Film Review: Arrival

Arrival arrives at just the right time to make us pause and think.

Amy Adams thinks about things, as we do, in ARRIVAL.
Amy Adams thinks about things, as we do, in ARRIVAL.

It feels like it’s been quite some time since a thought-provoking science-fiction film has come along — one that makes you really think. Now, before you come to the conclusion that “more thinking” equals “less entertaining”, think again! Arrival is a spectacular blend of drama, suspense, intelligence, and engaging visuals. Arrival also employs sound and music in an interesting way, aiding in the gradual fusion of the viewer experience with that of the characters. Once you emerge from the 118 minute cinematic trance you’ve been pulled into, you’ll realize that you’ve sat through one of the better films of the last year. And that realization, somehow, will be the same whether you loved the film or hated it.

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Spinning Platters Interview: James Ward Byrkit, Writer/Director, “Coherence”

coherence2
Director James Ward Byrkit’s COHERENCE

After Coherence screened to a packed house at the 57th San Francisco International Film Festival, the film’s writer/director James Ward Byrkit (Rango, Pirates of the Caribbean trilogy), sat down with me to discuss the mind-bending thriller, its origins, its unique production, and more…

Where and when did you originally come up with the premise for Coherence?

Well, we came up with the premise in my living room, where the movie is shot.  A couple years ago we were trying to think about what a good low budget, or no budget, movie would be.  And, since we didn’t have any resources, I had to think of what we actually had.  We had a camera.  We had some actors who were pretty good, and we had a living room.  So we had to find out how to make a living room feel like more than just a living room.  And, that led to a whole Twilight Zone type story [laughs].

Coming off the work you’ve done  — storyboarding for Pirates of the Caribbean and working on the story for Rango, how did this shift your way of thinking?

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SFIFF Spotlights #2: Coherence/Heaven Adores You/The Two Faces of January/If You Don’t, I Will

Spinning Platters highlights some films from the 57th San Francisco International Film Festival (SFIFF), which runs from April 24th through May 8th. Program notes and tickets available at: http://www.sffs.org/festival-home/attend/film-guide

Coherence
(USA, 2013, 89 min.)

Emily Baldoni in James Byrkit's COHERENCE
Emily Baldoni in James Byrkit’s COHERENCE

This low budget mind bender focuses on a dinner party of four couples on a night where a comet passes over Earth, causing some strange occurrences. Director James Ward Byrkit utilized an experimental production process by which he provided the actors with notes for each scene but no script, allowing for truly real reactions, spontaneous behavior, and improvised lines.  Perfect editing and stellar performances create a palpable tension that’s both haunting and personal.  The result is a tightly bound science-fiction indie crowd pleaser that delights with its twists and turns, keeping us guessing from the first to last frame…and afterwards.

Screenings:

  • Tuesday, April 29th, 9:45 PM, Kabuki

Tickets: http://www.sffs.org/festival-home/attend/film-guide/coherence#.U1vag-ZdVU1

Continue reading “SFIFF Spotlights #2: Coherence/Heaven Adores You/The Two Faces of January/If You Don’t, I Will”