Chad Liffmann – Page 4 – Spinning Platters

Film Review: “Ne Zha 2”

A cinematic fireball of epic proportions and rich mythology

Ne Zha prepares for battle in ‘Ne Zha 2’

Here’s a couple movie tidbits to know before your next trivia night: 1) the highest grossing animated film of all time is Ne Zha 2; and 2) the highest grossing non-English language film of all time is, you guessed it, Ne Zha 2. With a global haul of over $2.1 billion and counting, this box office record-buster is a Chinese animated sequel to a 2019 animated movie about a popular Chinese mythological figure and humanity’s deity/demon protector, Nezha. The Ne Zha films are directed by Jiaozi and developed and produced through his production company, Chengdu Coco Cartoon. Now, after setting international box office records and following a short stint in a few North American theaters in February, Ne Zha 2 takes aim at American audiences with an English-dubbed version in theaters. Despite its complex plot and intimidating mythological context, its stunning visuals and epic scale more than earn its theatrical experience. Continue reading “Film Review: “Ne Zha 2””

Film Review: “Highest 2 Lowest”

Lee and Denzel’s fifth collaboration is a mix of many highs and 2 many lows

David King (Denzel Washington) strolls through the office in ‘Highest 2 Lowest.’

It’s tough to avoid comparing a remake to the original, especially if the original is a five-star masterpiece. Such is the case for Spike Lee’s Highest 2 Lowest, which is based on Akira Kurosawa’s 1963 procedural crime drama, High and Low (which is based on a 1959 book, King’s Ransom by Ed McBain). Kurosawa’s High and Low explores stark class divisions within post-war Japan, challenging the characters with life-threatening moral dilemmas and utilizing a detailed police procedural plotline to expose these divisions, literally and metaphorically. Lee moves the 1960s Japan setting to a present-day New York City, shifts the protagonist’s business empire from a shoe company to a music label, and abandons High and Low’s slow burn pace for a thriller, all of which deliver a mixed bag of results. Continue reading “Film Review: “Highest 2 Lowest””

Film Review: “Nobody 2”

The first Nobody does it better

Hutch (Bob Odenkirk) lets his dark side emerge in ‘Nobody 2.’

Hutch Mansell, the deceptively mild-mannered, disgruntled everyman (and former elite assassin), is back. Hutch pleased audiences with a barrage of brutal bad guy beat downs in 2021’s Nobody, directed by Ilya Naishuller (Heads of State), a self-aware, more grounded version of a John Wick-esque action flick. Nobody was a surprise hit, considering its non-action star, Bob Odenkirk (Better Call Saul; Mr. Show), and because its release coincided with the controversial return to theaters from Covid-19 lockdowns. And yet its success greenlit a sequel, and Nobody 2, from director Timo Tjahjanto (The Shadow Strays), mostly delivers the same ruthless fun as the original, but with more than a few questionable choices. Continue reading “Film Review: “Nobody 2””

Film Review: “The Naked Gun”

One hundred percent pure, unadulterated co… medy

Frank Drebin Jr. (Liam Neeson) fashionably thwarts a robbery in ‘The Naked Gun’.

A cop is thwarting a bank robbery, engaging in hand-to-hand combat with one of the robbers. At first, they block punches, then their actions become a game of patty-cake, and then it’s a pantomime as the cop dispenses with the robber with a finger gun. Ah yes, the healing power of comedy! From the minds of legendary filmmaking trio Zucker, Abrahams, and Zucker (Jim Abrahams and brothers David and Jerry Zucker) came Airplane! (1980) and Top Secret! (1984) and then The Naked Gun (1988), a feature film version of the TV show, Police Squad! Yes, ZAZ really liked exclamation points. The trio’s brand of humor redefined blockbuster comedies, continuing Mel Brooks’s 1970s “spoof” style of adult, metanarrative, slapstick humor. A remake of The Naked Gun has been circling Hollywood for a long time, and it has finally arrived in the form of a legacy sequel directed by The Lonely Island’s Akiva Schaffer (Popstar; Chip ‘n Dale: Rescue Rangers). Could the new Naked Gun capture the unapologetically silly nature of the original, and is that type of parodic comedy still funny today? The answer to both is ‘yes, of course, now shut up and watch the movie.’ Continue reading “Film Review: “The Naked Gun””

Film Review: “The Fantastic Four: First Steps”

Third time’s a (fantastic) charm!

Reed Richards (Pedro Pascal) turns from the fire.

It’s the third (released) attempt at a Fantastic Four movie, and after two truly embarrassing attempts, this time Marvel Studios got it right. The Fantastic Four: First Steps is the best Marvel feature film since Avengers: Endgame. The Fantastic Four could have been an interesting and worthwhile introduction to a new phase of the MCU, in its aesthetic, tone, and multiversal angle, had it been released following Endgame. Unfortunately, here we are, with a decade-long experience of watching Marvel cinematic fodder, constantly lowering expectations, and suffering from superhero fatigue. Luckily, Fantastic Four: First Steps pushes through any worry and/or fatigue with a fun, concise (don’t think about the plot too much!), and beautifully constructed story setting with the best character chemistry since the first Avengers film. Continue reading “Film Review: “The Fantastic Four: First Steps””

Film Review: “Smurfs”

Smurfs uses familiar tricks and catchy tunes to reset the series, but is it too late?

After three feature film attempts between 2011 to 2017 to push The Smurfs brand back into mainstream culture, with diminishing returns, Paramount Animation is restarting with a new film, Smurfs. Losing the ‘The’ in the title is a futile way to differentiate itself from the previous set of forgettable films, even though this new film represents the best of the bunch. Smurfs is beautifully and creatively animated, and features catchy songs and skillful voicework, but still comes off as a stale retreading of tropes, jokes, and plot devices from superior animated films of the last decade. Continue reading “Film Review: “Smurfs””

Film Review: “40 Acres”

40 Acres is heavy on tension, light on details

Hailey (Danielle Deadwyler) creeps toward action.

At the beginning of 40 Acres, Hailey Freeman (Danielle Deadwyler), a strict and worried military mom in a post-apocalyptic world, tells one of her daughters “don’t waste bullets” after they fend off a gang of encroaching marauders. Mere moments later, Hailey tells her son to end the life of one of the marauders, who has been shot, and is now helpless and bleeding out on the ground. The son shoots the marauder in the head, a complete waste of a bullet. Hailey doesn’t seem to care. And, that, in a nutshell, demonstrates both the impressively directed atmosphere and the frustrating details in R.T. Thorne’s new thriller, 40 Acres. Continue reading “Film Review: “40 Acres””

Film Review: “Elio”

A colorful space adventure as energetic as it is fleeting

Why, oh why, does Pixar/Disney feel the need to kill off parents? Don’t worry, this fact is spoiled within the first few lines of the new Pixar film, Elio, a quick and colorful space adventure with an underlying message about self-worth. Killing off one or both of a protagonist’s parents is a common plot device in Disney films, dating back to Bambi, and including Finding Nemo, The Lion King, Frozen, Dumbo, Onward, Lilo & Stitch, and the list goes shockingly on and on. Some stories benefit from the emotional gravity of a deceased (or otherwise missing) parent(s), but in the case of Elio, plot points feel like forced emotional manipulation. Let’s ignore the parent debacle for now, because Elio remains a sci-fi adventure filled with fun alien characters and creative visual worlds, even when the story feels underbaked. Continue reading “Film Review: “Elio””

Film Review: “Materialists”

Celine Song’s second feature explores the modern-day dating marketplace

Lucy (Dakota Johnson) and Harry (Pedro Pascal) share an expensive moment.

On the surface, a summer romance starring Dakota Johnson, Chris Evans, and Pedro Pascal sounds like a big budget studio comedy. However, adding in an independent distributor, A24, and an award-winning writer/director, Celine Song (Past Lives), makes one ponder if there’s something weightier behind the cast and genre. Materialists is Song’s second feature film, following her 2023 Best Picture nominated drama, Past Lives. Song’s indisputable knack for crafting intimate, complex connections between characters (she’s an accomplished playwright…and was a matchmaker, briefly…more on that later) is on full display in Materialists. Her skill as a writer, and how she directs her actors, distinguish her films from other romantic dramas with comparable emotional narratives. Materialists has much to say about modern-day dating, and through Song’s observant lens, her viewpoint makes for a rewarding viewing experience. Continue reading “Film Review: “Materialists””

Film Review: “How to Train Your Dragon”

Dragon’s nearly identical retelling lacks freshness

It would be hard to fault writer/director Dean DeBlois (2002’s Lilo & Stitch), who directed the original How to Train Your Dragon animated trilogy, for choosing to return to direct the live-action remake. After all, the original HTTYD is a near-perfect film, with a gigantic brand and fan-base. DeBlois and his team decided that the best way to capture the magic of the original was to “transfer” it to live-action– nearly shot-for-shot, and line for line. Well, Mr. DeBlois, not all the dialogue and shot-for-shot sequences are as effective with a new cast and without the colorful emotive freedom of animation. Dragon-riding is still exhilarating in the live-action version, but the rest of the film lacks the script re-tuning necessary for a new narrative tone and visual palette. The new How to Train Your Dragon will be a grand scale adventure for those unfamiliar with the original film, and certainly a blast for young kids, but for the previously Dragon-trained audiences, the new live-action version will fail to match the original’s transportive wonder and wit. Continue reading “Film Review: “How to Train Your Dragon””