MOSSWOOD MELTDOWN HOLIDAY SPECIAL & FIRST FIVE BANDS

I’m starting to feel a twinge of… Hope? Maybe we can battle the rise of fascism in this country still? And our good friends at Mosswood Meltdown have announced that their first headliner is… DEVO! The only line of defense against the devolution of democracy. Plus, the return of the mighty Kreayshawn and garage titans Osees, The Exploding Hearts, and The Kids, with a LOT more to come! Tickets are on sale NOW!!! Buy early because prices go up! 

“Oakland California, November 2024. A town without a Mayor, a D.A., or a major sports team. Our city has lost so much, but we haven’t lost the soul of the people. Here at Oakland CA’s Mosswood Meltdown Music Fest, we celebrate our own heroes. We elect John Waters, the Prince of Puke, to preside over our festivities.

We’ve witnessed De-evolution on a world stage in real-time, so this year, we’ll be hosting the pioneers of De-Evolutionary theory, the legendary art-punk band DEVO from Akron, Ohio, as well as San Francisco legends Osees, The Queen of Oakland, Kreayshawn, Portland’s only Rock n Roll band, The Exploding Hearts, and Bloody Belgium’s The Kids!

In the face of disasters, Oakland, CA, is resilient. Thanks for helping support independent music and arts in our community. “

Noise Pop 2025 Phase 1 Announced!

Hi. 

It’s a rough week to convince people that there is still fun left to be had. But, as my therapist reminded me today, I once said, “Disco was more rebellious than Punk.” So, Noise Pop has decided to rip the band-aid off the wound that was the 2024 election and give us something to put on some pants for… Phase 1 of the Noise Pop 2025 lineup! Including one of Tim Walz’s favorites, American Football, celebrating two nights at Great American Music Hall, the perfect place to regroup and resist. 

There’s so much more… UK’s legendary Cymande! The first Les Savy Fav show in the Bay Area in forever! Spinning Platters’ Fav Soccer Mommy! There’s so much more, and so so so so so much more to come! Full lineup below. Tickets are on sale this Friday at 10 am at NoisePopFest.com

Garfunkel & Oates’ Riki Lindhome Announces Debut Solo Album

It’s been nine long, arduous years since the amazing Garfunkel & Oates’s last record, and their brilliant TV series did the “fade away” far too early. And Oates, aka Kate Micucci, has been bringing us TONS of great music, including last year’s best children’s album, My Hat. But Garfunkel? Ms Riki Lindhome? She hasn’t been silent, as she’s had a hit series and has gotten plenty of acting and writing work. But she’s finally putting out music again! And on March 14th, she’s releasing an album with the single most relatable title ever: No Worries If Not. And I am very excited. 

Preorder links are not ready yet, but you really should follow her on Spotify to keep in the loop. In the meantime, indulge in the brilliance of the first three singles below: Continue reading “Garfunkel & Oates’ Riki Lindhome Announces Debut Solo Album”

Show Review: Lynn Goldsmith & Patti Smith In Conversation at Calvin Simmons Theatre in the Henry J Kaiser Center For The Arts, 10/7/24

(Header Photo Courtesy Noise Pop Industries / Debra Zelle)

Attending the grand reopening of the Henry J. Kaiser on October 7, 2024, with my septuagenarian best friend was a profound and nostalgic experience. The event, centered on the incomparable Patti Smith and legendary photographer Lynn Goldsmith, was a journey through friendship, art, and music. They were on tour for their new book, Before Easter After: 1976-1979 Photos and Diary Entries of Patti Smith’s Life, an apt title for a night filled with laughter, stories, and emotional resonance.

The crowd was as eclectic and storied as the venue itself—a mix of Mills College graduates, anonymous band members from legendary Bay Area groups, and other creative spirits. Garage rock vintage shirts mingled with the crisp Northeast types who still clung to their cigarettes. Young leftie femmes teemed with anticipation, while nonchalant poet types gazed on indifferently, and nervous, professional event staff wove through the crowd, ensuring everything ran smoothly.

The Henry J. Kaiser, steeped in the cultural and musical history of the Bay Area, has been home to some of the most legendary concerts. Perhaps none were more iconic than the Grateful Dead’s many performances there. (Editor’s Note: The show where The Ramones made the Bay Area debut of Rock & Roll High School, the greatest movie of all time ON THE DAY I WAS BORN, beats any Dead show there.) The venue became a central part of the Dead’s storied relationship with the Bay Area, known for hosting some of their most memorable shows in the mid-1980s. The band played the Henry J. Kaiser nearly 50 times, with annual multi-night runs becoming a staple from 1984 until 1987. These shows attracted Deadheads from all over, who flocked to the venue to experience the band’s unique blend of improvisation, psychedelic rock, and community spirit.

Particularly legendary were the Dead’s Mardi Gras shows at the Henry J. Kaiser, which became annual traditions. Complete with parades, costumes, and extended jams, these performances embodied the celebratory spirit of the Dead’s live shows, making the venue a sacred space in Grateful Dead lore.

This rich history was alive as Patti and Lynn took the stage to reflect on their experiences. Though a moderator was technically present, they weren’t needed. Patti and Lynn seamlessly traded stories, retelling tales of their time together over 40 years ago, as Lynn ran slides capturing moments from their past. Their anecdotes painted a vivid picture of their shared journey, from misspent nights in New York City to road trips across the U.S.

One particularly captivating moment came when Patti recounted her friendship with the legendary William S. Burroughs. Patti began to weave a vivid tale of their shared experiences. With a wry smile, she recounted how she used to attend Burroughs’ notorious parties in New York City. “He’d invite me to these bizarre gatherings,” she said, her voice softening in remembrance. The parties were filled with artists, poets, and outcasts, but Burroughs always stood apart—an enigmatic figure who was always watching and rarely engaging.

As the crowd hung on her every word, Patti told the story of how Burroughs would take her to various places in the city. Patti’s candidness shone through as she recounted hitting on Burroughs one evening. She paused, then dropped her voice into a perfect impression of Burroughs, adopting an elegant rasp and stretching out her words. “‘Patti,’ he’d say, ‘I’m a raging homosexual.’” She mimicked his long drawl, capturing his deadpan humor and absolute certainty. The audience erupted in laughter as Patti, still grinning, shook her head.

This moment revealed Patti’s versatility in her relationships and her curiosity about the world. She wasn’t fazed by rejection or by Burroughs’ peculiarities. Instead, she was drawn to his energy, his difference, and the fact that he existed entirely outside the norms.

As the stories flowed, Patti also shared anecdotes about her time with Robert Mapplethorpe, Sam Shepard, and Tom Verlaine. These icons had left an indelible mark on her life and art. She spoke fondly of her creative partnership with Mapplethorpe, whose photographs captured her image and explored the complex themes of love and desire that permeated their lives. With Sam Shepard, she reminisced about their shared passion for storytelling and the artistic exchange that fueled their work, while her connection with Tom Verlaine revealed a deep bond forged through their love of music and poetry.

Lynn’s photographs played a pivotal role in the evening’s storytelling, notably a harrowing series that captured the aftermath of Patti’s infamous accident in Florida in 1977. The audience gasped as Lynn shared a story of how Patti fell 14 feet off a stage during a performance when roadies placed her monitors too close to the edge. “I spent four months with a fractured skull,” Patti recalled, her tone shifting to one of clarification. Lynn had been there, documenting every moment—from Patti’s vulnerability in the hospital to the fierce determination that followed. fragile and fierce. Some photos highlighted her androgynous appearance, while others almost gave her an alien or animal-like quality due to the rawness she exuded in front of Lynn’s lens.

The evening felt less like a formal presentation and more like a gathering of friends, with Patti and Lynn drawing the audience into their world. Patti and Lenny Kaye played acoustic songs corresponding to the images, creating a rich tapestry of sound and memory. Patti performed “Dancing Barefoot,” evoking the love she shared with her late husband, Fred “Sonic” Smith, and dedicated “Because the Night” and “People Have the Power” to Fred. The energy in the room elevated as she used the song as a rallying cry, urging the crowd to vote, to raise their voices, and to use whatever power they had. As any attuned poet would, she reminded the audience that it’s all we have and must use it. The laughter, music, and stories combined into something far more significant—a celebration of a lifelong creative partnership, capturing the polished moments and the raw, vulnerable, and extraordinary journey they shared. Check out the book.

Film Feature: Preview #3 of the 47th Mill Valley Film Festival

We’ve already shared two previews for you (here and here), but at last the day is almost upon us: the 47th Mill Valley Film Festival opens tomorrow, Thursday, October 3rd, and runs until Sunday, October 13, 2024. Screenings take place in Marin County theaters and at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). For a complete listing of all films and special programming, check out the full Festival program.

Below is our third and final preview of the Festival, highlighting two documentaries and one feature. See you at the Fest! 

Continue reading “Film Feature: Preview #3 of the 47th Mill Valley Film Festival”

Film Feature: Preview #2 of the 47th Mill Valley Film Festival

The 47th Mill Valley Film Festival will take place Oct 3 – Oct 13, 2024, with screenings at theaters across the North and East Bay.

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here. 

Below is a second preview of the festival (read our first preview of six films), featuring brief looks at an additional four films:

Continue reading “Film Feature: Preview #2 of the 47th Mill Valley Film Festival”

Film Feature: Preview #1 of the 47th Mill Valley Film Festival

The 47th Mill Valley Film Festival will take place Oct 3 – Oct 13, 2024, with screenings at theaters across the North and East Bay.

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here. 

Below is a preview of the festival, featuring brief looks at six films:

1.) MY DEAD FRIEND ZOE
(USA, 2023. 101 min.)

Writer/Director Kyle Hausmann-Stokes’s feature debut is an emotional and thoughtfully comical story about family and the debilitating effects of PTSD. The stellar cast is led by Sonequa Martin-Green (Star Trek: Discovery) and Natalie Morales (Parks & Rec) and supported by silver screen legends Ed Harris and Morgan Freeman. My Dead Friend Zoe was inspired by Hausmann-Stoke’s army experience in Iraq, and he has infused his film with charm, humor, and heartbreak to tell a timely story about the epidemic of suffering among US Military veterans after returning home.

Screenings (click here for tickets):
– Sat., Oct. 5th, 7:00pm at the CinéArts Sequoia
– Sun., Oct. 6th, 11:30am at the CinéArts Sequoia

Continue reading “Film Feature: Preview #1 of the 47th Mill Valley Film Festival”

Mosswood Meltdown 2024 Gallery

As Summer winds itself down brings us to “way too hot Fall,” we figured it was a good day to look back at Mosswood Meltdown 2024. Our dear friend Ben Zero took some lovely black & white shots of Go Sailor!, Wifey, John Waters, Redd Kross, Hot Laundry, Hunx & His Punx, Trap Girl, and Pansy Division for you to enjoy! 

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Outside Lands 2024: 21 Instant Gig Reviews

I really love Outside Lands. It’s funny because my heart genuinely lies in the world of Punk, and something this big *shouldn’t* be my thing, but I love being able to disconnect from the outside world and just take in music with strangers and friends, and the best part- strangers that became friends that I only see at this event. And, yes, a fellow writer recently referred to Outside Lands attendees as “norms” (I saw what you did there, Alan!), but, man, I had such a wonderful, blissful time, dancing with strangers, eating amazing food, enjoying nearly perfect weather, and taking in some amazing music. I honestly can’t wait for next year, and hope I’m able to keep coming to the park for many years to come. Continue reading “Outside Lands 2024: 21 Instant Gig Reviews”

Mosswood Meltdown – An Epic Punk Rock Festival

 

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John Waters Opening Commentary 

Warning!  This article has unsponsored, unfiltered tales from the Photo Pit. I’m excited to share highlights of Mosswood Meltdown, an absolute pinnacle event. I’m ever grateful for its return each year and its host, John Waters.    Continue reading “Mosswood Meltdown — An Epic Punk Rock Festival”