Film Feature: SFFILM 2021 Festival Spotlight #2 – “Supercool” Review

Filmic FOMO

Gilbert (left) and Neil (right) Just Dance at a high school party
Gilbert (left) and Neil (right) Just Dance at a high school party.

Oh, that Superbad, that super, super, somewhat bad 2007 film that spawned, or launched, or squirted out a thousand imitators. Well, maybe ten or so, but it sure feels like a thousand. Supercool, the subject of this review, and an entry in the 2021 San Francisco International Film Festival, is a tag-along that desperately, and I mean desperately, wants to get into the big kids’ party. It’s the lonely, undersexed, over-analyzed teen with a gawky face, messy hair, and a loopy gait who spends all night looking for the party, only to find it’s been broken up by the cops. Continue reading “Film Feature: SFFILM 2021 Festival Spotlight #2 — “Supercool” Review”

Film Feature: SFFILM 2021 Festival Spotlight #1 – Strawberry Mansion Review

Dream logic, logically dreamed

James Preble (Kentucky Audley) scans dreams to audit
VHS makes a comeback.

The writer, director, actor, and veteran Samuel Fuller is said to have remarked that the only way to make a truly realistic war film is to fill a theater full of patrons, then have soldiers shoot at them from behind the screen. No matter how realistic, a war film is still a film. 
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Film Review: Nobody

Nobody isn’t perfect, but it’s the somebody we need for our return to theaters 

Hutch Mansell (Bob Odenkirk) confronts trouble on a late night bus ride.

Fans of Breaking Bad and Better Call Saul know that Bob Odenkirk has a terrific wry, deadpan presence. If you’ve ever wondered what Breaking Bad might have been like had Odenkirk been cast as Walter White instead of Saul Goodman, you may want to check out the new action thriller Nobody.

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Film Feature: Best of the 2021 Sundance Film Festival

True story: my friend met her husband on a Sundance shuttle bus. They struck up a conversation, kept in touch after the Festival ended, and, 15 years and three kids later, the rest is history. Maybe lightning struck again for some lucky couple this year, but I’m guessing probably not. As much as Sundance staff strived to make the 2021 virtual Fest feel like those of past years, Zoom “waiting rooms” and video Q and A’s just couldn’t replicate the feeling of being bundled up at 7:30am in a waitlist line, passing the time and distracting yourself from the cold by idly asking your neighbor, “What have you seen so far that you’ve liked?” The cheery, disembodied “Hi from Boston!” chats that flashed on screen in this year’s pre-screening digital lobbies just couldn’t offer the same sort of in-person connection that can only be found by bonding over waitlist numbers 99 and 100 and mushy theater concession tuna wraps. That said, however, the quality of the films shown at this year’s Festival, which concluded last week, still measured up to Sundance’s best. Below we take a look at four documentaries and four features that are worth seeing.

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Film Feature: Carrie’s Top 10 Films of 2020

 

Thinking back on the year in movies, “unusual” and “complicated” might be 2020’s most fitting descriptors. Yes, we’ve had plenty of content to watch, thanks to streaming services, and plenty of time at home to view it all, but COVID-19 cancelled the multiplex experience. Watching movies at home, without the excitement of the big screen and a crowd of fellow film-lovers nearby, just wasn’t as satisfying, which is why the number of films I reviewed this year dwindled sharply. That said, I did watch enough to pull together my annual Top 10 Best Films of the Year. And a unique year requires a unique Top 10 list: hence my first ever Haiku Top 10! I hope each of these 17 syllable snippets (and their trailers!) will steer you toward checking out these films, each of which moved, inspired, and stuck with me this year. Here’s to a return to in-person cinema in 2021! (And if you’re curious about what was on my list last year, you can check that out here.)

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Film Review: The Climb

Offbeat buddy picture champions long-haul friendships 

Mike (Michael Angelo Covino, l.)  drops some unsettling news on his longtime friend Kyle (Kyle Marvin) during an uphill bike ride.

Bay Area cinephiles were no doubt excited by the news that the Landmark Shattuck and Embarcadero theaters are re-opening today (at reduced capacity, and with strict health and safety protocols in place, of course). The chain has long been a showcase for indie film, and film fans can rejoice at returning to a venue for unique and quirky offerings. One of the theater’s grand re-opening films, The Climb, fits that description to a tee, and makes for a terrific first-time back viewing experience.

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Film Review: On the Rocks

Murray shines in Coppola’s wistful, funny father-daughter story

Felix (Bill Murray) and his unhappy daughter Laura (Rashida Jones) drink and chat.

With many Bay Area movie theaters still closed, film fans may be looking for viewing experiences that are better suited to small screen, home viewing. On the Rocks, which is available to stream on Apple TV+ today, is the perfect film to watch from the comfort of your living room. Writer/director Sofia Coppola has crafted an intimate, tightly constructed character-driven story that doesn’t need the multiplex treatment to be enjoyed.

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Film Review: Centigrade

Tension piles up in snowy survival thriller

Matt (Vincent Piazza) and Naomi (Genesis Rodriguez) fight to survive after becoming trapped in their car during a huge snowstorm.

Regular readers of this site may know that I have an affinity for survival pictures. The terrific Mads Mikkelsen vehicle Arctic was number one on my Top 10 list last year, and over the past few years I’ve also enjoyed Adrift, Walking Out, The Mountain Between Us, and Everest. The latest entry to earn my approval is Centigrade, the first feature from television director/writer Brendan Walsh (Nurse Jackie) and his co-writer Daley Nixon. That this novice duo has created such a taut, tightly constructed film bodes well for their future cinematic projects.

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Film Review: Radioactive

Pike’s energy brings (half-)life to Marie Curie biopic

Marie Curie (Rosamund Pike) conducts experiments in her Paris lab.

Iranian director Marjane Satrapi, who was Oscar-nominated 13 years ago for turning her graphic novel Persepolis into a beautiful animated film, is back with another adaptation of a graphic novel. This time, however, Satrapi adapts Lauren Redniss’s 2010 National Book Award nominee Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout not as an animated picture, but as a live-action drama, and the results don’t work nearly as well as Satrapi’s first big success. Radioactive tells the story of famed Polish-French scientist Marie Curie (Rosamund Pike) and her personal and professional triumphs and travails. Unfortunately, Satrapi’s new work yields a very mediocre film about a great woman who deserves a more dignified biopic than this facile, sentimental treatment.

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Film Review: Irresistible

Laughs outweigh flaws in Stewart’s smart political satire

Washington political strategists Faith (Rose Byrne) and Gary (Steve Carell) back opposing candidates in a mayoral election in a small Wisconsin town.

I try not to read reviews of any film I’m going to review so as not to be unconsciously influenced, but this week it was hard to miss the early review headlines in my social media feed for Irresistible, comedian Jon Stewart’s new picture. My fellow critics seemed to not just dislike the film, but to actively hate it. It has a 47 rating on MetaCritic right now. Ouch. I had to wonder if we all saw the same movie. Because you know what? I actually liked it. I finished watching my screener, and I assumed reviews would be positive. I was really surprised by the hostile reactions. The picture isn’t perfect, but it’s smart, relevant, and, most importantly, has some decent laughs. Am I the odd outlier here? Is my taste off? Or are my colleagues all wrong? All I can say is read on for my take, watch the picture, and then decide for yourself which camp you’re in.

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