It’s that time of year again! Time to scour through pages and pages of SF Sketchfest listings, trying to decide what shows to buy tickets for, and never actually going to anything because it’s all too intimidating. Well, fear not! Instead of thinking for yourself, just go to everything I tell you to. Because I have fantastic taste, and you’ll love all of these.
Don’t trust me? Well, you can always go straight here to pick out shows and buy tickets.
Rae Livingston and David Owen both help book the Barbary at Outside Lands, and have for several years now. This, is course, means they have a lot to talk about. So we split the interview in two, because we here at Spinning Platters understand that your time is precious. In this one, we talk about the bookings that they are most excited about this year, as well as some favorite memories of passed years.
If you missed part one, it’s right here! And if you still haven’t purchased tickets yet, what are you waiting for? You can find those right here!
Outside Lands generally does quite well with the music lineup. However, I have always thought that the real gold at the festival has been the bookings for the Barbary. This year, we finally found time in their busy schedule to talk to some of the people behind those amazing bookings: Rae Livingston of Another Planet and David Owen of SF Sketchfest. We got to spend a little time with them to discuss the history of the stage, the booking process and their careers, and for a bit, we just got to nerd out about comedy.
One of my favorite things Sketchfest does is that they book many of their shows using the old music format: take a lesser known act and have them do a short set ahead of the headlining set. It’s a great way to learn about some lesser known sketch troops, and often times, it’s very rewarding. Tonight we got to enjoy a set by Dopetown 3000! (Spoiler: They were exceptional)Continue reading “SF Sketchfest Review: Mourzouksnick, Dopetown 3000 at The Nourse Theater, 1/28/18”
Jane Kaczmarek reads a story by Katherine Heiny at Selected Shorts: Too Hot For Radio at the Marines’ Memorial Theatre on January 26, 2018. (Photo courtesy of Tommy Lau)
As a longtime listener of Symphony Space’s Selected Shorts, a short story reading radio program broadcast locally on KQED-88.5 on Saturday nights, I was thrilled to see that Sketchfest was bringing the show to the Festival for the first time ever this year. What made the live performance even more special and fun was that it promised to offer stories “too hot for radio” – ones that, for various content reasons couldn’t be read over the air during the regular program, but could be read to a non-broadcast, live theater audience. As an added bonus on top of that, as is typical with Selected Shorts, the stories would be read by famous, well-regarded actors. For “Too Hot for Radio” we were graced with ArrestedDevelopment regular and comedian David Cross, actors Lance Reddick (The Wire) and Academy Award nominee David Strathairn (an alumni of Larkspur’s Redwood High School), and actress and Symphony Space regular reader Jane Kaczmarek (Malcolm in the Middle). The live show, held on Friday, January 26th at the Marines’ Memorial Theatre, didn’t disappoint, and more than lived up to my expectations.
Annie Ellicott sings with Jeff Goldblum (on piano) and the Mildred Snitzer Orchestra at the Marines’ Memorial Theatre on Jan. 28th. (Photo courtesy of: https://www.facebook.com/pg/goldblumofficial/photos)
For the third year in a row, SF Sketchfest fans were treated to the affable charm of actor and musician Jeff Goldblum, who brought his Mildred Snitzer Orchestra jazz band to the Marines’ Memorial Theatre last Sunday for a cabaret-style evening of jazz, movie clips, and a whole lot more. Goldblum’s laid-back and amiable presence is always enjoyable, and he seems to take just as much pleasure in his show and his audience interaction as his fans do. Continue reading “SF Sketchfest Review: Jeff Goldblum and the Mildred Snitzer Orchestra, 1/28/18”
There are many unique things about SF Sketchfest, but one of the most interesting thing they do is book monthly and weekly shows that happen in other metropolises, and bring them to the Bay Area. Tonight we got to enjoy a special delivery from New York City: Sasheer Zamata Party Time!. This is a variety show hosted by SNL’s Sasheer Zamata. We got to enjoy comedians, musicians, and even “party games” played with the audience. I guess this is what you do at parties in New York? As somebody that loves taking in new cultures, I’m up to experience what they do in New York for fun. Continue reading “SF Sketchfest Review: Sasheer Zamata Party Time! at Cobb’s Comedy Club, 1/26/18”
The cast and crew from the classic movie Animal House assembled at the Castro Theatre for a panel discussion of the comedy classic in honor of its 40th anniversary. It is, as you may remember, vibrant with jokes that stand the test of time. The movie was groundbreakingly raunchy for its time, with sexual humor that seems tame now, but in 1978 challenged the ratings board, and caused the studio to resist its production until Donald Sutherland joined the cast. It was risque to show dildos on screen, and the gross out humor and blatant sexuality was new for the day. There were several scenes in which women, on a date, in a car, overlooking the city, were giving hand jobs in convertibles, expressing irritation and boredom at the laborious process of pleasuring their date, a scenario familiar to many adults. This was also one of the few jokes that seems to have been specifically penned for audience members who aren’t white men. “Is it supposed to be so soft?” asks the woman on their second encounter in the car. Continue reading “SF Sketchfest Review: Animal House 40th Anniversary with Cast and Crew Panel Discussion”
As we all know, things are kind of nutty right now. There are some terrible people in power, those people are inspiring other terrible people to act and speak out in terrible ways, and it seems that the entire country has been either drowning, burning, or freezing most of this year. The best thing for coping with all of this, at least for me, is satire. But not dark satire. Warm, comforting satire, that helps you laugh at the issues while also feeling comforted that somebody else understands what’s going on. Sara Schaefer is one of the finest writers of this brand of satire. And, despite it being a Tuesday night, I needed to see what she had to say. Continue reading “SF Sketchfest Review: Sara Schaefer: Little White Box, Krista Fatka at Punchline, 1/16/18”
