deeply into hagiography. Metallica band members are also interviewed, and they come across gracious and sincere in their appreciation of their fans. Sure the film is terrific PR, but it’s also genuinely uplifting.

Screenings (click here for tickets):
– Thurs., Oct. 9th, 6:00pm at CinéArts Sequoia, Mill Valley (at standby)
– Fri., Oct. 10th, 3:00pm at Smith Rafael Film Center

Continue reading “Film Feature: MVFF48 Festival Preview #2”

Film Review: “Anemone”

Day-Lewis father and son create a beautifully shot bore

Ray (Daniel Day-Lewis) and Jem (Sean Bean) stare and think and stare in “Anemone.”

Anemone is the directorial debut from Ronan Day-Lewis, son of Daniel Day-Lewis. Both father and son have writing credits on the film, and not coincidentally the film is about a father coming to terms with his past and a son reckoning with his father’s elusive wartime legacy. Ronan, 27, has some prior cinematography credits, and demonstrates a promising grasp of visual staging. However, Anemone asks too much from the audience. Extracting themes and identifying Greek mythological references are welcome forms of audience participation, but Anemone implores the viewer to not only guess narrative context, but then puzzle it together. Lacking a coherent script, Anemone feels underbaked. The film is a style-over-substance exercise in nepo-baby reasoning unfurling at a glacial pace, barely held aloft by Daniel Day-Lewis’s noteworthy performance. Continue reading “Film Review: “Anemone””

Film Feature: MVFF48 Festival Preview #1

The 48th Mill Valley Film Festival (MVFF) will take place Oct. 2-12, with screenings at theaters across the North and East Bay.

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here. Below is a preview of the festival, featuring brief looks at three films:

1.) THE SECRET AGENT
(Brazil, France, Germany, Netherlands, 2025. 158 min.)

The Secret Agent is a blistering 1970s-styled political thriller as prescient today as the film could’ve been in the era in which the story takes place. In a tremendously powerful performance, Wagner Moura (Narcos; Civil War) plays an ex-professor in Brazil who is in hiding with other refugees from the country’s military dictatorship, with numerous authoritative officials after them. Director Kleber Mendonça Filho (Bacurau) soaks The Secret Agent in textural viscerality; the characters are drenched in sweat, the colorful costumes and immaculate set design pop off the screen, and the musical score infuses the slow-burn narrative with mystery and energy.

Screenings (click here for tickets):
– Fri., Oct. 3rd, 6:00pm at CinéArts Sequoia
– Sun., Oct. 5th, 11:15am at Smith Rafael Film Center Continue reading “Film Feature: MVFF48 Festival Preview #1”

Film Review: “Dead of Winter”

Thompson is a formidable foe in fun, snowy thriller

Barb (Emma Thompson) stumbles into a dangerous situation in the… wait for it… dead of winter.

The chill is as palpable as the midwest accents in Dead of Winter, a brisk 90-minute thriller that compensates for some glaring plot holes with an otherwise engrossing story and a stellar, go-for-broke performance by Emma Thompson. Continue reading “Film Review: “Dead of Winter””

Film Review: “One Battle After Another”

Revolutions and zany bombast mix together in Anderson’s stick of cinematic dynamite

“Ghetto Pat” aka Bob Ferguson (Leonardo DiCaprio) is on the run/hunt.

Well-crafted films can accomplish two objectives: entertain audiences and support an artist’s viewpoint (the “message” of the film, if you will). Writer/director Paul Thomas Anderson (There Will Be Blood; Phantom Thread; Licorice Pizza) has established himself as one of the finest filmmakers working today, capable of rewarding audiences and deep thinkers alike. Even though his films haven’t been box office juggernauts, they are strongly respected within the filmmaking and film-loving communities. Anderson’s tenth feature film, One Battle After Another, is his most mainstream film, a potential box office hit and a crowd pleaser, but also his most politically-minded. One Battle After Another is a wild character-driven thriller with an unassailable comic sensibility. The film also presents a poignant critique on the nation’s current sociopolitical climate. Anderson’s sense of action, hijinks, and thematic storytelling are honed to a sharp, surrealist point in One Battle After Another, thus creating a richly rewarding cinematic triumph. Continue reading “Film Review: “One Battle After Another””

Film Review: “The Long Walk”

A punishing yet thrilling tale of diminishing naivete

Ray (Cooper Hoffman) and Peter (David Jonsson) and the lot keeping up the pace in ‘The Long Walk’

Stephen King wrote The Long Walk during his freshman year at college (the first novel he ever completed), though it was published over ten years later in 1979 under his pseudonym, Richard Bachman. The Long Walk harnesses the teenage angst, existential dread, and complicated patriotism many young minds were experiencing in the late 1960s as the Vietnam War escalated and a wartime draft approached. Surprisingly, despite its simple premise and universal themes, The Long Walk hasn’t been successfully adapted to film, though a few directors have tried. Now, under Francis Lawrence’s (The Hunger Games franchise: Catching Fire, Mockingjay Parts 1 & 2, The Ballad of Songbirds & Snakes) confident direction, and with strong performances and a tight script by JT Mollner (Strange Darling), The Long Walk is an fatalistic parable that demands our attention, even if we wish to look away. Continue reading “Film Review: “The Long Walk””

Film Review: “The Roses”

This Roses has jokes, but no thorns.

Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) share a happy moment in ‘The Roses’

Comedies are making a noisy return to theaters this year! With One of Them Days, The Naked Gun, and Freakier Friday successfully attracting audiences, and Spinal Tap II and Good Fortune waiting in the wings, 2025 could be a turning point for the comedy genre’s decade-long theatrical absence. The Roses aims to continue the trend. The Roses comes from director Jay Roach (Austin Powers; Meet the Parents) and is based on the novel The War of the Roses by Warren Adler and the subsequent 1989 film adaptation starring Michael Douglas and Kathleen Turner. In a plea for wider audience approval, The Roses has declawed the source material in favor of a softer, mostly harmless black comedy. If not for the winning duo at its center, The Roses would wilt under the strains of its vignette-styled antics, but fortunately has the chemistry and enough laughs to withstand its structural shortcomings. Continue reading “Film Review: “The Roses””

Film Review: “Relay”

Ahmed best reason to see predictable corporate thriller

In a brief scene in the new film Relay, its star, Riz Ahmed, gets a chance to use the sign language skills he picked up in his 2020 Oscar-nominated performance in Sound of Metal. That’s a cool throwback for Ahmed fans, and, given his exceptional talent (see also Encounter, Nightcrawler, and HBO’s series The Night Of), he no doubt has many. But his fans may be disappointed in Relay, a serviceable corporate espionage thriller in which Ahmed’s performance is the only bright spot. Continue reading “Film Review: “Relay””

Film Review: “Eden”

A star-studded affair to relish (then forget)

Frederick (Jude Law) and Dore (Vanessa Kirby) scowl at newcomers.

The “Galapagos Affair” is a fascinating and troubling true story. Multiple eyewitness accounts have been published, as well as a documentary and non-fiction books, about the incident. Director Ron Howard, no stranger to the “based on a true story” aspect of filmmaking (Apollo 13, A Beautiful Mind, Frost/Nixon, Thirteen Lives, among others), depicts the “Galapagos Affair” in his new film, Eden, a thriller set among paradise-seeking settlers on the island of Floreana in the 1930s. Eden is a star-studden affair, a sexually-charged collision of characters unfolding in a harsh natural environment, but the crucial “why” behind the proceedings is never explored, resulting in the film’s inability to be anything more than a diverting thriller. Continue reading “Film Review: “Eden””