Film Feature: 65th SFFILM Festival Preview Spotlight #2

The 65th SFFilm Festival will take place April 21 – May 1, 2022, with screenings at various venues around the Bay Area. This year, the festival program features over 130 film from 56 countries, so there are plenty of options for everyone.

Here’s a look at five more features — get your tickets before they sell out!

1.) WE FEED PEOPLE
(USA, 2022. 90 min)

From director Ron Howard, We Feed People takes a close look at the World Central Kitchen (WCK) and the man who launched and manages it with every fiber of his being, world-renowned chef Jose Andres. The majority of the film is boots-on-the-ground footage of the WCK in action, with only snippets here and there taken from news reports. In this way, we get a devastating look at the aftermath of various disasters as WCK staff work fast among the wreckage and speak to the impacted residents. Most importantly, We Feed People contains a sense of urgency, that food shortages should be a thing of the past — it’s an inspirational gut punch. WCK is at the forefront of the fight: at the time of this writing, multiple WCK staff members in Ukraine have been injured in a recent Russian bombing. 

Screenings (click here for tickets):
– Sat., April 23rd, 5:30pm at the Vogue Theatre Continue reading “Film Feature: 65th SFFILM Festival Preview Spotlight #2”

Film Feature: 65th SFFILM Festival Preview Spotlight #1

The 65th SFFilm Festival will take place April 21 – May 1, 2022, with screenings at various venues around the Bay Area. This year, the festival program features over 130 film from 56 countries, so there are plenty of options for everyone.

We’ll bring you spotlight coverage of many of the films leading up to and during the Festival. Here’s a look at five features and a short to get things started — get your tickets before they sell out!

1.) THE EXILES
(USA, Taiwan, France, China, 2021. 96 min)

A fascinating documentary that spotlights legendary Chinese documentarian Christine Choy (Who Killed Vincent Chin?) as an avenue into revisiting the massacre at Tiananmen Square and three high profile exiled dissidents. Produced by Steven Soderbergh and winner of this year’s Sundance Documentary Grand Jury Prize, The Exiles takes an honest look at the active erasure of history, and exemplifies the power of documentary filmmaking to preserve memories, events, and movements.

Screenings (click here for tickets):
– Sat., April 23rd, 3:00pm at the Victoria Theatre
– Sun., April 24th, 2:00pm at the Berkeley Art Museum/Pacific Film Archive

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Film Review: “All the Old Knives”

Old knives sharp enough for satisfying spy thriller

Former colleagues and lovers Celia (Thandiwe Newton) and Henry (Chris Pine) catch up over dinner in Carmel.

Danish director Janus Metz brings a chilly Scandinavian sensibility to his adaptation of Olen Steinhauer’s 2015 spy novel All the Old Knives. The serviceable picture keeps the viewer at some remove from the characters, but presents a story just entertaining enough to absorb us.

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Film Review: “Sonic the Hedgehog 2”

The colorful SEGA spiny mammals are back and fully charged!

If there’s one thing the live-action Sonic the Hedgehog films have shown, it’s that Jim Carrey is sorely missed as a regular on-screen presence. His performance in 2020’s Sonic the Hedgehog was, not so arguably, the best part of the film and without it the film would’ve been easily dismissed. The sequel, coming out only two years after the first, is a rare instance of more-is-better working for a franchise. Carrey remains the main draw, and he once again delivers the manic goods. Two new colorful iconic characters from the SEGA game’s universe, Tails and Knuckles, are fun additions. Unsurprisingly, the addition of extended plotlines surrounding minor side characters isn’t as fun. Like a broken record, I’ll once again say that movies are too long these days. Sonic 2 is twenty minutes too long (23 minutes longer than the first movie). Despite some extraneous tangents, Sonic the Hedgehog 2 doubles down on the jokes, the action, and the energy.

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Film Review: “Ambulance”

Call an Ambulance, because I’m sick with satisfaction!

Bad Bros 4 Life

Something happened at the end of Ambulance that I didn’t expect when the movie began. I cared. I cared for the characters. I haven’t cared for characters in a Michael Bay film for nearly ten years, back when Pain & Gain came out, and even that barely registered as honest emotion. I’m not going to defend Ambulance as a great film, nor a really good one. It stumbles in many of the same ways we’ve come to expect from Michael Bay’s projects, that is, in terms of story and confusing camerawork. However, as a piece of high concept escapism, Ambulance is a spectacular time at the movies.

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Film Feature: Carrie Picks the 2022 Oscars

Who will – and who should – win the 94th Academy Awards

The 94th Academy Awards air tonight, Sunday, March 27th, on ABC at 5:00 pm PST. After a pandemic pause last year, I’m back this year to share my predictions — and hopes — for the major categories. The show could pique more interest this year, since the controversial decision was made to shorten the program by moving eight of the 23 categories off screen. Protests may happen, and hosts Regina Hall, Amy Schumer, and Wanda Sykes are sure to have some pointed commentary. Tune in to see how it all plays out, and to see close I (and you!) get to picking the winners.

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Film Review: “Uncharted”

Uncharted is a lot more fun when operating via video game controller

Nathan Drake (Tom Holland) and Victor Sullivan (Mark Wahlberg) search for a better movie.

The video game Uncharted: Drake’s Fortune was released in November, 2007 for the Playstation console. It was an immediate hit, spawning four main series sequels and a handful of spin-offs. When Uncharted 2: Among Thieves was released in 2009, chatter about a film adaptation began to take shape, since the series began earning fame for its cinematic presentation, and Among Thieves is widely considered by many to be among the best video games of all time (including me). Alas, we finally have the Uncharted film adaptation we’ve waited over a decade for, and it’s, well, meh. Much of the plot turns, action set pieces, and dialogue is inspired by, if not directly taken from, the video game series. That’s not necessarily a bad thing. The film also pays fan service by sprinkling a handful of easter eggs (and a special cameo) throughout. All of this adds up to a moderately entertaining action adventure, but the best thrills are few and far between, and don’t measure up to the iconic gameplay.

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Film Review: “I Want You Back”

Slate, Day charm in warmhearted rom-com

Emma (Jenny Slate) and Peter (Charlie Day) stalk their exes on Instagram.

If you’re looking for a post-dinner, new streamable rom-com to add to your Valentine’s Day evening itinerary, you could do worse than I Want You Back. Featuring the always appealing Jenny Slate and Charlie Day, the film hews close to standard rom-com tropes, but offers up just enough surprises and engaging performances to keep it from feeling too tired.

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Film Review: “Stay Awake”

A tender portrait of a troubling issue

Ethan (Wyatt Oleff, r.) and Derek (Fin Argus, l.) unwillingly play the waiting game.

Unfortunately there has been a recent wave of films and TV shows about the U.S. prescription drug and opioid epidemic. Not unfortunate in the sense of artistic merit achieved (I’m NOT looking at you, Hillbilly Elegy), but unfortunate that there exists a crisis of this magnitude in the first place. Millions of people are affected by drug addiction each day, and the opioid crisis has already taken countless lives. The new indie film Stay Awake shines its own match light on the disease with great care and an intimate focus. In this film we don’t have villains (well, maybe the enabling doctor and drug co.), cringeworthy child abuse, or the stereotypical yet often truthful standards set forward by the depiction of drug addicts in Hollywood. Rather, Stay Awake shows that sometimes addiction and family issues lay just beneath the surface of small town normalcy and kind, functional people, and that caretakers deserve some of the spotlight.

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Film Feature: Chad’s Top 10 (Double Feature) Films of 2021

2021 was a good year for movies, and not much else. The box office, and inevitably the upcoming Oscars ceremony, won’t be evident of such, but the quality of filmmaking and storytelling this year was noteworthy. As I began constructing my Top 10 Films of the Year, I realized that not only was it challenging to narrow it down, but there were a handful of appropriate film pairings — equal in stature, themes, and style. While I admit this list is somewhat a cop out, here’s my Top 10 Double Features of 2021 (all released after the 2021 Oscar ceremony on April 26th). I do believe they represent the best films that I’ve seen released this year:

  1. In the Heights / West Side Story

This ‘New York song and dance’ double feature is an obvious duet. On the positive side, both films surprised audiences (and critics) with an abundance of colorful energy, and on the flip side, both films feature male leads with some troubling choices in their personal lives. In any other year, or perhaps ten years ago, these two films would be atop the box office and Oscar predictions, especially the one where Steven Spielberg directs his first musical that is an adaptation of another movie that won Best Picture.  This year they’ll both have to settle for being two overflowing-with-life musicals that will become more and more appreciated over time.

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