Thank god for SF Sketchfest! Seriously, if there’s one thing I hope we can all agree on in America right now, it’s this: we need comedy. Give us a reason to laugh. We may never see eye to eye or agree on who’s right and what needs to change, so there’s never been a better time for us to come together and soothe our uncertainties with the balm of a few hours’ worth of laughs. And last Friday night, that’s exactly what I did. I grabbed my cousin (and fellow Jeopardy! lover) and we headed to Club Fugazi for Jeopargay! with Spike Einbinder and Honey Pluton. It promised to be a fun night of trivia and humor. Continue reading “SF Sketchfest Review: Jeopargay! with Spike Einbinder and Honey Pluton at Club Fugazi, 1/24/25”
Category: SF Sketchfest
SF Sketchfest Review: Tinder Live! with Lane Moore at Cobb’s Comedy Club, 1/24/25
I adore Lane Moore. She’s a gifted human with an impressive perspective on the human condition. Her two books, How To Be Alone and You Will Find Your People, are genius. I’ve been following her for years, yet I haven’t seen her signature show, Tinder Live!
Thanks to the good people of SF Sketchfest and their persistence in bringing her out west, I finally got to experience it. Holy shitballs, that was magic. Continue reading “SF Sketchfest Review: Tinder Live! with Lane Moore at Cobb’s Comedy Club, 1/24/25”
SF Sketchfest Review: Airplane! 45th Anniversary Live Read at Palace Of Fine Arts, 1/18/25
Photos By Jakub Mosur
I have no idea how old I was when I first saw Airplane!. All I knew was that it was likely far too young, but it’s been a significant part of my entire life. Which makes sense since I’m 45, and it turns 45 this year. Who is to blame for this movie following me my entire life? You guessed it. My own father is the one who showed me this piece of chaotic art at far too young an age. Continue reading “SF Sketchfest Review: Airplane! 45th Anniversary Live Read at Palace Of Fine Arts, 1/18/25”
SF Sketchfest Spotlight: How Did Demi Adejuiygbe Get Here?
Most people know Demi Adejuiygbe as the mastermind behind the legendary “September” videos. You may not know that he was a writer on The Good Place, possibly the greatest TV show ever, as well as The Amber Ruffin Show. As per the usual, we talked about his career, how he works, and, of course, there is a healthy dose of cat talk, complete with advice on how to properly AirTag your feline.
Demi has a sold-out show at Great Star Theater on Friday Night as part of SF Sketchfest doing his classic one-man show Demi Adejuyigbe Is Going To Do One (1) Backflip, as well as appearing as part of Stamptown! at Club Fugazi on Saturday, January 18th. A limited number of tickets are available at the door, so I suggest you line up now for any and all of his SF Sketchfest appearances.
A Nerd’s Guide to SF Sketchfest 2025
I LOVE writing the Nerd’s Guide to SF Sketchfest. It’s probably my favorite piece to write and research, and I always find something interesting and cool. (Special Thanks to Gordon Elgart for writing up Sup Bro & Albert Brooks) This year is no exception, and I’m pretty excited to share it with you. More shows than usual are selling out early, so please act quickly! The full schedule is here.
I will also note that a big chunk of the SF Sketchfest family is based in Los Angeles and is somehow STILL putting this thing on while their home is experiencing great tragedy. For those looking to donate, I am a big fan of Mutual Aid LA and their work, and I trust them to put your donations to good use. And folks in the Bay Area can bring items to Hella Positive to get them to our neighbors. Continue reading “A Nerd’s Guide to SF Sketchfest 2025”
New Sketchfest Events! ALBERT F’ING BROOKS!!!!!!
Defending Your Life was one of the cornerstone films of my childhood. It wasn’t a kid’s movie, but I was such a nerd and an armchair philosopher that I was obsessed with this film. Albert Brooks became my hero. Of course, as I got older, Meryl Streep ALSO became my hero. But the guy also hasn’t done a lot of public appearances in recent years, so it’s super exciting that SF Sketchfest has managed to snag the dude to talk about his career as a a filmmaker, an actor, and, hopefully even his stand up days! Continue reading “New Sketchfest Events! ALBERT F’ING BROOKS!!!!!!”
SF SKETCHFEST ON SALE SUNDAY AT 10 AM PST
It’s been an embarrassment of riches for those in the market for distractions from the pending end of America. Noise Pop dropped their Phase 1 lineup on Wednesday. Mosswood Meltdown gave us their first five acts on Thursday. And today, SF Sketchfest just pulled out ANOTHER absolutely apeshit lineup.
I’ll get the annual Nerd’s Guide to you at some point after I’m done digging into the 8,000,000 acts performing. Highlights include Bill Murray doing two nights at Great American Music Hall, Riki Lindhome doing her one-woman show about fertility, the great Kathryn Hahn in conversation with the great David Wain, Tim Curry making his first public appearance in a VERY long time in conversation with Peaches Christ, and just plain TOO MANY THINGS TO LIST—tickets on sale Sunday at 10 am. The schedule and tickets are here.
SF Sketchfest Review: The Bechdel Cast at Club Fugazi, 2/1/24
I’m not a movie person. I have seen maybe five movies in the last five years. Yes, that included the two years or so of complete pandemic lockdown and not leaving the house. I like The Bechdel Cast because I’m a fan of Jamie Loftus and Caitlin Durante more than movies. But I haven’t spent much time listening to the podcast for that reason. However, with the two of them doing a tour to discuss Barbie, the 2023 monster hit film AND the only movie I’ve seen in theaters this decade, I was glad to have some connection to the movie the two were discussing. Continue reading “SF Sketchfest Review: The Bechdel Cast at Club Fugazi, 2/1/24”
SF Sketchfest Review: Red Room Orchestra plays The Lost Boys at Great American Music Hall, 1/19/24
It is apparent as we arrive that The Lost Boys is a seminal coming-of-age film to more goths and their familiars than those —ahem — of a certain age. Though not sold out, The Great American is full of stylish vampires of all ages, my partner and myself included. The 1987 Schumacher Peter Pan/Anne Rice mashup maintains a certain cultural currency as evinced by a thirty year reunion back in 2019 featuring the full living cast.
Tonight features a more modest guest list — a fit Alex Winter and a near manic Timmy Capello, second-string vampire and scene-stealing shirtless saxman — the Red Room Orchestra lineup is fire. This is a blessing because when we dust off the Lost Boys Soundtrack CD, we find an abbreviated list of ten tracks representing not a post-punk goth masterpiece but a schizophrenic mash-up of late eighties pop distractions, from INXS regrettably twice-dipping into Aussie pub-rock, to late-career solo forays by Foreigner’s Lou Grahm and the Who’s Roger Daltrey, to the residual 50’s rock n’ roll hangover that plagued that decade. The unauthorized list containing all the film’s tracks is just as bewildering, including the Run DMC/Aerosmith hip-hop crossover, “Walk This Way.” We rightly remember the high points: Echo and the Bunnymen covering “People Are Strange,” Gerard McMann’s standout “Cry Little Sister,” and, of course, Tim Capello’s sweaty and inexplicable cover of Christian rock band The Fall’s “I Still Believe.” Continue reading “SF Sketchfest Review: Red Room Orchestra plays The Lost Boys at Great American Music Hall, 1/19/24”
SF Sketchfest Review: Kids In The Hall “Unplugged” at Palace Of Fine Arts, 1/23/24
Photos by Jakub Mosur
I’m not sure what the “unplugged” in Kids In The Hall Unplugged is referring to. Non-electric comedians? Acoustic comedians? The first thing that happened was a sound issue with one of the mics running foul and each member of the cast hopping up and down and tapping and teasing each other to figure out whose it was. They were wireless mics, so there’s that. As will likely become apparent, I am not a comedy reviewer. I’m not even much of a live comedy consumer. Perhaps “unplugged” is vernacularly smuggled in from live music that has assumed its own valence. At any rate, the mic problem, rather than hindering the performance, seemed to loosen everybody up and give them a chance to stretch their ad-lib muscles in these predefined but still vigorous skits.