Album Review: You Say Party! We Say Die! — XXXX

I’ve never understood why “garden variety” is viewed by many as a pejorative. You don’t have to be a vegetarian to appreciate broccoli. Just ask Steve Masters.

You Say Party! We Say Die! doesn’t offer much in the originality department outside of the double factorial, but that’s fine. We need more bands like this. Let’s start at the end with “Heart of Gold.” It does belong at the end, because it has a “Road Movie to Berlin” feel to it, but musically it reminds me of The Cure’s “Untitled,” and the singing is straight out of a Marine Research-style track. The rest of the album copies other styles, but no other band manages to homogenize this many sounds together. Continue reading “Album Review: You Say Party! We Say Die! — XXXX”

Album Review: Holly Miranda – The Magician’s Private Library

Listening to Jealous Girlfriends’ front woman Holly Miranda’s first solo album, I couldn’t help but think of an old Bjork interview referring to Debut and Post as her greatest hits albums.  They stood as a sparkling mesh of every style of music that piqued her interest.  And that is the energy trying to burst out here, traveling with Holly from one sound scape to the next. Continue reading “Album Review: Holly Miranda — The Magician’s Private Library”

New Release Round Up 2/16/10 – 25 Instant Album Reviews

Pouria will be referencing this album cover below.

Of the 25 albums I checked out this week I’m most looking forward to Scanners and Pokey LaFarge & the South City Three making their rounds in The Bay. Continue reading “New Release Round Up 2/16/10 — 25 Instant Album Reviews”

Album Review: Meaghan Smith – The Cricket’s Orchestra

Spinning Platters gets asked to review a lot of albums.  And the ones I’ve been hearing lately?  Awful. (Yes, I’m looking at you Nick Jonas.  Why couldn’t your solo album sound like this!?!).  So when I got an email last week from our managing editor Dakin asking me to review Meaghan Smith’s first album The Cricket’s Orchestra I was unsure to say the least.  But Dakin told me “She’s a Canadian singer/songwriter who is influenced by music from the 20’s, 30’s and 40’s.  If you don’t like it, no one will and it would deserve a bad review.”  And I’m sure he’s right. Continue reading “Album Review: Meaghan Smith — The Cricket’s Orchestra”

Album Review: Gil Scott-Heron – I’m New Here

Gil Scott-Heron’s new album I’m New Here is a look back at his life and the lives of the people in his life.  On I’m New Here, Scott-Heron starts off with a tribute to the person he considers his mother, grandmother Lily Scott. The majority of the album deals with death, responsibility, and socio-economic issues. Continue reading “Album Review: Gil Scott-Heron — I’m New Here”

New Release Round Up 2/9/10 – 28 Instant Album Reviews

Neither the author nor Spinning Platters recommend smoking this many cigarettes at once.

I didn’t think I was going to finish up this week. Got sick through the middle. But the fortunes smile on all of you, your reviews are here. Continue reading “New Release Round Up 2/9/10 — 28 Instant Album Reviews”

Album Review: HIM – Screamworks: Love in Theory & Practice

You would think that featuring love as your sole inspiration for so many years may provide you with more luck on the subject, but in the case of HIM, a steady relationship will always find a way to elude them. Curses! Will their tortured souls ever catch a break? For the sake of their wallets, I certainly hope not.

Continue reading “Album Review: HIM – Screamworks: Love in Theory & Practice”

Album Review: Titus Andronicus – The Monitor

Tasked to review the new album, The Monitor, from Titus Andronicus, I find it difficult to expand upon my reaction to this album. “I’m pretty sure it’s better than their first album, but I sure do like it a lot less” is what I said. I think it works like this: if you’ve been loving The Airing of Grievances for over a year, and shouted “your life is over” along with the band when seeing them live four times in a week, you may find this album disappointing. Otherwise, I think you’re going to like it. Continue reading “Album Review: Titus Andronicus — The Monitor”

Album Review: Earl Greyhound – Suspicious Package

Earl Greyhound’s previous album, Soft Targets, blasted out of the box with “S.O.S.,” a dynamic mission statement that attempted to explain, in five minutes, what Earl Greyhound was all about. While the album didn’t live up to the high standards set by this blistering track, descending into middling bluesy rock numbers by the end, the promise of that one song alone has kept me interested in the band, and earned them all sorts of lauds as the “next big thing.” Now, the band’s new album, Suspicious Package, has arrived, and it also starts with I assumed to be a clear mission statement. What’s the mission this time? Continue reading “Album Review: Earl Greyhound — Suspicious Package”

Album Review: Rob Zombie – Hellbilly Deluxe 2

Oh Mr. Zombie, you’ve done it again. I guess that’s why Rob appropriately named his newest album “Hellbilly Deluxe” part deuce. BUT, for those of you who are expecting this album to be a sequel of the first Hellbilly, you will probably be disappointed. Back in November, I got a sneak peak of Zombie’s delayed production during his Hellbilly tour. Why such a long delay Rob? Although I must say the album was worth the extra three month wait, such a long delay was almost like burying the grave before putting in the coffin.

Continue reading “Album Review: Rob Zombie — Hellbilly Deluxe 2”