Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
The 38th Mill Valley Film Festival closed Sunday, October 18th, but if you weren’t able to make it out to Marin these past ten days, never fear: many of the titles – both big and small – will be widely released, and available to you soon at your local theater. To wrap up our coverage, Spinning Platters takes a look at three of these films, one of which actually opens this Friday.
Continue reading “MVFF38 Spotlights #2: Truth/Yosemite/Suffragette”
In a dimly lit smoky bar, an unshaven, slightly disheveled, solo male singer leans into a mic and begins gently singing, ‘Hang me / Oh hang me / I’ll be dead and gone.’ For the next three or so minutes, we are up close and personal to this singer, watching his calm disposition as he sings out the entirety of the song, not even once looking up at the quiet audience wrapped up in the beautiful melody, drinks, and cigarettes. This is how Inside Llewyn Davis begins, the extraordinary and immaculately conceived new film by Joel Coen and Ethan Coen, or as we know them, the Coen brothers. This singer is, of course, Llewyn Davis, and these opening lyrics are deliberately chosen to open the story — they set the tone and capture the somber outlook of the title character. Based on a pivotal moment in our nation’s cultural history, and using a fictionalized version of folk musician Dave Van Ronk to capture the experience of many lost artists of that time period, Inside Llewyn Davis is a pointedly dark and comical drama that serves as an allegorical tale and a cinematic exposé of the unfortunate “futility” of many talented artists.
Baz Luhrmann’s new adaptation of F. Scott Fitzgerald’s 1925 novel The Great Gatsby has been generating buzz for months. Critics, Hollywood insiders, bloggers, and anyone with a pulse have all been asking: Can an Australian director, filming in Australia, with many British and Australian actors, pull off a film of a classic American novel? Will filming in 3D help or hinder the film? Will the film be worth seeing? The short answers are no, no, and no. Continue reading “Film Review: The Great Gatsby”
In the several months since its premiere on the film festival circuit, Shame has quickly become one of the most talked-about films of the year. While this is certainly due in part to prurient interest in its more lurid aspects – its nudity and sexuality were deemed explicit enough to warrant the dreaded NC-17 rating from the MPAA – it is also because of universally ecstatic reviews for the brutally fearless performances of stars Michael Fassbender and Carey Mulligan, as well as the hauntingly artful direction of today’s exclusive interview subject, Steve McQueen.
Continue reading “Spinning Platters Interview: Steve McQueen on “Shame””
starring: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Ron Perlman, Christina Hendricks, Oscar Isaac
written by: Hossein Amini
directed by: Nicolas Winding Refn
MPAA: Rated R for strong brutal bloody violence, language and some nudity.