Spinning Platters highlights some films from the 57th San Francisco International Film Festival (SFIFF), which opens this Thursday, April 24th, and runs through May 8th at various theaters in San Francisco and Berkeley. Program notes and tickets available here.
The headliners took most festival watchers by surprise.
I took to the internet this morning to start discussing the Outside Lands headliners and lineup with the Bay Area music nerds, and to get some instant reactions from the Spinning Platters staffers. The 2014 Outside Lands lineup doesn’t look like every other festival lineup happening this summer, and that’s no surprise. We’ve always been able to count on the festival to provide different headliners from every other festival. How else can you stand out when everyone else is booking the same ten bands? Continue reading “Instant Reactions to the 2014 Outside Lands Lineup”
Washed Out at Hype Hotel was the perfect way to end a long week. Also, kudos to the Hype Machine for only permitting badge/wristband holders to attend night shows, thus effectively keeping overcrowding at bay.
I haven’t been to SXSW in four years. I can’t say I was too sad about that fact, though. Ever since 2007, the festival has changed dramatically, and not necessarily for the better. To paraphrase, I don’t agree with Lady Gaga’s comment, during her keynote, that corporations are what make this festival remarkable or even possible. SX thrived long before big business descended upon Austin in droves, and will be just fine if some decided to pull out in the future.
That being said, I did enjoy seeing Big Freedia and my new Houston hero, RiFF RaFF, perform in the Doritos-sponsored tent. Yes, it was as crass an atmosphere as you could imagine from a brand targeting youth with their mass-produced, processed food; but the free chips and ample lounge seating were a relief after a long day of walking. Damon Albarn’s set was a bit disappointing at Stubb’s, largely due to the incompetence of the crew setting up between gigs, but he brought the real thunder, in the form of original Gorillaz’ members, Del tha Funky Homosapien, De La Soul, and even Snoop, at the Levi’s-sponsored Fader Fort.
Overall, I had a wonderful time. This is partly due to the fact that I was in good company alongside Michelle Viray and Dakin Hardwick, who wrote quite the remarkable review of all the bands we took in during our four-and-a-half-day sojourn. Though it’s not quite possible to see every act on one’s list, having a wristband does help in certain circumstances (like getting into the Hype Machine’s Hype Hotel for evening shows). I still wish we had discovered this guy, though. Without further ado, here is a collection of some of my favorite photos taken last week.
Moses Sumney was a sentimental surprise as he kicked off the evening. His emotional acoustic and soulful balladry lifted everyone to the smiling, smooth side of R&B. His performance gave an opening emotional dynamic to the show by allowing a vulnerable, emotional connection to what was yet to come.
Just prior to Dr. Dog was Saint Rich. Saint Rich, a New Jersey skateboarding enthusiast, had an eccentric life stage performance. Complimented with the musical harmony but not to duplicate Dr.Dog.
Closing the exciting Noise Pop Festival was – Dr. Dog. When their fans packed the Warfield, Dr. Dog knew exactly how to respond with current favorites “The Truth” and “Lonesome” while blending in a favorites from the past such as “These Days” and “Oh No”.
Dr. Dog certainly has a loyal fan club in the Bay Area. The simple reason is, each of their albums sequentially build on the one before while remaining true to the original unique sound. Each performance enhances an appreciation of their vintage harmonizing sound. Still true to the east coast vibe; yet, unique enough to remain unclassified from the common pop and indie trend. Just one of many reasons Dr. Dog will remain a Bay Area favorite.
I have no idea how to describe what just happened. This entire show felt like a crazy collision of surf, classic, psychedelic, and punk rock all interlocking and interweaving together to make Bleached, a veritable Voltron of music. Looked at individually, each of these groups are amazing reminders of angsty, dreamy, teenage Southern California rock days gone by. But their presence on stage here at Noise Pop unequivocally proves that this sound is timeless, and so, too, are the people who listen to it.
Spinning Platters is helping you decide which noisey pop you will be enjoying during Noise Pop!
Noise Pop can be intimidating. It’s the best week of live music programming in the Bay Area, and sometimes it’s hard to decide what to go to, because you can’t always be in two places at once. (However, I will be going to two shows on Friday night. I’m a bit insane.) So, if I were deciding what shows you were going to, this is what this shows would be. Disagree? Well, you can decide for yourself by checking the schedule out here. Continue reading “Spinning Platters Tells You What Noise Pop 2014 Shows To Go To”
Explosions, superheroes, Muppets, and the Bible…hooray, kinda!
Remember the good ole’ days of Super Bowl movie trailers (~15 years ago) when there were only 2-4 of them and they were completely jaw-dropping? Armageddon and The Mask of Zorro in 1998, The Mummy and The Matrix in 1999, Gladiator in 2000. Nowadays, the internet is set ablaze with news of movie trailers set to premiere during the big game (with some premiering online before the game). Super Bowl movie ads just don’t have the ‘wow’-factor they used to. This year, more than eight movies had their trailers broadcast during the commercial breaks. It was mostly a visual feast of action/adventure fare, and most were new, aside from a few including 3 Days to Kill and Monument’s Men (which has too many ads playing currently). So, here are the cream of the crop:
Transformers: Age of Extinction No Shia? I’m game! No, seriously, we’re all fairly confident that this movie has little chance of being any better than the previous three crap-fests. That being said, Optimus Prime riding a robo-dinosaur? Again, I’m game!
Spinning Platters film critics Carrie Kahn and Chad Liffmann present their Top 10 Films of 2013. Here’s Chad’s list, presented in the order of which he feels they deserve to be ranked (1 being the best, 10 being pretty damn good too!)
1.) Inside Llewyn Davis
“If it was never new and it never gets old, then it’s a folk song”
The Coen brothers newest film is a hilarious, thought-provoking, darkly intelligent, musical journey into the 1961 New York folk music scene. Featuring masterful performances under the direction of master filmmakers, Inside Llewyn Davis is a documentary of sorts — accurately capturing a time period and a historical mentality…yet its message is timeless.
All conversations converged to one singular point at the close of 1999: The End of the World, and because of it, every possible best list of the century. Whether it was about greatest album, or greatest toenail clipper, a list was compiled by the fanciest per-milenium robots. Now the singular list missing from the cornucopia of lists was: The Music of 1999. Everyone, consumed in their chicken little theories of Y2K and end of the world were too mad to see what was really happening. The end of music as we knew it! In reality it seemed to set the youth of America back about twenty years. (If you take a look at the top record sales for 1999, trust me, you’ll want to cry). I’m as easy going as the next guy, but the Grinch himself would have shuddered at the sound of pop music sung by teen queens, boy bands, and all the music to come out of the entire state of Florida. They all belonged on the naughty list, and should have been banished to the island of misfit albums.
