Film Review: “The Bikeriders”

The Bikeriders is Comer’s star-making vehicle

Director Jeff Nichols has been on an impressive streak of memorable dramatic films that directly or indirectly involve the culture of middle-America, including Shotgun Stories, Take Shelter, Mud, and Loving. The Bikeriders is his latest dramatic piece of cinematic Americana (or, “Ameridrama”, to coin a phrase), stradling the median between mainstream drama and niche historical fiction. The Bikeriders is a surprisingly charming piece of old-school storytelling, buoyed by an impressive script and strong performances. Continue reading “Film Review: “The Bikeriders””

Film Review: Dunkirk

Dunkirk: powerful and memorable

Soldiers await rescue.

In Christopher Nolan’s astonishing new film Dunkirk, we follow a major battle early in World War II through the struggles of a number of soldiers, sailors, and airmen as they attempt a massive retreat from France across the English channel in the face of constant German attacks. Though the events of that tragic summer week in 1940 are well known, what’s not known, and what is the basis of the film’s significant triumph, are the fates of the individuals who are just trying to survive long enough to get home.
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Film Review: The Revenant

Revenge is a dish best served cold and gorgeously shot.

DiCaprio in the wild.
DiCaprio in the wild.

This is it, everyone. This is the movie that Leonardo DiCaprio will win an Oscar for…I think. That’s not to say that The Revenant is Leo’s best performance. I’d say that it ranks a few titles above midway through his filmography, right above Blood Diamond and just below The Departed (and far below The Aviator and Revolutionary Road). Nevertheless, it’s Leo’s most physically demanding performance and let’s give credit to director/writer/producer Alejandro González Iñárritu for convincing the actor to dive so deep into the demands of the role. The Revenant is most impressive when experiencing its outstanding technical achievements. As a simple tale of survival and revenge, its not overly impressive from a storytelling standpoint. But in capturing the tone and setting of the story, the skill set of the actors and filmmakers on display lift The Revenant to very memorable heights.

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Film Review: Mad Max: Fury Road

It’s a mad, mad, mad, Mad Max world!

WHAT A LOVELY DAY!
WHAT A LOVELY DAY!

It’s been 30 years since we last saw Max Rockatansky AKA Mad Max roam the dystopian post-apocalyptic landscape created by the great visionary filmmaker George Miller. During that time, Miller directed only a handful of films, primarily talking animal family films such as Babe 2: Pig in the City and the Oscar winning Happy Feet. Despite it being a work-in progress for many years, Mad Max: Fury Road seems to be Miller’s way of delivering a strict how-to lesson to all the action director wannabes who are flooding cineplexes these days with CG-filled shlock. Fury Road has its fair share of CG, but only when necessary…or when super cool. The practical effects (you know… actual people and actual cars and actual explosions) are unparalleled. Fury Road will set the precedent for what all forthcoming action films will be compared against, and not only for its action. Mad Max: Fury Road manages to showcase some of the greatest frenetic visuals in at least a decade while still delivering a worthy story and characters. It’s style AND substance — a rare treat. ‘What a lovely day!’ indeed.

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Film Review: The Trip to Italy

The boys are back out of town.

Rob Brydon and Steve Coogan strike an intellectual pose.
Rob Brydon and Steve Coogan strike an intellectual pose.

You know when you think that your conversations with your friends are prime material for a movie, television show, or web series?  Well, 9 times out of 10, your conversations wouldn’t be very entertaining to others.  I’m guilty of this as well.  Thankfully we have Rob Brydon and Steve Coogan, two comedians who have now created two hilarious and engaging films mostly consisting of them talking and eating.  The Trip (2010) introduced us to the semi-improvised story of Rob and Steve, playing fictionalized versions of themselves, where the latter joined the former on a restaurant tour assignment in Northern England.  The Trip to Italy is a direct continuation from the first film, featuring the same bickering, multi-course meal montages, and Michael Caine impersonations that made the first trip so enjoyable…this time with a side of Italy and a pinch of emotional depth.

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Film Review: “Lawless”

Tom Hardy and Jessica Chastain in LAWLESS

starring: Tom Hardy, Shia LaBeouf, Guy Pearce, Jessica Chastain, Mia Wasikowska, Gary Oldman, Jason Clarke

written by: Nick Cave

directed by: John Hillcoat

MPAA: Rated R for strong bloody violence, language and some sexuality/nudity

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Film Review: “The Dark Knight Rises”

Christian Bale in THE DARK KNIGHT RISES

starring: Christian Bale, Anne Hathaway, Tom Hardy, Marion Cotillard, Michael Caine, Joseph Gordon-Levitt, Gary Oldman, Morgan Freeman, Matthew Modine, Juno Temple

written by: Jonathan and Christopher Nolan

directed by: Christopher Nolan

MPAA: Rated PG-13 for intense sequences of violence and action, some sensuality and language

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Film Review: “This Means War”

Tom Hardy, Reese Witherspoon, and Chris Pine in THIS MEANS WAR

starring: Reese Witherspoon, Chris Pine, Tom Hardy, Chelsea Handler, Til Schweiger, Abigail Spencer, Angela Bassett, Rosemary Harris

written by: Timothy Dowling and Simon Kinberg

directed by: McG

MPAA: Rated PG-13 for sexual content including references, some violence and action, and for language.

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Film Review: “Warrior”

Tom Hardy and Nick Nolte in WARRIOR

starring: Tom Hardy, Joel Edgerton, Nick Nolte, Jennifer Morrison, Kevin Dunn

written by: Gavin O’Connor, Anthony Tambakis & Cliff Dorfman

directed by: Gavin O’Connor

MPAA: Rated PG-13 for sequences of intense mixed martial arts fighting, some language and thematic material

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