Once upon a time (circa 2004), Ryan Cabrera was a new face, introduced to many (most?) by way of his then-girlfriend, Ashlee Simpson via her MTV reality show, The Ashlee Simpson Show. Despite his Muppet hair and whiny voice, Cabrera’s major-label debut, Take it All Away, peaked at #6 on The Billboard 200 chart, fueled largely by hit single “On the Way Down.” Now, nearly a decade later, Ashlee Simpson is long gone, and it’s been six years since Cabrera last released an album. Nonetheless, he’s inexplicably touring with my beloved Keaton Simons (for whom I’d do most anything), and so I had no choice but to subject myself to an evening of his music last week at what turned out to be my farewell show to the soon-to-close Red Devil Lounge. Continue reading “Show Review: Ryan Cabrera with Keaton Simons and Mike Annuzzi at Red Devil Lounge, 11/20/2013”
Author: Stacy Scales
Show Review: Macy Gray at Yoshi’s Oakland, 10/25/2013
If you ask me, Macy Gray’s career was ahead of its time. Fourteen years ago, On How Life Is came out, and all I’ve known about it in the time since is 1) that while I was beyond tired of hearing radio-saturated “I Try,” it was a great song, 2) Macy has an amazing, interesting, soulful voice, and 3) that the critics loved her. When I saw that she had a show scheduled in the Bay Area, at a favorite tiny venue (Yoshi’s Oakland, last Friday night), I decided it was high time I gave her my full attention. Continue reading “Show Review: Macy Gray at Yoshi’s Oakland, 10/25/2013”
Show Review: Stephen Kellogg with Fort Atlantic at Cafe du Nord, 10/23/2013
Stephen Kellogg is a friend of a friend (or several friends, actually). Even so, I’ve never met him, and though I’ve seen him once or twice, I couldn’t have named a single of his songs… until last night. His newest album, Blunderstone Rookery, came out this summer, and when I heard he was playing Cafe du Nord on a chilly Wednesday night, I couldn’t think of anything else I needed to do. It was about time I finally laid ears on him, and a bonus, too: opening act Fort Atlantic. It wasn’t hard to find a girlfriend up for some live tunes, and soon we were settled into the dim venue with a plate of their fantastic fried pickles, ready for the night to get rolling. Continue reading “Show Review: Stephen Kellogg with Fort Atlantic at Cafe du Nord, 10/23/2013”
Show Review: Bryan Abrams with Kevon Edmonds at Bal Theatre, 10/19/2013
Almost exactly a month ago, I was looking forward to reminiscing about high school days gone by. Color Me Badd, a group whose first album was loaded with songs my sister and I adored, was back together and playing near me. Sadly, though, the band had recently begun to fall apart, and what I thought would be a super fun evening of nostalgia was missing something. The day of the show, I realized that two former members were no longer with the group, one of them being its former lead singer, Bryan Abrams. While I understand that things are bound to happen over the course of two decades, my disappointment was undeniable. Rather than reviving the songs I most wanted to hear, they had replaced Abrams with singer/songwriter Corey Cross. To be fair, he’s a great singer; it just wasn’t the same. Thankfully, last night at the Historic Bal Theatre in San Leandro, I got to see what had been missing: Bryan Abrams.
Continue reading “Show Review: Bryan Abrams with Kevon Edmonds at Bal Theatre, 10/19/2013”
Show Review: Pink with New Politics at SAP Center, 10/15/2013
To sum up P!nk in one word seems at first like an impossible challenge. And then you see her live, and if you’re a word lover like me, the right one might dawn on you, just as it did me when I saw her Tuesday in San Jose at SAP Center on The Truth About Love Tour. Ready? The word is spectacular. Give it a minute: she can dance her ass off (both in the traditionally choreographed styles we’ve come to expect with pop acts and more modern/contemporary styles. She’s a bad ass aeralist in her own right, and she’s not too shabby when it comes to acrobatics these days, either. And of course, she’s singing 100% live the entire time, too, as she doesn’t believe in lip-synching. Even when she’s suspended in mid-air upside-down, she’s still singing, and it’s near perfect. Add a great opening act (New Politics), a fun set, costumes, makeup, and a “story” throughout the evening, and it gives you quite the spectacle to behold. So there you have it: Pink = spectacular! Continue reading “Show Review: Pink with New Politics at SAP Center, 10/15/2013”
Show Review: Bryan Adams at the Warfield Theatre, 10/14/2013
Tonight I was the victim of a crime, and I never saw it coming. Okay, neither of those statements is entirely true. I did lose my socks tonight, but only because the iconic Bryan Adams rocked them right off.* And yes, I should have seen it coming, given that for as long as I can literally remember, I’ve been rocking out to this man’s music. When I saw that he was coming to town (much earlier this evening at San Francisco’s Warfield Theatre, for those that missed it), I quickly made a note on my calendar. I knew this was one I wouldn’t want to skip, and I was excited for it. But it wasn’t until he began to play hit after hit that I started to realize just how talented this guy is. One thing, specifically, that I love about Adams’ tunes is that he can write a killer ballad/love song without it being syrupy sweet or cheesy. They’re romantic as hell, but they don’t make me want to vomit (or change the radio station). In my book, there isn’t much better than that. Continue reading “Show Review: Bryan Adams at the Warfield Theatre, 10/14/2013”
Show Review: John Fogerty at Berkeley’s Greek Theatre, 10/12/2013
Is it me, or is the music your parents listened to when you were growing up really polarizing? I either love it or I hate it! Thankfully, when it comes to the tunes of Creedence Clearwater Revival, my dad and I never disagree. In fact, the first time he showed me the photo of lead singer John Fogerty and the crowd from inside his vinyl copy of CCR’s Pendulum album, it took me less than thirty seconds to find his face near the front of the crowd. Naturally, when I heard that Fogerty was playing all his best at UC Berkeley’s Greek Theatre, I could think of no one I’d enjoy the evening with more than my dad. And tonight, that’s exactly what we did. Continue reading “Show Review: John Fogerty at Berkeley’s Greek Theatre, 10/12/2013”
Show Review: 30 Seconds to Mars with New Politics at SJSU Event Center, 10/11/2013
In the years since I became a 30 Seconds to Mars fan, it’s been a bittersweet ride. The first time I ever saw them live was two and a half years ago, at this very same venue. As you can see from that review, I was ready to let Jared Leto himself baptize me into the “cult of Mars.” I also said regularly that I’d be happy to inject the band’s music into my veins if I could just figure out how. And then I took my best friend to see them, where we had a little issue with front man Leto, and ever since, I haven’t quite felt the same about the band. Frankly, I’m not made of whatever that stuff is that allows a person to be a fan of someone they dislike as a person. I’m just not. For two years, I’ve tried to convince myself that maybe that was just a bad moment, and Jared really is who I want him to be: a fantastic actor with an amazing voice and musical talent, and hopefully even a decent human being to boot. So yes: I couldn’t wait to see Mars again Friday night when they came back to SJSU’s Event Center, and try to make up my mind once and for all. (And it has to be said that the band’s most recent album, LOVE LUST FAITH + DREAMS, is nearly as good as the one before it, the epic This is War. It certainly couldn’t hurt my chances of enjoying my evening that I had several new favorite songs I expected to hear…)
Show Review: Fiona Apple and Blake Mills at UC Berkeley’s Zellerbach Hall, 10/8/2013
Fiona Apple isn’t interested in how anyone thinks she looks. I know because when I found myself back on my alma mater’s campus at Zellerbach Hall earlier this evening, she said she was on “the tip of ‘don’t fuck with people for how they look.'” Whether this is because she recently asked security to remove an audience member in Portland for heckling her appearance, or because she’s heard controversy over her waif-like physique since her “Criminal” video circa 1996, I don’t know. What I do know, though, is that none of that matters much to me. I didn’t go out this evening to gawk at a skinny woman, nor to speculate on why she’s thin. I went to hear her sing, because she’s a strange, dark little songbird that sings a haunted melody, and I wanted to experience it live. I didn’t know of Blake Mills, with whom Apple shared the stage, but I liked that they chose to call this tour “Anything We Want” after her song of the same name, and I went ready to see just what it was they wanted. Continue reading “Show Review: Fiona Apple and Blake Mills at UC Berkeley’s Zellerbach Hall, 10/8/2013”
Show Review: Depeche Mode at Shoreline Amphitheatre, 9/26/2013
In 1993, I was introduced to the music of Depeche Mode by a girl who lived across the hall from me at boarding school. Of course I was already familiar with hits “People are People,” “Strangelove,” “Enjoy the Silence,” and the phenomenal “Personal Jesus.” It was this friend’s influence, however, that led me to fall for what’s still my favorite Depeche Mode song today: “Somebody.” Sure, it’s easy for a 14-year-old girl to love a wistful song, but twenty years later I still adore it (almost thirty years after it was released). And I know, it might be such an obscure favorite that I wouldn’t hear it live, but I didn’t really care: I knew better than to pass up a ticket to see such an iconic band when given the chance. And so I made the trek down to Shoreline Amphitheatre last night to catch their Delta Machine tour (named for the recent album of the same name) – a journey which turned out to take me four hours from home. (Twice what it should be, thanks to an insane parking situation at the venue that will likely keep me from going there any time I can avoid it!)
Continue reading “Show Review: Depeche Mode at Shoreline Amphitheatre, 9/26/2013”