Show Review: Hitchcock Week — Psycho

Ree! Ree! Ree! Ree!  >
Ree! Ree! Ree! Ree! <<stabbing ensues>>

It’s Hitchcock Week with the San Francisco Symphony and Wednesday night kicked things off with Psycho (1960), Hitchcock’s masterpiece thriller.  Why is the SF Symphony playing Psycho?  And for what reason are they having a week devoted to Hitchcock, at all?  For starters, Hitchcock films feature some of the most memorable scores in film history.  Just like John Williams’s scores have enhanced the sense of adventure in countless films directed by Steven Spielberg, the scores in Alfred Hitchcock films have greatly enhanced the chilling suspense, the horrifying thrill, and the bloody payoffs of his stories.  These are a few particularly momentous nights at the symphony because the scores have been removed from the film’s print and, instead, filled in by a live orchestra (in Psycho’s case, just the string section…it seemed).

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Show Review: Williams and Spielberg: Maestros of the Movies, 9/16

'Maestros of the Movies' at Davies Symphony Hall
‘Maestros of the Movies’ at Davies Symphony Hall

The first four notes of the Star Wars main title blast to life in the beautiful Davies Symphony Hall, and members of the audience cheer loudly, whistle, applaud, and some even rise to their feet.  Only John Williams, the movie score composer who’s been writing music to accompany the silver screen since the late 1950’s, and who’s responsible for countless universally recognized themes, can induce such a response at a “classical concert.”  Such was the general atmosphere at the San Francisco Symphony’s Monday night event, Williams and Spielberg: Maestros of the Movies, a night dedicated to the impact of the award-winning composer (5 Academy Awards, 48 Oscar Nominations, 21 Grammy Awards…etc. etc.).

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