Show Review: Perfume Genius with Julianna Barwick at Great American Music Hall, 9/24/24

Perfume Genius’ 10th-anniversary performance of Too Bright at The Great American Music Hall was an intimate and unforgettable night. With its classic San Francisco charm, the venue offered the perfect setting for a devoted crowd, huddling close around the stage like a protective cocoon for Michael Hadreas and his band. Everyone in the room seemed eager and reverent, excited to see Too Bright brought to life in full.

Opening the night, Julianna Barwick cast the room in waves of indigo light. Her set, ethereal and expansive, felt like an homage to artists like Julee Cruise, Donna Summer, and Enya, with a modern twist of binaural beats and the haunting echoes of ancient voices. It was as if she channeled something otherworldly, conjuring a space where time and genre folded in on themselves. You could almost feel the presence of ancestral female spirits, grounding the room in calm energy and preparing it for what was to come.

When Perfume Genius finally took the stage, Michael Hadreas was radiant—relaxed, proud, and fully present. I’ve seen him perform before, sometimes on edge with the demands of obsessive fans, but tonight was different. There was a jovial trust between him and the crowd, a mutual respect that allowed him to flourish. His band, tightly synced and full of emotional charge, mirrored this sense of cohesion. Each note felt connected, like a shared breath between them. His partner on keys added an extra layer of intimacy, deepening the emotional resonance of the performance.

Hadreas himself was a sight to behold. Part Elvis, part Morrissey, his body was a slithering, back-bending expression of the music. Dressed in a slick olive sateen button-down, the shirt clung to his skin, wet with the raw energy of his performance, wrinkled and sexy. The microphone cord draped along his fingers like an extension of himself as he writhed upward, completely lost in emotion.

The highlight, of course, was “Queen,” which he played not once but twice—because really, who wouldn’t want to be slayed by that iconic strut all over again? The first time, the crowd was electrified; by the second, it felt like we were all ascending to another level of sonic bliss. Hadreas delivered the anthem with all the sashay and defiance it demanded, leaving no one untouched.

It was a night where the connection between artist and audience felt palpable as if we were all part of the same heartbeat. You could feel the trust, the love, and the shared history in every moment, making this anniversary a night to remember.

 

Show Review: Wand at The Chapel, 9/14/24: A Vertigo-Induced Spell

As someone who prides themselves on devouring the fringes of music—everything from experimental jazz to art-house drone— Wand’s performance at The Chapel on Sept. 14, 2024, felt like falling into a chasm of sound I didn’t know I needed. Wand, a band that had always flown under my radar, shattered my expectations in a way that only those once-in-a-lifetime musical experiences can. My gateway into their world was Vertigo, their stunning 2024 album. I dove deep into that record, immersing myself in it for weeks before the show. Given the intensity and cohesion of Vertigo, I was excited to hear the band tour the album in its entirety, expecting the live performance to reflect the hypnotic, seamless flow of the record.

Continue reading “Show Review: Wand at The Chapel, 9/14/24: A Vertigo-Induced Spell”

Show Review: Alex G at Stern Grove, 8/4/24

Last Sunday, August 4th, 2024, Stern Grove was buzzing with excitement as fans gathered for an unforgettable performance by Alex G. The picturesque setting, surrounded by vibrant nasturtiums, towering eucalyptus, majestic redwoods, and winding sandy embankments, provided a perfect backdrop for the afternoon concert. Continue reading “Show Review: Alex G at Stern Grove, 8/4/24”

Show Review: A Night of Enchantment: Pixies and Slow Pulp Grace the Fox Theater – Oakland, 5/4/23

A Night of Enchantment: Pixies and Slow Pulp Grace the Fox Theater

Within the heart of downtown Oakland lies the historic Fox Theater, a stunning Art Deco masterpiece that has set the stage for many an unforgettable concert experience. Last week, the theater’s exquisite interior and world-class sound system played host to an electrifying performance by the Pixies, with Slow Pulp as their mesmerizing opening act. Continue reading “Show Review: A Night of Enchantment: Pixies and Slow Pulp Grace the Fox Theater — Oakland, 5/4/23”

Show Review: alt-j at The Fox Theater, 3/23/23

Ten years got behind alt-j’s seminal record, An Awesome Wave. The still-fresh sound, now topped with nostalgia and ten years of collecting new listeners, filled the Fox in Oakland to the rails. The record flummoxed reviewers when it dropped. Did they love Joe Newman’s creaky tessellating shrill, yet palatable scree? They were confused and transfixed. The romance and journey of each song alt-j spins are solidly complicated layers. It could easily be written off as a neo/hippy/gen x-z Dj tricks. It’s simply an unexpected sound and a labor to hear all the detail packed into such a small scape of one song. The lyrics are not the first thing a listener will hear. A world music or drum and bass mask is removed upon several listens, then the intimacy of Joe’s lyrics are more decipherable. Sigur Ros comes on like a drug in a similar way. An opium lull takes over the body before making sense of what’s being said. The assumed keyboard or effects are often woven tapestries of one note sung over and over by Newman, Unger-Hamilton, and Sonny. It’s incredibly well thought out. Syncopated laser lights beat along to bass lines and drums. Chris Koruda style. Props to the lighting guy they have with them on this limited run. Continue reading “Show Review: alt-j at The Fox Theater, 3/23/23”

SF Sketchfest Review: Going Up with Sara Schaefer at Gateway Theater, 1/29/23

The brilliant writer and comedian, filled the theatre Sunday night: a one woman Pyramid Scheme scrambling Tony Robbin’s pitchman energy. Sara started a podcast during COVID. She had saved up a lot of clues from her Twitter trolls, mostly peer comics and fans that they had sicked on her, and information about the so-called the way to make it in comedy. The industry model. Multi Level multi-discipline classes in avoiding misogyny in the comedy business.  Continue reading “SF Sketchfest Review: Going Up with Sara Schaefer at Gateway Theater, 1/29/23”

SF Sketchfest Review: Janeane Garafalo at Cobb’s Comedy Club, 1/28/23

No, that’s not an unhoused person. It’s Janeane Garafolo! A clan of the cave bear silhouette, Janeane shuffled out from the side stage with self-proclaimed “unsolicited dreads” and control top tights & shorts. Two separate nude concealing undergarments, mind you. She claims that when she got hit by a car, Spanks™ saved her from going to the hospital. Which she just won’t do anyway. She claims to be a “Pedo~file:” she walks everywhere, hates working on her core, and refuses checkups and physicals.  Continue reading “SF Sketchfest Review: Janeane Garafalo at Cobb’s Comedy Club, 1/28/23”

Show Review: Modest Mouse at The Fox Theater, 11/30/22

Issac Brock and crew sauntered out to fervent fans in Oakland Wednesday night. The 25th-anniversary tour for The Lonesome Crowded West has twenty-one scheduled tour dates full of 90s gems that soundtracked college dorms through the early 2000s. This one was sold out, with fans of all ages and all eras of the band attending. Beanie-topped tidy grunge folks in the teeming audience at the Fox howled when the first licks of “Teeth Like God’s Shoeshine” began. The setlist continued down a nostalgic path stirring ephemeral eddies of light-push-moshing. “Doin’ The Cockroach” is their disco grind dance number. The crowd obliged.  Continue reading “Show Review: Modest Mouse at The Fox Theater, 11/30/22”

Show Review: Thao with Black Belt Eagle Scout and Quinn Christopherson at The Fillmore, 5/7/22

QUINN CHRISTOPHERSON

“Welcome to the Fillmore,” the top-hatted greeter with gentle eyes said as their generous gloved hand-stretched an apple towards me. “Thank You.” Continue reading “Show Review: Thao with Black Belt Eagle Scout and Quinn Christopherson at The Fillmore, 5/7/22”