Wes Anderson – Spinning Platters

Film Review: “Asteroid City”

Wes Anderson’s latest is a multi-layered delight

I’d like to kick off this review with a question: what makes a Wes Anderson film the “most” Wes Anderson? Perhaps, objectively speaking, any Wes Anderson film, upon its release, is the “most” Wes Anderson, since that’s the project he’s put his latest ideas, artistry, and effort into. The unfairly subjective angle of this ranking, however, would require prioritizing Wes Anderson’s trademarks: the color palette, the quirkiness, the unique characters, and the cast size. Asteroid City, Anderson’s eleventh feature film as director, is, without a doubt, the “most”…. nah, I’m just kidding. Asteroid City represents a maturation in many respects, utilizing a multi-layered framing device to tell an oddball story about artistry, but with an emotional underbelly.

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Film Feature: Chris Piper’s Top 10 Films of 2021

Films make a big comeback in 2021

2021 in American cinema was remarkable in how it seemed so… normal. Whatever the numbers say, my feeling was that the year started a little slowly, then found its footing around March, then kicked into something like a normal gear over the summer. As fall approached, and it seemed to me more theaters reopened, a slate of films pretty much like those in 2019 awaited. Winter seemed to bring somewhat larger than normal crop of smaller-budget films, and here we are, at the end of the year with a number of solid films released, awards season in full swing, and waiting for Oscar noms in just over a month.

So here are my top 10 films of 2021. See these 10 films in any order you want, preferably in the theater, but on your couch if you must. Here’s hoping for more of more of the same in 2022. Continue reading “Film Feature: Chris Piper’s Top 10 Films of 2021”

Film Review: “The French Dispatch”

Anderson’s French Dispatch is precious and pretty, with an emotional punch

Fox Searchlight has finally released Wes Anderson’s very long-awaited new film The French Dispatch, and this sentence pretty much sums it up: “Leutenant Nescaffier is emphatically celebrated among cooks, cops and capitaines, not to mention swindlers, stoolies and snitches, as the great exemplar of police cooking.”

If that sentence – with its very sneaky verb, its obviously overbalanced serial commas, its all too visible use of French terms, and finally, its curious “police cooking”- makes you smile, laugh, giggle, catch your breath, or even tingle, then this is your film. If not, then there’s nothing I, or this review, can do for you.

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Film Review: Isle of Dogs

Anderson’s new film stumbles

From l-r: Bryan Cranston as Chief, Bob Balaban as King, Koyu Rankin as Atari Kobayashi, Bill Murray as Boss, Edward Norton as Rex, and Jeff Goldblum as Duke.

Early in Isle of Dogs, Wes Anderson’s ninth feature film, the troubled but resolute stray dog Chief (Bryan Cranston) exhorts his pack to persevere despite extreme difficulties. “You’re Rex,” he says to Rex (Edward Norton). “You’re King,” he reminds King (Bob Balaban). “You’re Duke,” he cajoles Duke (Jeff Goldblum): “We’re a pack of scary, indestructible alpha dogs.” We the audience are now helplessly under their sway, and will follow them through this film anywhere.

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Film Feature: Carrie and Chad Pick the Oscars

Film critics Carrie and Chad on who will – and who should – win the 87th Academy Awards

The 87th Academy Awards air this Sunday, February 22nd on ABC at 5:00pm PST (red carpet coverage begins at 4:00, if you want to dish on fashion highs and lows). There are some tight races this year – Best Picture and Best Actor are especially hard to call. Here are Carrie and Chad’s predictions – and hopes – for the major categories:
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Film Feature: Carrie’s Top 10 Films of 2014

Spinning Platters film critics present their top 10 films of 2014

Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2014. Here is Carrie’s list, presented in alphabetical order. And you can see Chad’s list here.

1.) Boyhood
Patricia Arquette and Ellar Coltrane are outstanding as a mother and son who grow and change together.

Filmed intermittently over 12 years, Richard Linklater’s film chronicling a boy named Mason (Ellar Coltrane) from ages six to 18 in real time is both a technical marvel and a cinematic masterpiece. There has been nothing like it before on screen, and there will no doubt be nothing like it again. Utterly unique in scope and vision, the film lets us watch a life develop in front of our very eyes, with all of its attendant hopes, dreams, achievements, and disappointments. Patricia Arquette and Ethan Hawke play Mason’s parents, changing and growing right alongside him and his older sister (Lorelei Linklater). An absolutely dazzling achievement that will leave you breathless and awed, Linklater’s picture is sure to be the one to beat for Best Picture come Oscar time. (You can also read Gordon’s full-length review here).

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Film Review: The Grand Budapest Hotel

Anderson’s old fashioned adventure tale captivates, delights

Ralph Fiennes as Gustave H. and Tony Revolori as the Lobby Boy Zero contemplate their options in The Grand Budapest Hotel.

Wes Anderson is one of those polarizing filmmakers whose films are either loved or hated. His legions of fans delight in his highly stylized artistry, whimsical storytelling, and quirky characters, while his detractors deride his pictures as pretentious at worst and lightweight at best. Anderson’s newest offering, The Grand Budapest Hotel, however, should satisfy his fans and critics alike, as it melds his trademark fairy tale sensibility with an undercurrent of melancholy and solemnity that keep the picture from being too cloying or precious. Continue reading “Film Review: The Grand Budapest Hotel”

Film Review: “Moonrise Kingdom”

MoonriseKingdom_PIC2 — Kara Hayward and Jared Gilman in MOONRISE KINGDOM

starring: Jared Gilman, Kara Hayward, Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman, Harvey Keitel, Bob Balaban

written by: Wes Anderson and Roman Coppola

directed by: Wes Anderson

MPAA: Rated PG-13 for sexual content and smoking

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