SFIFF Spotlights #3: Computer Chess / Google and the World Brain / The Kings of Summer

The SFIFF continues to showcase fascinating films from around the world.  It ends soon (May 9th) so visit http://festival.sffs.org/ to get tickets to this week’s final screenings.

Computer Chess
(USA 2013, 91 min)

Computer Chess
Computer Chess

An existential satire of 1980’s computer technology and the burning topic (as it stood at the time) of human vs. computer, set against the backdrop of a small computer chess tournament.  Devotion to an 80’s feel through cinematography, fashion, and hilarious social stigmas are definitely worth the viewing, though the film dives a bit unnecessarily into the psychedelic.  It’s fun to see (and remember…if you’re old enough) how the computer geek culture has changed.

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Film Review: Iron Man 3

Robert Downey Jr. and his suit in 'Iron Man 3'
Robert Downey Jr. and his suit in Iron Man 3

Yes, that’s a somewhat dejected looking Tony Stark.  Why the long face when his new movie has a shot at earning one billion dollars at the worldwide box office?  Well, there IS something Tony can be sad about — with The Avengers 2, Thor: The Dark World, Captain America: The Winter Soldier, and likely a few more Marvel films on the horizon, this may be the last Iron Man installment for quite some time, if not ever.  When Iron Man 3 takes advantage of that fact and pulls out all the stops, not including an unnecessarily complex plot and superfluous CGI, it’s a whole ton of explosive fun.

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SFIFF Spotlights #1: Ernest & Celestine / Key of Life / Leviathan / Much Ado About Nothing

The 56th Annual San Francisco International Film Festival (SFIFF) is in full swing.  From April 26th through May 9th, Bay Area cinephiles, filmmakers, and movie lovers of all ages can visit select theaters on either side of the bay to see exciting new films from all over the world.

Here at Spinning Platters, we’ll shine our spotlights on a few films we’ve had the pleasure of seeing and other festival events we’ve had the pleasure of attending.  We encourage you to follow along and also visit the SFIFF website at http://festival.sffs.org/ to learn more about upcoming screenings!

Ernest & Celestine
(France/Luxembourg/Belgium 2012, 80 min)

Ernest & Celestine
Ernest & Celestine

The unlikely friendship between a hungry street-busking bear and a spirited young mouse takes center stage in this delightful French animated film.  Based on the series of children’s books (which I haven’t read but now intend to), Ernest & Celestine is a charming story about friendship told through excellent voice work, a great musical score, and beautifully painted images.  I was smiling all the way through.  This is a title you shouldn’t miss!

Next Showing:
Wed., May 1st at 7:00PM – Sundance Kabuki Cinemas

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Film Review: Oblivion

Tom Cruise in Oblivion
Tom Cruise in Oblivion

Oblivion is this year’s first “summer blockbuster”, a term coined for Jaws back in 1975 that gets attached to any commercially successful tentpole action-adventure film released by a major studio between the months of April and August.  Oblivion fits nicely into the blockbuster mold; it features action, romance, a great soundtrack and a PG-13 rating.  It also showcases an eye for a unique visual style that writer/director Joseph Kosinski (Tron: Legacy) continues to demonstrate in his work. Although it doesn’t break any new ground, Oblivion has just enough complexity within its mash-up of original content and popular sci-fi references to be a thoroughly entertaining sci-fi adventure.  Yet it’s the film’s abundance of visual artistry that is most memorable.

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Film Review: 42

Chadwick Boseman as Jackie Robinson in 42.
Chadwick Boseman as Jackie Robinson in 42.

In 1947, the baseball world was introduced to the first black Major League player, the Brooklyn Dodgers’ Jackie Robinson.  This momentous occasion in the history of our national pastime (and the world, quite arguably), was met with mixed feelings from all points of the sociopolitical spectrum. 42 aims to capture the tension and excitement that surrounded the breaking of the baseball color barrier, but a hokey script forces the emotion in this disappointing and awkward historical re-enactment.

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