OUTSIDE LANDS SINGLE DAY LINEUPS!!!

FINALLY! Single-day breakdowns are up for you all to get anxious about conflicts. Like, am I really going to have to pick between Tyler, The Creator and The Postal Service? This whole thing looks amazing, once again, and it’s really a nice, even spread of acts all three days. On top of this, they’ve also added a Latin music stage called CASA BACARDI, featuring B-Side Brujas, Chulita Vinyl Club, and MUCH MORE! 

Single Day Tickets go on sale Thursday, May 30th (TOMORROW!) at 10 am! Full text of each day’s lineups below: Continue reading “OUTSIDE LANDS SINGLE DAY LINEUPS!!!”

How Did I Get Here? with Miki Berenyi

This episode features Miki Berenyi, famous for fronting the legendary 4AD act Lush. We talked about her career, the nature of the UK music press, radio, the economics of touring, and accidentally putting together a band! Berenyi recently released a memoir called ?fingers crossed: how music saved me from success?, and it’s endlessly captivating. She is playing shows in the US in June, then returning to the UK on the fall. Those dates can be found ?here?. And her latest single, ?Vertigo?, is streaming in all the usual places.

Single of the Week: “Lucky” by Raveena

At the core, “Lucky” is a stunning little R&B ballad that could’ve come out anytime in the last 50 years and it would’ve felt just as timely and timeless. The song is both light and sexy, and even without this video, I would’ve really dug it. But THIS VIDEO?!?!?! It’s hands down my favorite movie of the year at this point. This video is visually stunning and tells a complete story in 3:44. Anyone who tells you their movie needs to be 3+ hours should watch this piece of art. 

“Lucky” is off of Raveena’s upcoming full-length, Where The Butterflies Go In The Rain, coming your way June 14th

Show Review: CSS, Agender at The Independent, 5/14/24

I’ve waited 18 years for this. CSS was a big part of my 20’s. I was heavy into the electroclash universe, and made it through plenty of drunken dance parties, sweating the booze out to “Let’s Make Love (And Listen To Death From Above.” But I never ended up seeing them. It simply never worked out, and as their visits to the States became fewer and further between, I just chalked it up to the “I can’t see everybody.” 

Well, then Just Like Heaven released their 2024 lineup. I already knew Gossip was back, but I was surprised to see CSS hidden on one of the lower lines. (SACRILEGE!) Not long after this announcement a small number of tour dates appeared, and I decided it was finally time to make this one happen.  

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Warming up the crowd was LA’s Agender. This is one of those bands that simply hit on the nose EXACTLY everything that I usually want to hear. They pooled elements of disco, hardcore, pop-punk, and stoner metal into a joyful cacophony that flooded my brain with some much-needed serotonin. This was excellent. 

CSS took the stage to the bouncing beats of the Vengaboy’s classic, “We Like To Party.” They seemed to burst onto the stage in a fit color and energy, powering through “CSS Suxxx” in all its pop-punk glory. Lead singer Lovefoxxx would fling her Rapunzel-esque hair with such intensity that I was nervous band members would get hurt. The energy was infectious, and this certainly didn’t feel like we were watching a band that hadn’t performed together regularly in almost a decade. 

With no new material to pull from, the setlist itself did largely feel like a career retrospective, with Lovefoxxx telling stories about the early days of the band, and hitting songs from every portion of their career. She spoke of auditioning for CSS while wearing a Motörhead shirt, despite only knowing “Ace Of Spades” and being a tad embarrassed, only to find that the band was more Madonna than Motörhead anyway. They even covered a few songs that they used to play in their early days- an epic rendition of Madonna’s “Hollywood,” and a live mashup of Sleater-Kinney’s “I Wanna Be Your Joey Ramone” and Jennifer Lopez’s “Jenny From The Block,” which was far more fun than you could ever imagine it being. 

The joy of this set and the happiness emanating from the stage made it hard for me to believe that this tour was a one-off. They sounded as tight as ever, and everyone on stage seemed to be having the time of their lives. The audience gave right back, with a mix of newer, younger fans who never got to see the band in their heyday alongside folks who never missed a show, dancing up a storm, and giving right back to the band. The electroclash hits felt like an old friend that we lost contact with and then found each other again after years, but it felt like no time had passed. Two key moments where this happened with me were “Music Is My Hot Hot Sex” and “Alala.” I forgot how much I moved to those songs in the past, but it was just like riding a bicycle. 

I genuinely hope we get to spend time with CSS again. This show was everything that makes going to shows great: the songs, the crowd, the band. It was such a joy. 

Single of the Week: “touchdown (4-track) by dear francis

I’ve been following the music of Jennifer Francis Clavin for a long time now… I believe I first heard the music of Mika Miko while working at a chain music store in 2006, when I would play anything the Kill Rock Stars would send us, and fell in love. Her band after Mika Miko broke up, Bleached, immediately became my favorite band. In the passing years, Clavin’s songwriting seemed to mature with me. Were we psychically connected? Or is she just that good at conveying her own emotions in a way that feels like “mass empathy”? Does any of this even make sense? I don’t know, but “touchdown (4-track)” is a her debut solo single (under the moniker “dear francis”), and, man, this song just tingles the soul. 

“touchdown (4-track)” is just the beginning of a whole new side of Ms Clavin. The track can be streamed and saved and purchased and all that good stuff in all the usual places. Expect more news in the coming months! 

Show Review: IDLES at The Fox Theater, 5/10/24

Yes. I consider myself a fan of “punk rock.” But I will admit I’ve spent very little time with this decade’s reigning punk rock kings. It’s not to say that I’ve completely avoided them- I definitely adore their aesthetic and agree with their stance of what is essentially “aggressive positivity in the face of oppression.” It’s a group of five white guys with guitars that seem to be fully aware of their privilege and what to do with it. I like that. It’s just, well, there is so much quality music out there being created that I will often simply disregard anything by “five white guys” as something that I don’t need. 

That being said, IDLES live proved that I’ve been missing something magnificent this entire time. Opening their set with the intensely atmospheric “IDEA 01,” I still wasn’t sure what to expect. This really wasn’t “punk,” as I have known it in the past. It was clearly something “new,” and I am here for it. 

The band spent the next literal two hours going in and out of shadows onstage, with guitarist Lee Kiernan periodically flinging himself off stage. Singer Joe Talbot danced like the drunkest uncle at the wedding while dryly uttering the most profound lyrics I’ve heard in a long time. Despite being on tour to promote this year’s TANGK, they pulled equitably from their entire catalog, all while speaking about positivity and pushing for a Free Palestine (including donning a “Free Palestine!” hat thrown from the crowd, which Talbot said something along the lines of “this message is worth getting lice for”) Not long after this comment, we ended up with an a capella rendition of Mariah Carey’s classic “All I Want For Christmas (Is You),” always unexpected, but much less expected in May. 

Anyway, that was a lovely, sweaty good time. I even tripped over Lars Ulrich, of all people, who was dancing and singing along and enjoying himself a great deal without any attention being brought to his presence. It was a lovely time, and I expect this band to share a lovely time with folks for many years. 

STERN GROVE LINE UP IS LIVE!!!!

Man. Summer keeps getting busier and busier!! Stern Grove just announced its 2024 lineup, and it’s EPIC!!! Opening weekend, June 23rd, has Tegan and Sara with SP faves King Isis opening. Other highlights include Chicano Batman on the 30th, The freakin’ COMMODORES on July 17th, Alex G with another SP favorite, Fake Fruit on August 4th, Herbie Hancock gets the “competing with Outside Lands” slot of August 11th, and closing out the whole thing is a full weekend with Sylvan Esso & Poolside on August 24th and Chaka Khan on August 25th. 

Tickets are FREE, but you’ve got to RSVP to get in. RSVPs open EXACTLY one month ahead of time at 2 p.m., so the June 23rd show goes up on May 23rd at 2 p.m., the June 30th show goes up on May 30th at 2 p.m., etc. You can grab those tickets and purchase a picnic table at SternGrove.org

Full schedule: 

  • June 23 – Tegan and Sara, King Isis
  • June 30 – Chicano Batman, Lido Pimienta
  • July 7 – SF Symphony with Special Guest Jessica Vosk
  • July 14 – The Commodores, The Grease Traps
  • July 21 – Masego, Satya
  • July 28 – Franc Moody, Drama
  • August 4 – Alex G, Fake Fruit
  • August 11 – Herbie Hancock, SFJAZZ Collective
  • August 18 – Lucinda Williams, Jobi Riccio
  • August 24 – Sylvan Esso, Poolside
  • August 25 – Chaka Khan

Single Of The Week: “HIND’S HALL” by Macklemore

I was looking for a good single-of-the-week contender, and there have been quite a few. But I wanted to check out the new Hinds before committing to something. When I went to search for it, this track came up. I rarely give Macklemore much time, although I always appreciate him. That being said, I wasn’t expecting THIS. Of all the major traumas in this world, folks are struggling to make any big, bold statements about the treatment of the Palestinian people. “HIND’S HALL” is that. I have yet to hear such a bold, heartfelt, earnest track. This song needs to be everywhere. We will be studying these lyrics for generations to come. 

“HIND’S HALL” can be streamed in all the usual places. The single’s proceeds are being donated to UNRWA, so stream often. 

 

 

Single of the Week: “Going Blue” by Victoria Bigelow

I put this track on and was immediately entranced by this voice. I hear the phrase “honey-soaked” used rather liberally, but Victoria Bigelow sounds like sonic honey. But within the sweetness is rich, emotionally dense delivery. And the lyrics? “Going Blue” is such a vivid autobiographical tale of addiction that is both personal and widely relatable. This one is a stunner. I expect tears when I finally get to see her live. 

“Going Blue” is a track off Bigelow’s upcoming release, Songs For No One, Vol 2out May 10th! 

Single of the Week: “Like I Say (I runaway) by Nilüfer Yanya

Many years ago, there was a Saturday Night Live sketch about a DJ who refused to let the beat drop. It was presented as a bad thing, but I kept imagining a song where the tension continuously builds without release and thought- “YES!” And Nilüfer Yanya does it on “Like I Say (I runaway),” and it’s better than I could imagine. 

This also means that Nilüfer Yanya is active again, and I can’t WAIT for the rest of the album, a tour, and everything else. For now, you can enjoy “Like I Say (I runaway)” in all the usual places.