W Kamau Bell is one of the most brilliant and controversial names in comedy. He recently moved back to the Bay Area, after a stint in New York hosting the dearly departed Totally Biased with W Kamau Bell. To celebrate his return, he did a “secret residency” at Cinecave in Lost Weekend Video. He’s playing Uptown Showdown: Are We Getting Dumber vs Are We Getting Smarter with Maria Bamford, Dave Hill, TJ Miller, Aparna Nancherla, Greg Poops and Jared Logan on January 31st. Tickets are available here!
Every year, the good folks at SF Sketchfest program three weeks of live comedy in the Bay Area. They program it so well that it can get exhausting to determine which shows to go to. Well, here at Spinning Platters, a forum for Bay Area music, film, and comedy nerds, we’ll be helping you determine which shows you should be going to. It wasn’t easy, but I think you’ll get sufficient enough chuckles for handling the post-holiday blues if you follow these guidelines.
Don’t like my suggestions? You can always pick for yourself! You can find the schedule here!
George Chen is one of the founders of Cinecave, one of San Francisco’s best kept secrets. It’s a comedy club in the basement of Lost Weekend Video. It’s also one of the best rooms for comedy in this town. Cinecave is teaming up with Sketchfest for several shows during the festival, as well as shows every Friday and Saturday night! Chen is also one of the funniest comics in his own right, and you can catch him throughout the festival. His schedule is here.
Ending a festival is always a little bittersweet. Because you had fun, but you are also tired. So tired that you will end up seeing fewer acts, but it’s OK. Quality over quantity, eh? And these were probably the best sets of the weekend.
The good people of Sketchfest have decided to grace our Summer with another weekend of epic programming at The Castro Theater. Thus proving that you can, indeed, laugh in the Summer as well as the Winter. These four events at The Castro Theater are all going to be wonderful, joyful affairs. (Note: All events are at The Castro Theatre) Continue reading “Sketchfest Summer Social Preview”
Thus begins my daunting task of compressing the highlights of 35 hours worth of music, comedy, and food into a mere three posts. It’s not easy, as this was definitely one of my favorite Outside Lands experiences ever, with the most even distribution of wonderful things to do that I’ve ever enjoyed from this shindig. Here’s how it all started:
In the world according to Stace (that’d be me, for those not paying attention), Maya Rudolph is a genius. A comedic genius, you might say, but I mean it in a more general way. I’m just sayin’, if this woman ran for president, she might get my vote. Beautiful, funny, and musically talented, she’s got it all. As if that isn’t enough, she’s in a long-term relationship with the music of Prince, and it’s getting pretty serious. Recently, she’s been sharing it with the world alongside her college buddy, singer-songwriter Gretchen Lieberum, and together they are Princess.
Lucky, lucky me: SF Sketchfest brought this act to my city and gave me a ticket to watch! (Don’t be jealous.) So last night, I planted my feet outside the doors at Mezzanine in the drizzle and waited an hour to be let in. At first, I thought I’d finally found the island of misfit toys, as no one remotely associated with the venue seemed to know much about what was going on, who the artist was, if tickets would be available (the show was sold out, but of course there were still those willing to try at the door), or how long the event would go. In the end, after an hour, I was the first one in the door. Cocktail in hand, I picked a spot against a pillar near the front and there I stood for the two hours until the ladies graced the stage. I have to be honest: these were torturous hours. Though I subject myself to them regularly, I’m not especially fond of huge crowds, and Mezzanine really packed ’em in last night. I can’t blame everyone else in the city for wanting to witness the glory of Princess, but it didn’t stop me from wishing I had a little more room to breathe. (Seriously: I even texted managing editor Dakin, who was up front, to ask if it would be any better if I went back near the door. He said probably not much, so I sucked it up and stayed put.)
This year, I seem to have been a little cursed when trying to get to a Sketchfest show at Marines Memorial Theatre. I had two events there this year, and both times, I couldn’t avoid being late. The first time, I missed most of the show due to insane traffic. This past weekend, I missed fifteen or twenty minutes because I had to make a choice: leave the day’s first event (The Benson Movie Interruption: “Twilight: New Moon,” something I looked forward to all year long) early, or take my chances with being late to event number two. I opted for the latter, rushing out in the rain to my car, across town, and to do my best to quickly find parking near the venue. Even so, I was late and there was nothing to be done about it except sit down, shut up, and enjoy the rest of the show. I’ve requested to review Celebrity Autobiography before: Rachel Dratch, Fred Willard, Florence Henderson, Pamela Adlon… Need I say more? Continue reading “SF Sketchfest Review: Celebrity Autobiography: The Music Edition on 2/8/2014”
