I’ve been so immersed in the metal world lately that sometimes I forget that I like other music. I especially forget that weird thrill of going mostly blind into a show. Sure, I may not know an opener or two, but it’s pretty rare for me to cover a band I haven’t listened to beforehand. It’s both exciting and nerve-wracking and, let’s face it, no one wants to be disappointed. Luckily for me, I at least knew of the other music projects of the artists on the night’s lineup, but even knowing that, did not prepare me for what I was about to experience.
A dark-snarling-rocker, avant-garde-artiste-extraordinaire, maniacally-grinning crooner, possessed of a sinister disposition and an undulating, catlike movement — these are all terms that accurately describe Bay Area native Mike Patton. Outside of the impressive trail that he and his bandmates in alt-metal band Faith No More blazed, through early 90s metal and the foundations of heavier alternative music, Patton has always been dabbling in sonic experiments and new forms of performance, and the extent of his craft is all but belied by Faith No More’s marvelous, but definitely accessible, compositions. Patton, of course, is not the only creative force within his various endeavors, and has spent most of his projects with bassist Trevor Dunn, in bands such as Mr. Bungle and the John Zorn-spearheaded Moonchild Trio. Dunn has now joined the ranks of the indescribable-yet-definitely-dark-and-thrashy Tomahawk, formed by Patton and Jesus Lizard guitarist Duane Denison, and the result is a tough-as-nails blast of energy and mesmerizing chemistry in an onstage performance — all the sensation of the insane chaos of the pair’s less accessible work, coupled with enough familiar songwriting techniques to draw in the more discerning of music fans.
