Book Review: Taste In Music: Eating On Tour with Indie Musicians By Alex Bleeker (Real Estate) and Luke Pyenson (Frankie Cosmos)

I’ve never been a touring musician. The closest I’ve come to this was the Summer of 2015 when I worked at Ticketfly and worked on-site at festivals pretty much all Summer. That being said, I’m very prone to car sickness, which would make me an awful bandmate. When I first learned about Taste In Music: Eating On Tour with Indie Musicians, I honestly was expecting a bit of a horror novel, as, well, low-budget touring across America sounds like an experience in a LOT of risky gas station meals. Continue reading “Book Review: Taste In Music: Eating On Tour with Indie Musicians By Alex Bleeker (Real Estate) and Luke Pyenson (Frankie Cosmos)”

Show Review: Lynn Goldsmith & Patti Smith In Conversation at Calvin Simmons Theatre in the Henry J Kaiser Center For The Arts, 10/7/24

(Header Photo Courtesy Noise Pop Industries / Debra Zelle)

Attending the grand reopening of the Henry J. Kaiser on October 7, 2024, with my septuagenarian best friend was a profound and nostalgic experience. The event, centered on the incomparable Patti Smith and legendary photographer Lynn Goldsmith, was a journey through friendship, art, and music. They were on tour for their new book, Before Easter After: 1976-1979 Photos and Diary Entries of Patti Smith’s Life, an apt title for a night filled with laughter, stories, and emotional resonance.

The crowd was as eclectic and storied as the venue itself—a mix of Mills College graduates, anonymous band members from legendary Bay Area groups, and other creative spirits. Garage rock vintage shirts mingled with the crisp Northeast types who still clung to their cigarettes. Young leftie femmes teemed with anticipation, while nonchalant poet types gazed on indifferently, and nervous, professional event staff wove through the crowd, ensuring everything ran smoothly.

The Henry J. Kaiser, steeped in the cultural and musical history of the Bay Area, has been home to some of the most legendary concerts. Perhaps none were more iconic than the Grateful Dead’s many performances there. (Editor’s Note: The show where The Ramones made the Bay Area debut of Rock & Roll High School, the greatest movie of all time ON THE DAY I WAS BORN, beats any Dead show there.) The venue became a central part of the Dead’s storied relationship with the Bay Area, known for hosting some of their most memorable shows in the mid-1980s. The band played the Henry J. Kaiser nearly 50 times, with annual multi-night runs becoming a staple from 1984 until 1987. These shows attracted Deadheads from all over, who flocked to the venue to experience the band’s unique blend of improvisation, psychedelic rock, and community spirit.

Particularly legendary were the Dead’s Mardi Gras shows at the Henry J. Kaiser, which became annual traditions. Complete with parades, costumes, and extended jams, these performances embodied the celebratory spirit of the Dead’s live shows, making the venue a sacred space in Grateful Dead lore.

This rich history was alive as Patti and Lynn took the stage to reflect on their experiences. Though a moderator was technically present, they weren’t needed. Patti and Lynn seamlessly traded stories, retelling tales of their time together over 40 years ago, as Lynn ran slides capturing moments from their past. Their anecdotes painted a vivid picture of their shared journey, from misspent nights in New York City to road trips across the U.S.

One particularly captivating moment came when Patti recounted her friendship with the legendary William S. Burroughs. Patti began to weave a vivid tale of their shared experiences. With a wry smile, she recounted how she used to attend Burroughs’ notorious parties in New York City. “He’d invite me to these bizarre gatherings,” she said, her voice softening in remembrance. The parties were filled with artists, poets, and outcasts, but Burroughs always stood apart—an enigmatic figure who was always watching and rarely engaging.

As the crowd hung on her every word, Patti told the story of how Burroughs would take her to various places in the city. Patti’s candidness shone through as she recounted hitting on Burroughs one evening. She paused, then dropped her voice into a perfect impression of Burroughs, adopting an elegant rasp and stretching out her words. “‘Patti,’ he’d say, ‘I’m a raging homosexual.’” She mimicked his long drawl, capturing his deadpan humor and absolute certainty. The audience erupted in laughter as Patti, still grinning, shook her head.

This moment revealed Patti’s versatility in her relationships and her curiosity about the world. She wasn’t fazed by rejection or by Burroughs’ peculiarities. Instead, she was drawn to his energy, his difference, and the fact that he existed entirely outside the norms.

As the stories flowed, Patti also shared anecdotes about her time with Robert Mapplethorpe, Sam Shepard, and Tom Verlaine. These icons had left an indelible mark on her life and art. She spoke fondly of her creative partnership with Mapplethorpe, whose photographs captured her image and explored the complex themes of love and desire that permeated their lives. With Sam Shepard, she reminisced about their shared passion for storytelling and the artistic exchange that fueled their work, while her connection with Tom Verlaine revealed a deep bond forged through their love of music and poetry.

Lynn’s photographs played a pivotal role in the evening’s storytelling, notably a harrowing series that captured the aftermath of Patti’s infamous accident in Florida in 1977. The audience gasped as Lynn shared a story of how Patti fell 14 feet off a stage during a performance when roadies placed her monitors too close to the edge. “I spent four months with a fractured skull,” Patti recalled, her tone shifting to one of clarification. Lynn had been there, documenting every moment—from Patti’s vulnerability in the hospital to the fierce determination that followed. fragile and fierce. Some photos highlighted her androgynous appearance, while others almost gave her an alien or animal-like quality due to the rawness she exuded in front of Lynn’s lens.

The evening felt less like a formal presentation and more like a gathering of friends, with Patti and Lynn drawing the audience into their world. Patti and Lenny Kaye played acoustic songs corresponding to the images, creating a rich tapestry of sound and memory. Patti performed “Dancing Barefoot,” evoking the love she shared with her late husband, Fred “Sonic” Smith, and dedicated “Because the Night” and “People Have the Power” to Fred. The energy in the room elevated as she used the song as a rallying cry, urging the crowd to vote, to raise their voices, and to use whatever power they had. As any attuned poet would, she reminded the audience that it’s all we have and must use it. The laughter, music, and stories combined into something far more significant—a celebration of a lifelong creative partnership, capturing the polished moments and the raw, vulnerable, and extraordinary journey they shared. Check out the book.

Book Review: “Bay Area Stand Up Comedy: A Humorous History” by Nina G & OJ Patterson

For those of you that have been following Spinning Platters since it’s inception (Hi, Mom!), you may recognize one of the two names sharing authorship of the book Bay Area Stand Up Comedy: A Humorous History. Yup! Our one-time comedy editor, OJ Patterson, has graduated from the world of volunteer blogging to become an actual published author! I’m so very proud!!! (I’m actually weeping a little. Don’t mind me!) I’m also very sad that, within his bio within the book, there is no mention of our little pocket of the internet. I won’t hold that against him, however. Because he, along with fellow Bay Area stand-up comic Nina G, has gifted the world with something that we’ve desperately needed: a written history of the highly influential Bay Area stand-up comedy scene. 

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Book Review: “You Are Beautiful and You Are Alone: The Biography of Nico” by Jennifer Otter Bickerdike

The year 2021 is shaping up to be a pretty solid one for fans of The Velvet Underground. In the next few months, we will see Velvet Goldmine director Todd Haynes’ long-awaited documentary The Velvet Underground hit streaming platforms as well as an indie-rock star-studded tribute to The Velvet Underground & Nico called I’ll Be Your Mirror featuring literally everyone you are thinking of right now that would participate in a project like this. This year is also giving us a brand new biography of the life of Christa Päffgen, better known as Nico. 

You Are Beautiful and You Are Alone: The Biography of Nico, out now in the UK and coming out August 10th from Hachette Books in the US and Canada, isn’t the first book on Nico. Far from it. But it’s the first book to tell the entire story of Nico, from birth to death, without condescension or sensationalization. 

Writer Jennifer Otter Bickerdike presents her hypothesis early on- while male artists who struggle with addiction and mental health issues are often deified, female artists who deal with similar issues are often mocked and disrespected by the public and press. It’s impressive that, over the course of 512 pages and 49 years of life, the book never veers from that hypothesis. 

The book begins in Germany in 1938, presenting the most detailed account of life under Hitler for your average family, as well as what it was like to raise a family as a single parent after the war. The writer doesn’t shy away from the fact that Päffgen’s father fought on the side of the Nazis but also sympathizes with the kind of poverty and desperation felt by the survivors during this tumultuous time in Germany. This pain early on helped forge the “Nico” identity. 

The book explores Nico’s time as a teenage model, becoming the “it” girl at a young age. We learn about her desire to create avant-garde art that introduces her to Andy Warhol, who in turn introduces her to The Velvet Underground, convincing the band to let her join. (Spoiler: The band was not happy about this) 

Throughout this story, we are introduced to a surprising array of celebrities with ties to Nico, some of whom she dated and some she didn’t. The writer is careful not to paint Nico as someone who “slept her way to the top,” but instead explains which partners helped encourage her and which ones were less than great to her. Without much detail, both Jim Morrison and Iggy Pop come off as class acts, while Brian Jones and Jackson Browne made for less kind partnerships. And Lou Reed is probably the biggest asshole of all. 

Despite how significant her time with The Velvet Underground is in our awareness of Nico, the book spends very few pages on her time in the band. Possibly because it amounted to less than a year of her life, her most famous solo record, Chelsea Girl, is also glossed over to make room for exploring her lengthy solo catalog. During that time, we watch a woman struggle to make a living as an artist while people seem to be hyper-focused on her looks. Her struggle for credibility takes her on a road of addiction and, in her mind, doing whatever she could to not present as “pretty” in order to be taken seriously. 

The book is a stunning portrait of a conflicted artist that I personally knew very little about before reading this book. It’s a deeply engaging, well written, and well paced book that I enjoyed immensely and may even read again soon. 

Book Review: Lily’s Grooves

Full Disclosure: I write about music and sometimes comedy. I am not an expert on literature, and, specifically, I’m not an expert on Children’s Literature. I am also married to an expert on Children’s Literature, and I really should have asked her to write this review, but I didn’t. However, currently, I am living life as a stay-at-home Dad to an amazing toddler that demands that I read to her several times a day. This kid also loves music, records, and cats. So, when I opened up my mailbox and found a copy of Lily’s Grooves, the story of a record store cat, I decided that it wasn’t really my opinion or even my partner with a master’s in Children’s Literature opinion that mattered. Just the kid. 

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Spinning Platters Interview: Kathy Valentine of The Go-Go’s and The Bluebonnets

Photo by Ruby Matheu

There aren’t many artists out there that can stake the claim that they are having a “big” 2020. However, Kathy Valentine of the Go-Go’s is having one of the biggest years of her career! Earlier this spring she released her first book, an autobiography of her early years, leading up to the Go-Go’s mid-’90s reunion, All I Ever Wanted. In addition to the book, she released a solo record to accompany the book, also called All I Ever Wanted, providing a soundtrack to that book. This Friday, July 31st brings us the first new single by the Go-Go’s since 2001, “Club Zero.” Once you have given the new single a few dozen spins, that very same night brings us the premiere of the Go-Go’s on Showtime, a documentary film about the life and times of the most successful all female rock band of all time at 9/8c! 

Spinning Platters had the opportunity to chat on the phone with Kathy Valentine, and in between a few fanboy moments of excitement, I managed to ask a few questions.  Continue reading “Spinning Platters Interview: Kathy Valentine of The Go-Go’s and The Bluebonnets”

Book Review: Natalie Murray’s Emmie and the Tudor King

“The reign of terror continued for nearly two decades, earning the Tudor king his famous epithet ‘Nicholas the Ironheart’.” Excerpt From Emmie and the Tudor King, Literary Crush Publishing, Copyright 2019 by Natalie Murray.

In a small town in Western Mass resides Emmie, a sensitive and inquisitive 17-year-old with lofty ambitions. The Laura Ingalls-esque young woman lives with her hardworking mother, Carol, who has taken her from London to San Diego to New England to chase after the unrequited love of her now ex-husband. Carol’s heartache and yearning for more is the aura she carries with her, a yearning that also resides in our hero. Emmie has her eyes set on an art school in London, and spends her time curating the piece of jewelry that she believes will be her ticket out of Hatfield. Continue reading “Book Review: Natalie Murray’s Emmie and the Tudor King

Spinning Platters Interview: Patty Schemel of Upset and Hole

Photo credit: Darcy Hemley

Patty Schemel is probably best known as the drummer for legendary rock band Hole. More recently, she’s had a documentary about her life called Hit So Hard released, as well as started a band with Ali Koehler of Vivian Girls called Upset. She’s also written an autobiography, also titled Hit So Hard. The book is in stores on October 31st. (Yes, on Halloween!) Spinning Platters had the honor of getting to speak with Schemel recently about her career, writing a book, and what it’s like to play in a band with musicians from a different generation.

Hit So Hard:A Memoir can be preordered here!

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Book Review: A Heartbeat And A Guitar: Johnny Cash The Making Of Bitter Tears by Antoninio D’Ambrosio

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Johnny Cash might be the most chronicled musician in pop music history. There are literally hundreds of biographies, authorized and unauthorized. The best, of course, is Cash by Johnny Cash. This book is not a biography of Johnny Cash. It’s the story of a record, one of the greatest records ever made.

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