Chad Liffmann – Page 23 – Spinning Platters

SFIFF Spotlights #6: Kumiko, The Treasure Hunter / Fed Up / Stand Up Planet

Spinning Platters brings you more spotlights from the 57^th San Francisco International Film Festival (SFIFF), which continues through Thursday, May 8th. Program notes and tickets available here.

Kumiko, The Treasure Hunter
(USA, 2014, 105 min)

Rinko Kikuchi in David Zellner's KUMIKO, THE TREASURE HUNTER — Rinko Kikuchi in David Zellner’s KUMIKO, THE TREASURE HUNTER

Based on rumors, urban legends, and some odd, tragic headlines from the early 2000s, Kumiko, the Treasure Hunter is a modern fable that mixes an assortment of thought-provoking themes into a tonally masterful picture. The Zellner brothers, David and Nathan, direct Babel veteran Rinko Kikuchi in the story of an emotionally lost, socially awkward, and solitary woman (aside from her closest friend, an adorable pet bunny named Bunzo) who journeys in search of the briefcase full of money that was hidden in the North Dakota snow by Steve Buscemi in Fargo. Weird premise, yes. Fascinating character piece, you betcha!

SFIFF info about the film here.

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Spinning Platters SFIFF Interview: Yoav Hornung, Writer/Director, Deserted (“Nivut Golem”)

Screen Shot 2014-04-29 at 9.50.28 PM — Yoav Hornung’s DESERTED

In the lounge of the 57th San Francisco International Film Festival (SFIFF), Yoav Hornung sips a cocktail. Yoav is a young Israeli filmmaker who has his tense and reflective dramatic short film, Deserted, showing in one of the shorts programs. I sat down with him to discuss his new film, its controversy, its funding process, and some details on his recently co-founded start-up, Veed.Me:

(Warning: Contains spoilers)

Are you enjoying bringing your film around the festival circuit?

It’s very exciting. I worked very long on the film and it’s probably the most rewarding experience. To see it on the big screen with other people watching it, so far it’s been amazing.

The premise is something you’re personally familiar with, can you touch on how you came up with the story for Deserted and for those who don’t know, how military obligations work in Israel?

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SFIFF Spotlights #4: All About the Feathers/The Double/Club Sandwich/School of Babel/Select Shorts

Spinning Platters coverage of the 57^th San Francisco International Film Festival (SFIFF) continues with four more film spotlights. Program notes and tickets available at: http://www.sffs.org/festival-home/attend/film-guide

All About the Feathers (“Por Las Plumas”)
(Costa Rica, 85 min, 2013)

Allan Cascante in ALL ABOUT THE FEATHERS

All About the Feathers is a charming tale of an unlikely friendship between a lonely security guard, Chalo, and a fighting rooster he finally purchases, aptly named “Rocky.” The quasi-absurdist narrative, delivered calmly and steadily by first time director Neto Villalobos, is steeped in colorful characters and environments. The film wins our hearts through Charo’s unflinching devotion to his new fowl friend and how such goodnatured care can spark close bonds with others. Odd and hilarious, yet truly touching at its core, All About the Feathers gives us a quirky example of how it’s in our nature to fight being alone.

Screenings:

Tuesday, April 29^th, 6:15 pm, Kabuki

Tickets: http://www.sffs.org/festival-home/attend/film-guide/all-about-the-feathers

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SFIFF Spotlights #2: Coherence/Heaven Adores You/The Two Faces of January/If You Don’t, I Will

Spinning Platters highlights some films from the 57^th San Francisco International Film Festival (SFIFF), which runs from April 24th through May 8th. Program notes and tickets available at: http://www.sffs.org/festival-home/attend/film-guide

Coherence
(USA, 2013, 89 min.)

Emily Baldoni in James Byrkit's COHERENCE — Emily Baldoni in James Byrkit’s COHERENCE

This low budget mind bender focuses on a dinner party of four couples on a night where a comet passes over Earth, causing some strange occurrences. Director James Ward Byrkit utilized an experimental production process by which he provided the actors with notes for each scene but no script, allowing for truly real reactions, spontaneous behavior, and improvised lines. Perfect editing and stellar performances create a palpable tension that’s both haunting and personal. The result is a tightly bound science-fiction indie crowd pleaser that delights with its twists and turns, keeping us guessing from the first to last frame…and afterwards.

Screenings:

Tuesday, April 29th, 9:45 PM, Kabuki

Tickets: http://www.sffs.org/festival-home/attend/film-guide/coherence#.U1vag-ZdVU1

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Film Review: Brick Mansions

Neither Walker’s smile nor Belle’s crazy stunts can save ‘Brick Mansions’ from collapsing in on itself.

Paul Walker (RIP) is a bright spot in his disappointing second-to-last outing.

We should get this out of the way: Brick Mansions is not Paul Walker’s final film. The charismatic 40 year old actor, who died in a car crash on November 30th, 2013, completed a portion of the filming of Fast & Furious 7. The seventh installment of the lucrative franchise will serve as a much better sendoff than Brick Mansions. Brick Mansions has its moments, and Paul Walker supplies his trademark icy blue eyes and sly humor, but the film suffers from a shallow plot, laughable dialogue, and dizzying quick cuts that spoil some marvelous stunt work.

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Film Review: Alan Partridge

A witty, efficient, and quirky little tale of an oddball in an odd situation.

Steve Coogan as the odd radio DJ, Alan Partridge

Alan Partridge is a new film centered around a beloved fictional radio host/DJ character created by Steve Coogan and friends for the BBC series, On The Hour. An unknown to most American audiences, Partridge is precisely the type of neurotic, awkward, and narcissistic underdog that we love to watch and cheer for (like Ron Burgandy). The film is a bizarre tale involving an absurd but charming chain of events. There are moments when the story comes very close to crossing into unfunny territory, but instead it rides the line without sacrificing its tempo. There’s something quite wonderful about a comedy that knows how to get in and get out whilst fulfilling all the requirements of the genre, and Steve Coogan seems to be the mastermind behind it all.

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Show Review: ‘City Lights’ Film with Orchestra

On Saturday night, the San Francisco Symphony continued their fantastic film series with City Lights (1931), Charlie Chaplin’s timeless romantic comedy. Conducted by Richard Kaufman, the orchestra performed the entire film score in perfect sync with the film playing overhead. The music, written by Chaplin, is a wonderful mix of joyous and romantic motifs that fit well with the variety of urban locales on screen. The score can at times recall Gershwin’s “Rhapsody in Blue,” written just eight years before City Lights was first released. The audience at Davies Symphony Hall ate the whole evening up, cheering as often for the orchestra as they did for The Tramp himself.

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Film Review: Draft Day

Warning: This film may offend filmmakers, women, and football fans.

Kevin Costner contemplates his previous decision to be in this film. — Kevin Costner mulls over his decision to be in this film.

What’s wrong with the above image? That’s correct, those black and white photos on the wall behind Kevin Costner are photographs of football, not baseball. Kevin Costner has starred in some of the greatest baseball movies of all time. He’s well known for his love of our national pastime. So why take a crack at a football movie? It’s hard to blame the filmmakers for attempting to bring some entertainment value to the behind-the-scenes world of football, specifically the strategizing and efforts put into the bizarre tradition that is the NFL draft day. Such a behind-the-scenes attempt worked for Moneyball (2011). But Draft Day falls flat because the storyline is carried on the shoulders of contrived characters, a pathetic depiction of a female executive in the sports world, and very poor editing choices.

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Film Review: Captain America: The Winter Soldier

Captain America is in a post-Avengers world.

The surprise 2011 hit, Captain America: The First Avenger, succeeded because the iconic yet campy superhero received a modern injection of cinematic energy and solid storytelling. The main reason for the Captain’s successful re-emergence into mainstream pop culture was the charisma and multi-generational appeal of actor Chris Evans. Evans returns in his third stint as the star-spangled rescuer in Captain America: The Winter Soldier, a film with another solid plot extracted from the Marvel universe, a fantastic grip on character arcs and relationships, and an epic sense of scale that, obviously, takes place in a post-Avengers universe.

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Film Review: Nymphomaniac: Vol. II

Now on the beaten path.

"Thank you Sir, can I have another!?" — “Thank you sir, can I have another!?”

(Warning: ‘Volume I’ spoilers immediately ahead.)

Last we left Joe, she had just been broken down with the tragic realization that she couldn’t feel anything. Her years of sexual escapades and experimentation had left her suddenly numb, cold, distant, and depressed…and this is the new Joe that we get to follow in Lars von Trier’s Nymphomaniac: Volume II, the second half of his sexual cinematic odyssey. Needless to say, this sequel of sorts doesn’t live up to the emotional gravitas and observational humor of Volume I, instead settling for a few interesting thoughts but mostly von Trier’s penchant for gratuitous sexual violence and plenty of shock value.

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