OUTSIDE LANDS EAGER BEAVER TICKETS ON SALE TOMORROW AT 10AM

Once the big festivals start announcing their line ups, I get excited about Outside Lands finally dropping their lineup. Always a little bit more interesting than the rest in the US, and I’ve never had a bad time in the 17 years I’ve been heading to the Golden Gate Park for this shindig. We still have to wait a little longer to learn about the music. The Eager Beaver tickets are always the cheapest way to get in and are on sale tomorrow. Out-the-door (fees included!) prices are Eager Beaver 3-Day GA tickets are $485.05 all in ($425 + $65.05 fees), 3-Day GA+ tickets are $734.55 all in ($665 + $69.55 fees) and 3-Day VIP tickets are $1,045.55 all in ($965 + $80.55 fees) and, for those with deep pockets and enjoy some fancy times, $5,095.55 all in ($4,895 + $200.55 fees) for Golden Gate Club tickets. For that price, you get front-of-stage viewing, access to the golf cart fleet for speedy transit around the site, and food & drinks provided by celebrity chefs Melissa King, Tyler Florence of Miller & Lux, and Dana Younkin & Nancy Oakes of Boulevard! 

Tickets on sale at 10am on March 5th! You can find those tickets here! And once you secure those tickets, wedding packages are also available, so you can live your dream of getting married in the beauty of Golden Gate Park, surrounded by 75,000 of your closest friends! 

Film Feature: Carrie and Chad Pick the 2025 Oscars

Film critics Carrie and Chad on who will – and who should – win the 97th Academy Awards

The 97th Academy Awards air tomorrow, Sunday, March 2nd, on ABC and Hulu at 4:00 pm PST. As always, your faithful Spinning Platters film critics Carrie Kahn and Chad Liffmann share their predictions and hopes for the major categories. You can follow along and print your own ballot here. Good luck to nominees and Oscar pool participants alike!

Continue reading “Film Feature: Carrie and Chad Pick the 2025 Oscars”

Every Kid Gets An “A” When They Can’t Remember Most of The Music From 2000 and 2001 Like An Amnesiac

The clocks turned to 12, and everything stopped.  Yes, it was Y2K (and Kremlin Joe for you Futurama fans) that stopped everything. Y(orke)2k. Nobody cared about any of the music that came out “in the year two thousand” (Conan fans) because we were all on the Radiohead forums discussing what unreleased, once played as an encore, unbelievably interesting and oddly structured because I only heard it on someone’s mixtape that I couldn’t get a copy of, the song was going to be on the next Radiohead record. Just thinking about writing this list, I went a good five minutes before I could even name a record that came out prior to Kid A on 10/2/2000.  But that was only half of it! The earth-shattering news on the album’s press release was that it was only part one! They had written so many songs they had enough for two albums! Amnesiac came out some seven months later. Because of that, and maybe because everyone kept saying the new millennium didn’t technically start until 2001, the two years will forever be jumbled in my brain as one, especially when it comes to music.

So, here we are. 11 years after I wrote my list of my favorite albums of 1999 (it was such an experience that I needed more than a decade of restorative meditation), to celebrate the 24th and 23rd anniversaries of both records, it’s time to compile the list of the best albums of 2000 and 2001! Continue reading “Every Kid Gets An “A” When They Can’t Remember Most of The Music From 2000 and 2001 Like An Amnesiac”

Added To Noise Pop: St Vincent! Ben Gibbard! Earl Sweatshirt! David Lynch Tribute!!!

A slew of new shows are on sale tomorrow with Noise Pop, including some huge stars in small places, including at Grace Cathedral: St Vincent on Feb 23rd and Benjamin Gibbard on Feb 25th, Fantastic Negrito at the 4-Star Theater in the Richmond(!), Marc Capelle’s Red Room Orchestra doing a Tribute to David Lynch on Feb 19th, and two nights of Earl Sweatshirt at Great American Music Hall Feb 25th and 26th

Tickets are onsale tomorrow (Friday, January 24th) at 12 pm. Or you can buy a Noise Pop badge today

Film Feature: Chad’s Top 20 Films of 2024

It’s been an odd year for movies, partly due to the lasting effects of labor strikes. There are very few masterpieces, and just as few disasters. Instead, 2024 featured a lot of solid 3-3.5 out of 5 star films, a healthy selection of entertaining fare that enabled the theater industry to finish the year far ahead of what many analysts had feared (box office-wise). Well, without further ado, here’s my ranked Top 20 best films of 2024 (and don’t forget to check out Carrie’s Top 10 Films of 2024 as well):  Continue reading “Film Feature: Chad’s Top 20 Films of 2024”

Film Feature: Carrie’s Top 10 Films of 2024

The end of the year of course means Top 10 lists! Here are my ten favorite films of 2024 (and four honorable mentions). Oscar nominations follow in just a few weeks, on Friday,  January 17th. Stay tuned to see if Oscar voters share my thinking. And be sure to also check out fellow SP Film Critic Chad’s Top 20 list here.  In the meantime–see you back in the cinema in 2025!

Continue reading “Film Feature: Carrie’s Top 10 Films of 2024”

MOSSWOOD MELTDOWN HOLIDAY SPECIAL & FIRST FIVE BANDS

I’m starting to feel a twinge of… Hope? Maybe we can battle the rise of fascism in this country still? And our good friends at Mosswood Meltdown have announced that their first headliner is… DEVO! The only line of defense against the devolution of democracy. Plus, the return of the mighty Kreayshawn and garage titans Osees, The Exploding Hearts, and The Kids, with a LOT more to come! Tickets are on sale NOW!!! Buy early because prices go up! 

“Oakland California, November 2024. A town without a Mayor, a D.A., or a major sports team. Our city has lost so much, but we haven’t lost the soul of the people. Here at Oakland CA’s Mosswood Meltdown Music Fest, we celebrate our own heroes. We elect John Waters, the Prince of Puke, to preside over our festivities.

We’ve witnessed De-evolution on a world stage in real-time, so this year, we’ll be hosting the pioneers of De-Evolutionary theory, the legendary art-punk band DEVO from Akron, Ohio, as well as San Francisco legends Osees, The Queen of Oakland, Kreayshawn, Portland’s only Rock n Roll band, The Exploding Hearts, and Bloody Belgium’s The Kids!

In the face of disasters, Oakland, CA, is resilient. Thanks for helping support independent music and arts in our community. “

Noise Pop 2025 Phase 1 Announced!

Hi. 

It’s a rough week to convince people that there is still fun left to be had. But, as my therapist reminded me today, I once said, “Disco was more rebellious than Punk.” So, Noise Pop has decided to rip the band-aid off the wound that was the 2024 election and give us something to put on some pants for… Phase 1 of the Noise Pop 2025 lineup! Including one of Tim Walz’s favorites, American Football, celebrating two nights at Great American Music Hall, the perfect place to regroup and resist. 

There’s so much more… UK’s legendary Cymande! The first Les Savy Fav show in the Bay Area in forever! Spinning Platters’ Fav Soccer Mommy! There’s so much more, and so so so so so much more to come! Full lineup below. Tickets are on sale this Friday at 10 am at NoisePopFest.com

Garfunkel & Oates’ Riki Lindhome Announces Debut Solo Album

It’s been nine long, arduous years since the amazing Garfunkel & Oates’s last record, and their brilliant TV series did the “fade away” far too early. And Oates, aka Kate Micucci, has been bringing us TONS of great music, including last year’s best children’s album, My Hat. But Garfunkel? Ms Riki Lindhome? She hasn’t been silent, as she’s had a hit series and has gotten plenty of acting and writing work. But she’s finally putting out music again! And on March 14th, she’s releasing an album with the single most relatable title ever: No Worries If Not. And I am very excited. 

Preorder links are not ready yet, but you really should follow her on Spotify to keep in the loop. In the meantime, indulge in the brilliance of the first three singles below: Continue reading “Garfunkel & Oates’ Riki Lindhome Announces Debut Solo Album”

Show Review: Lynn Goldsmith & Patti Smith In Conversation at Calvin Simmons Theatre in the Henry J Kaiser Center For The Arts, 10/7/24

(Header Photo Courtesy Noise Pop Industries / Debra Zelle)

Attending the grand reopening of the Henry J. Kaiser on October 7, 2024, with my septuagenarian best friend was a profound and nostalgic experience. The event, centered on the incomparable Patti Smith and legendary photographer Lynn Goldsmith, was a journey through friendship, art, and music. They were on tour for their new book, Before Easter After: 1976-1979 Photos and Diary Entries of Patti Smith’s Life, an apt title for a night filled with laughter, stories, and emotional resonance.

The crowd was as eclectic and storied as the venue itself—a mix of Mills College graduates, anonymous band members from legendary Bay Area groups, and other creative spirits. Garage rock vintage shirts mingled with the crisp Northeast types who still clung to their cigarettes. Young leftie femmes teemed with anticipation, while nonchalant poet types gazed on indifferently, and nervous, professional event staff wove through the crowd, ensuring everything ran smoothly.

The Henry J. Kaiser, steeped in the cultural and musical history of the Bay Area, has been home to some of the most legendary concerts. Perhaps none were more iconic than the Grateful Dead’s many performances there. (Editor’s Note: The show where The Ramones made the Bay Area debut of Rock & Roll High School, the greatest movie of all time ON THE DAY I WAS BORN, beats any Dead show there.) The venue became a central part of the Dead’s storied relationship with the Bay Area, known for hosting some of their most memorable shows in the mid-1980s. The band played the Henry J. Kaiser nearly 50 times, with annual multi-night runs becoming a staple from 1984 until 1987. These shows attracted Deadheads from all over, who flocked to the venue to experience the band’s unique blend of improvisation, psychedelic rock, and community spirit.

Particularly legendary were the Dead’s Mardi Gras shows at the Henry J. Kaiser, which became annual traditions. Complete with parades, costumes, and extended jams, these performances embodied the celebratory spirit of the Dead’s live shows, making the venue a sacred space in Grateful Dead lore.

This rich history was alive as Patti and Lynn took the stage to reflect on their experiences. Though a moderator was technically present, they weren’t needed. Patti and Lynn seamlessly traded stories, retelling tales of their time together over 40 years ago, as Lynn ran slides capturing moments from their past. Their anecdotes painted a vivid picture of their shared journey, from misspent nights in New York City to road trips across the U.S.

One particularly captivating moment came when Patti recounted her friendship with the legendary William S. Burroughs. Patti began to weave a vivid tale of their shared experiences. With a wry smile, she recounted how she used to attend Burroughs’ notorious parties in New York City. “He’d invite me to these bizarre gatherings,” she said, her voice softening in remembrance. The parties were filled with artists, poets, and outcasts, but Burroughs always stood apart—an enigmatic figure who was always watching and rarely engaging.

As the crowd hung on her every word, Patti told the story of how Burroughs would take her to various places in the city. Patti’s candidness shone through as she recounted hitting on Burroughs one evening. She paused, then dropped her voice into a perfect impression of Burroughs, adopting an elegant rasp and stretching out her words. “‘Patti,’ he’d say, ‘I’m a raging homosexual.’” She mimicked his long drawl, capturing his deadpan humor and absolute certainty. The audience erupted in laughter as Patti, still grinning, shook her head.

This moment revealed Patti’s versatility in her relationships and her curiosity about the world. She wasn’t fazed by rejection or by Burroughs’ peculiarities. Instead, she was drawn to his energy, his difference, and the fact that he existed entirely outside the norms.

As the stories flowed, Patti also shared anecdotes about her time with Robert Mapplethorpe, Sam Shepard, and Tom Verlaine. These icons had left an indelible mark on her life and art. She spoke fondly of her creative partnership with Mapplethorpe, whose photographs captured her image and explored the complex themes of love and desire that permeated their lives. With Sam Shepard, she reminisced about their shared passion for storytelling and the artistic exchange that fueled their work, while her connection with Tom Verlaine revealed a deep bond forged through their love of music and poetry.

Lynn’s photographs played a pivotal role in the evening’s storytelling, notably a harrowing series that captured the aftermath of Patti’s infamous accident in Florida in 1977. The audience gasped as Lynn shared a story of how Patti fell 14 feet off a stage during a performance when roadies placed her monitors too close to the edge. “I spent four months with a fractured skull,” Patti recalled, her tone shifting to one of clarification. Lynn had been there, documenting every moment—from Patti’s vulnerability in the hospital to the fierce determination that followed. fragile and fierce. Some photos highlighted her androgynous appearance, while others almost gave her an alien or animal-like quality due to the rawness she exuded in front of Lynn’s lens.

The evening felt less like a formal presentation and more like a gathering of friends, with Patti and Lynn drawing the audience into their world. Patti and Lenny Kaye played acoustic songs corresponding to the images, creating a rich tapestry of sound and memory. Patti performed “Dancing Barefoot,” evoking the love she shared with her late husband, Fred “Sonic” Smith, and dedicated “Because the Night” and “People Have the Power” to Fred. The energy in the room elevated as she used the song as a rallying cry, urging the crowd to vote, to raise their voices, and to use whatever power they had. As any attuned poet would, she reminded the audience that it’s all we have and must use it. The laughter, music, and stories combined into something far more significant—a celebration of a lifelong creative partnership, capturing the polished moments and the raw, vulnerable, and extraordinary journey they shared. Check out the book.