Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
I woke up in utter disbelief this morning. We’ve had a lot of music legends pass away in the last year, but nothing prepared me for the passing of Prince. The man was simply eternally youthful and filled with boundless energy. Less than six months ago, Prince played a 38-song set at Oracle Arena that got out around midnight, followed by another 18-song set at 3am at the Great American Music Hall — a feat that much younger musicians cannot accomplish.
Over a decade ago, British garage-rockers The Subways burst onto the US music scene with their 2005 hit “Rock & Roll Queen”, and followed it with a set of tours across the States, along with television appearances and an appearance at Lollapalooza. Despite the continued force with which the band kept moving in the years that followed, it took another 10 years before The Subways would come to the US again for another tour, hot on the heels of their self-titled fourth record that was released in 2015. We caught up with singer/bassist Charlotte Cooper to see what’s been happening with the band in the long time that they’ve spent away from this continent.
(Also: don’t miss The Subways’ upcoming show at The Chapel in SF on April 30th!)
Continue reading “Spinning Platters Interview: Charlotte Cooper of The Subways”
The Stooges were one of the greatest American rock bands of all time. That core team of Iggy Pop along with the Asheton Brothers created a brand new sound that was so thick, dirty and ferocious, it made even the heaviest bands of the 60s sound like Peter Paul and Mary. As a young punk, I devoured the three records they put out in the 60s. Those records are perfection. However, that also meant that I avoided any and all of Pop’s solo material. Sure, if people were dancing to “Lust For Life”, I’d join in, but the little solo material I came across otherwise — “Candy”, “Real Wild Child” — all sounded like over produced parodies of that animalistic beast that was The Stooges.
Fast forward to 2016. I learn that Pop is releasing a so-called “farewell” album. He enlisted Josh Homme, the “too handsome for his own good” mastermind behind Queens of the Stone Age, to produce the album. He then drafted Homme, along with other members of QOTSA and the Arctic Monkeys, as his backing band. With the majority of the Stooges having passed away, I thought that these guys were capable of emulating that sound. I had high hopes for a back to basics, thick and dirty rock record and tour.
I was wrong, but I was wrong in the best way possible.
Continue reading “Show Review: Iggy Pop’s ‘Post Pop Depression’ Tour at The Masonic, 3/31/16”
2015 was an interesting year for Carly Rae Jepsen. Tasked with the impossible feat of following up “Call Me Maybe” — likely to be remembered as the greatest pop song of the decade — Jepsen managed to do something that very few people in the pop world have done: release a follow-up that became one of the most critically lauded records of the year. Very few performers do well with their sophomore record, but Jepsen’s release hit #3 on The Village Voice‘s Pazz & Jop Poll, sharing space not with fellow popsters, but with folks like Kendrick Lamar and Courtney Barnett. This, plus a slot on the indie-centric Noise Pop Festival, prove that Jepsen has attained something that very few Top 40 artists have: respect from critics, along with acceptance by the very picky indie rock community. In fact, despite the presence of such long defunct acts as Drive Like Jehu, Her Space Holiday, and American Football at this year’s Noise Pop, Jepsen’s was the most anticipated set of the festival. Continue reading “Noise Pop Show Review: Carly Rae Jepsen, Cardiknox, Monika at The Warfield, 2/27/16”
The first Noise Pop Festival was in 1993. It was one show for $5 at The Kennel Club, and it was headlined by The Fastbacks — who are amazing, if you don’t already know them. 26 years later, we have a multitude of bands crossing over dozens of genres, and a festival that spans a week! Spinning Platters recently had a chance to speak to their music booker, Chad Heimann, about this year’s fest.
The fest is about halfway over, but there still are plenty of gigs all over town that you’ll be really sad that you missed. The schedule can be found here! Continue reading “Spinning Platters Interview: Chad Heimann, Noise Pop Talent Booker”
This is a really big year for Noise Pop, one of the most long-standing and widely-genred music festivals in the Bay Area. For the first time ever, the festival is running 10 days — double its usual duration. They’ve expanded the film portion of the event, featuring 22 films in addition to the usual assortment of bands covering the entire gamut of “noise pop,” including hardcore punk, bubblegum pop, hip-hop, jazz, garage, twee — everything, basically! Of course, with such a huge variety of entertainment taking over the town for nearly two weeks, you’ll need some help deciding on what to go to. That’s what we’re here for — letting you know our picks for the best things to see and hear at this year’s Noise Pop Festival! Continue reading “Spinning Platters Guide to Noise Pop 2016”
Amy Miller is an old friend of Spinning Platters. She’s also the funniest person in Portland, OR, and was on the final season of Last Comic Standing. She was one of the earliest fans of the site and, despite her continued fame, she still managed to squeeze out some time to talk to us.
She’s going to be headlining at Punchline in SF this Wednesday, January 27th. Tickets are available here!
There is no shortage of great talent that graces our SF stages during Sketchfest. Tonight, however, we got not one, but two, of the most important comic minds ever. Everyone knows Billy Crystal, star of Soap, Saturday Night Live, When Harry Met Sally, etc., and, although you may not know Alan Zweibel by name, you may have more of his words memorized than Billy Crystal’s. He was one of the main writers during the first few years of Saturday Night Live, as well as It’s Gary Shandling’s Show, Curb Your Enthusiasm, Monk, and many, many more.
We recently lost one of the most imaginative artists in the history of creation. As a result, this week is a special week. These are your best options for shows this week, and how Bowie-esque they are. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 1/14/16-1/20/16”
The Dead Pilots Society is a podcast hosted by Ben Blacker and Andrew Reich. The premise is simple: there are hundreds of scripts for pilots out there that never get filmed. Many of them are fine pieces of writing, but the tv networks simply didn’t have use for them. So, they bring in actors and do them “Reader’s Theater” style. Toady at the Eureka, we were treated to two sitcom pilots that were both optioned by networks, but never made it to production. Today was their first time doing it with an audience. Continue reading “SF Sketchfest Review: Dead Pilot’s Society at Eureka Theater, 1/10/16”