Sketchfest is really rough. There is literally too much to do over the course of the three weeks the festival runs. We have 18 days of anywhere between 3-10 shows, all special events with performers that rarely come to San Francisco to perform. I’m here to help you decide what to do. Below are some of the events that I find the most interesting over the course of the entire event. You can use my handy guide, or you can just go rogue and take a look at the full schedule here! Continue reading “A Nerd’s Guide to Sketchfest 2017”
Paco Romane is one of the greatest Bay Area comedians. In addition to doing stand-up all around the Bay all the time, he hosts the Sup Doc Podcast with George Chen. He’s also performing at the Outside Lands Music Festival this weekend, where he has curated a set of his favorite comics to open the Barbary tent, and will also be doing a “Hipster Chef Roast” at the Gastromagic stage on Friday. If you can’t make it out to Outside Lands on Friday, Romane is doing a warm up show at Plate & Camera Productions on Thursday Night!
That Mortified has been selling out shows for the past decade shouldn’t surprise me. What should is that this year was my first time getting to find out why. It was Sketchfest 2016’s final weekend (Saturday, 1/23, to be exact), and while I had booked myself back-to-back shows for the evening, I wasn’t concerned since both were taking place in the same venue (Swedish American Hall). The only minor caveat was that I got so excited about this fact (and that I have been to the former venue next door so many times I know the area well), that I forgot to take what a bitch it is to find parking in the neighborhood. Making matters worse, I stood in a line of people wanting to buy tickets for at least five minutes before I realized I could bypass them all and go find a spot in what was now standing-room-only. And yet, it was absolutely worth it! (The only thing I’d do differently is give myself an exorbitant amount of time for parking next time…) Continue reading “SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall”
Hound Tall is one of my favorite podcasts, even if it can be hit or miss, I listen excitedly to every episode. The idea is an expert is there to discuss a topic and Moshe Kasher interviews them while three comedian guests do everything they can to get attention and create laughs. At its best it is an entertaining show where you learn a little and get a lot of laughs. At its worst it is a bunch of comedians completely derailing an otherwise intelligent conversation with dick jokes. When I found out the topic for this episode was the rise of electronic music and Rave culture I was pretty worried. Seemed like there might be a lot of opportunity for dick jokes there. Continue reading “SF Sketchfest Review: Hound Tall with Moshe Kasher at Stage Werx, 1/23/16”
How can you not enjoy these two? (Photo thanks to Tommy Lau.)
Okay, it’s taken me almost a week and I still haven’t been able to decide: do I want to call Sally Field “radiant,” or is “luminous” the right word? I swear, that’s a big part of the reason it’s taken me five days to publish my review. (It also doesn’t help that I’ve been as lazy as my crazed-grad-school lifestyle will allow…) And here I am, I still haven’t decided. Suffice it to say, Ms. Field is all that and more. Anyway, so when SF Sketchfest announced this year’s schedule, I immediately zeroed in on this chance to attend the tribute to Sally Field and screening of her quirky new comedy, Hello, My Name is Doris last Friday night at the amazing Alamo Drafthouse. (Bonus: the Q&A after the film also featured the film’s director/co-writer, Michael Showalter!) Continue reading “SF Sketchfest Review: Tribute to Sally Field, ‘Hello, My Name is Doris’ Screening and Q&A with Sally Field and Michael Showalter, 1/22/16 at Alamo Drafthouse”
Reviewing Podcasts is weird, especially when it’s one you’ve been listening to off and on for six years and have never seen live. There’s just a certain amount of fandom that keeps you from doing an impartial review, so I’m mostly going to tell you want happened. Obviously I loved it. The host of The Dork Forest, Jackie Kashian, is my favorite person in comedy and her enthusiasm to hear and learn about other people’s dorkdoms is often catching. In person it is even stronger and funnier because there is so much more going on with the expressions and gestures of the guests. It’s that special something that always makes it worth it to pay to see a free podcast live. Continue reading “SF Sketchfest Review: The Dork Forest at the Punchline, 1/23/16”
Arline Klatte and Beth Lisick, your Porch Light hosts
I decided to attend Porch Light Storytelling Series on a whim, as often happens with me and Sketchfest. If I see more than one comedian I really like, in this case Moshe Kasher and Jackie Kashian, I’m pretty happy to try it out. I was also curious about Beth Lisick who wrote a couple of her short story collections I’ve read. The format also seemed like it would be generally likeable – two hosts and six people telling true life stories, what’s not to like about that? Continue reading “SF Sketchfest Review: Porchlight, a Storytelling Series at Swedish American Hall, 1/22/16”
Amy Miller is an old friend of Spinning Platters. She’s also the funniest person in Portland, OR, and was on the final season of Last Comic Standing. She was one of the earliest fans of the site and, despite her continued fame, she still managed to squeeze out some time to talk to us.
She’s going to be headlining at Punchline in SF this Wednesday, January 27th. Tickets are available here!
Boots Riley and Patton Oswalt (photo by Steve Agee)
Patton Oswalt, comedian and actor extraordinaire, isn’t sure why he’s getting a “tribute” from SF Sketchfest. Sure, he’s been touring the comedy circuit since ’88, has amassed millions of fans, exudes a remarkably conscious presence on social media, and generally is utterly recognizable in voice, manner, and his own creative palate — but is that really the sort of thing to have a “tribute” for? This, more or less, was the way he asked the question that kicked off the afternoon show, which saw Oswalt discussing his history, perception of comedy in decades gone by and in the modern age, and the vastly-deepening social awareness that exists to meld the worlds of comedy and reality together in (hopefully) wonderful ways. Despite the fact that the tribute was for him, and Boots Riley — the frontman of Oakland’s own hip-hop masterminds The Coup — was the one he was “in conversation” with, Oswalt was the first onstage, and introduced both the show and his guest, and remained the driving force for the conversation for the rest of the afternoon.
