Film Review: Adrift

A nice day for a sail? Not quite.

Richard (Sam Claflin) and Tami (Shailene Woodley) are adrift in the Pacific after a fierce hurricane throws them off course.

Icelandic director Baltasar Kormákur is no stranger to the survival story genre; he directed 2015’s mountain-expedition-gone-bad thriller Everest, and 2012’s Icelandic-language The Deep, about a fisherman who capsizes before being rescued after six days in the water. That film probably planted the seed for Kormákur to take on Adrift, the film adaptation of Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea, Tami Oldham Ashcroft and Susea McGearhart’s 2002 book about the dire consequences of Hurricane Raymond on a sailing adventure undertaken by Tami and her fiancé Richard Sharp in 1983. Kormákur, working from a screenplay by twin brothers Aaron and Jordan Kandell (Moana) and David Branson Smith (Ingrid Goes West), has succeeded in creating a nerve-wracking, what-would-you-do, visceral sea faring adventure that rises to the top of a fairly crowded field.

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Film Review: My Cousin Rachel

Hitchcockian thriller will leave you guessing 

Philip (Sam Claflin) is unsure what to make of his Cousin Rachel (Rachel Weisz) when she comes to stay. 

If you find yourself left edgy and itchy when the film you’re watching doesn’t wrap up nice and neat and tidy, then you’d do well to avoid My Cousin Rachel, a period drama that raises more questions than it answers, and leaves its viewers in a state of ambiguity. Of course if you find such a state more intriguing than frustrating, then you’ll definitely want to add this picture to your summer viewing list. In fact, you’ll want to give it the number one spot.
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Film Review: “Snow White and the Huntsman”

Charlize Theron in SNOW WHITE AND THE HUNTSMAN

starring: Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, Ian McShane, Bob Hoskins, Nick Frost, Toby Jones

written by: Evan Daugherty, John Lee Hancock, Hossein Amini

directed by: Rupert Sanders

MPAA: Rated PG-13 for intense sequences of violence and action, and brief sensuality

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