Show Review: Boris w/Earth @ The Fillmore 8/25/16

Boris 01

To say that Boris’ performance at the Fillmore was good is an understatement of the highest degree.  Though they are Japanese, they came to San Francisco like Romans.  They saw, and they conquered.  Playing the Japanese track list release of their seminal 2006 album ‘Pink’ they completely owned the stage.  Woe to she/he who was not wearing ear plugs because this band plays LOUD.

First of all:  Anyone who says women can’t play guitar can get back on the Misogyny Train with a one way ticket to “Fuckoff Town,” because Wata destroys the guitar.  Does she explode around the stage like your most punk/metal/rock/insertsomethingovercompensatingHERE person?  No.  But that couldn’t possibly matter because her absolute control over her instrument and her ability with it shine spectacularly.

Earth 04

But let’s backtrack a little bit.  Tour mate’s and opening act, Earth, got the crowd started with their unique western styled sludge metal.  They played 5 songs in their 45 minute set, all of which drew in attention like the white flash of a nuclear blast.  Clad in white cowboy hats, the guitar players clearly needed no bass (especially with a beautiful moog pedal to replace it) and were in their grandest element before a packed house.  I kept seeing images from Sergio Leone westerns over their music which was, in my mind, a worthy replacement of the already wonderful Ennio Morricone scores.

If you think playing the drums FAST is hard.  Imagine playing them slowly.  There is nothing harder than to play slowly (as far as I am concerned) but Adrienne Davis is 100% unperturbed by downbeat half-time tempos and wrecks on the drums in a way that is utterly fascinating to watch.

Boris 05

Throughout the night, all I could say was “What a fucking show.”  That is what was delivered.  Whether you like their music or not, you got a memorable performance.  One for the books; not to be forgotten, etc. etc. etc.  Between Takeshi’s masterful double neck Bass/Guitar (just look at the god damn pictures), Wata’s shredding leads, and Atsuo, the hype master’s, precision drumming (complete with gong bashing insanity), you could not ask for a better show.

Boris + Earth

And just when I thought, “How can they top anything that I just saw?” Instead of an encore set of anything recent, they brought Earth back on stage (completely) and played an epic sludgey jam to close the night.  How often do you get to see 2 drummers and 4 guitarists (one who can switch from bass to guitar at will) just rock the fuck out together for 8 minutes?  The answer is not very often.  If only you could have been there!
They’ll be in Los Angeles tonight and continuing the rest of their US tour throughout the next month or so and they are NOT to be missed.

Earth Setlist: Introduction/Coda Maestoso in F (Flat) Minor | Even Hell Has Its Heroes | The Bees Made Honey in the Lion’s Skull | Torn by the Fox of the Crescent Moon | Old Black | High Command.

http://www.setlist.fm/setlist/earth/2016/the-fillmore-san-francisco-ca-33fc1415.html

Boris Setlist: Blackout | Pink | Woman on the Screen | Nothing Special | N.F. Sorrow | Pseudo-Bread | Afternburner | Six, Three Times | Talisman | Are You Ready | Electric | My Machine | Just Abandoned Myself | Farewell | (Encore) Ouroboros Is Broken (Earth cover w/Earth)

Setlist based on Previous and Following concerts dates where the setlist was identical.

*More photos will be added at a later date.

Album Review: Briana Marela, All Around Us

A world of lush, ethereal soundscapes, reminding us that it’s still possible to explore new worlds in the modern age of music

Briana Marela - All Around Us
Briana Marela – All Around Us

In 2015, Briana Marela took off for Iceland to record her third album All Around Us. While the inspiration of Reykjavik and the music of Bjork are evident, the album is a beautiful contemplation on emotional honesty. Its messages are clear and concise, while the arrangements are emotionally soulful and filled to the brim with a translucent beauty, beckoning us to come and see rather than turn a blind eye.
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Album Review: The Black Queen, Fever Daydream

The Black Queen: Fever Daydream
The Black Queen: Fever Daydream

Over the last 4 years, Greg Puciato of The Dillinger Escape Plan has been a busy, busy bee. Aside from constant touring with his main band, and the incredible release of their 2013 work One of Us is the Killer, he somehow found time to form the supergroup Killer Be Killed with Max Cavalera (Sepultura, Nailbomb, Soulfly), Troy Sanders (Mastodon), and Ben Koller (Converge, Mars Volta), and release THEIR self-titled album to pretty strong critical reception. All the while, however, he was writing and piecing together material for something completely different, absolutely outside of the metal genre. I’m talking, of course, about The Black Queen, whose debut album Fever Daydream was released on January 29th of this year.

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Album Review: Gardens & Villa: Music for Dogs

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Music For Dogs album cover

 

There’s something about the 70s that has gripped so many facets of artistic expression across the board. Be it the New Hollywood filmmakers adding a gritty realism to a stagnant studio sound stage system, or the embellishment of fusing musical genres, the 70s were an exciting decade to be an artist. Lately, many musicians have been revisiting the great albums of the 70s for inspiration. Some of the results have been outstanding, some abysmal, and quite a few have landed in the middle. Gardens & Villa’s new release, Music for Dogs, falls somewhere in the middle. This is not to say that the album doesn’t have something; to the contrary, I have the distinct feeling that whatever their follow-up may be will knock Music for Dogs out of the water.

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