Film Review: “Mission: Impossible – Dead Reckoning Part One”

Dead Reckoning keeps the franchise flying high!

Death-defying stunt. Fight and chase. Team regroup. Death-defying stunt. Fight and chase. Team regroup. Death-defying stunt. Fight and chase. Team regroup. Although repetitive, this formula has been successfully carrying the Mission: Impossible franchise forward. It’s now on its seventh film, Dead Reckoning – Part One. The newest film showcases, once again, the finest action stunt work choreography in the film industry. Although the franchise continues to steer away from the intricate spy work that the original television series and first few films featured, there’s no denying that with Tom Cruise on screen and Christopher McQuarrie in the director’s chair, a thrilling cinematic experience is guaranteed.

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Film Review: Mission: Impossible—Fallout

Impossibly, the missions continue

Left to right: Henry Cavill as August Walker, Tom Cruise as Ethan Hunt and Rebecca Ferguson as Ilsa Faust in MISSION: IMPOSSIBLE – FALLOUT, from Paramount Pictures and Skydance.

The sixth installment of the Mission: Impossible franchise finds Ethan Hunt and team missioning for our greater good all over the world. After six films, the franchise has worn some pretty deep grooves on the floor of the house of action adventure. To offer some new perspective, this reviewer decided to bring in a fresh voice, that of his wife. 

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Film Review: The Mummy

It’s a tale full of idiots, told with sound and fury, signifying nothing

There’s a scene in The Mummy, Universal Pictures’s latest movie with this much-used title, where zombie Knights Templar are swimming furiously at Tom Cruise. If this sounds like the kind of movie you would like, you might like this one. You would, however, not be me. This scene, like most of what occurs in this film, is utter nonsense.

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Film Review: Jack Reacher: Never Go Back

Reacher reaches, finds Hallmark sentimentality and TV crime thriller predictability.

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I found myself chanting ‘blood from a boot’ in my theater seat as I anticipated the start of Jack Reacher: Never Go Back. Yes, that’s how excited I was to witness the surprising return of Tom Cruise’s take-no-prisoners/take-no-sh*t former military police investigator. Unfortunately, Never Go Back never does go back to the violent charm (if there is such a thing) of the first film. Instead, an overly predictable plot and forced sentimental subplot strip the young franchise of the addictive macho humor and Taken-esque one-man-army action that brought it off the pages of author Lee Child’s work into cinemas.

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Film Review: Mission: Impossible – Rogue Nation

Rogue Nation keeps the pedal to the metal to deliver exhilarating action, while losing some of its franchise identity.

Basically a much better version of Mission:Impossible 2.
Basically a much better version of Mission:Impossible 2.

‘Ready or not, here I come.’ No, I’m not just quoting the classic song by The Fugees remixed for the M:I5 trailer. I’m saying this because its how the near 20 year old franchise is approaching audiences today, July 31st 2015. With so many action films coming out these days (many of which are quite sub-par), it’s hard to get super excited for another one, nevermind a fifth entry in a franchise. But here’s the thing—the folks behind Mission:Impossible-Rogue Nation know they’re delivering something better than the rest (or most of the rest). After the first ten minutes of Rogue Nation, you’ll realize how much the marketing of the movie has duped you, but in the best way possible. Director Christopher McQuarrie has created a smart action flick so loud and ridiculous that it’s hard to catch your breath. But although Rogue Nation delivers the smarts and the thrills, it doesn’t stick to the formula that has separated (and benefited) the Mission:Impossible franchise from the rest of the spy pack. While no one was saying that the Mission:Impossible franchise was dead, especially after a $209 mil domestic box office take with 2011’s Ghost Protocol, each new installment is met with speculation whether this will be the final outing or not. Rogue Nation all but directly acknowledges this speculation when Jeremy Renner’s William Brandt says, “This may very well be our last mission. Let’s make it count…” Ha! We all know you’ll be back! I’ll put all the speculation to rest—it’s not the final outing. Rogue Nation is as energetic and exhilarating as the franchise has ever been while at the top of its game.

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Film Review: Edge of Tomorrow

More like… ‘Edge of your seat’.

Saving Private Ryan meets Aliens
Groundhog D-Day

With films like The Bourne Identity and Mr. and Mrs. Smith under his belt (as well as Swingers and Go), director Doug Liman is no stranger to directing top notch action sequences that simultaneously contribute to clever storytelling.  Edge of Tomorrow has some of the most gripping battle scenes in quite some time, but also clever humor, solid action, and a surprisingly engaging yet quasi-familiar plot.  All the pieces work together.  Tom Cruise, one of the last remaining movie stars (in the traditional sense of the term), is terrific as usual, but he doesn’t carry the film.  Neither does a strong co-lead in Emily Blunt. Nor do the insanely gripping action sequences and phenomenal effects.  No, Edge of Tomorrow is carried proudly on the shoulders of everyone involved.  It’s a fast-paced A-grade blockbuster through and through, one that provides the intense action, clever plot twists, and smart sense of fun that most blockbusters fail to deliver.

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Film Review: Oblivion

Tom Cruise in Oblivion
Tom Cruise in Oblivion

Oblivion is this year’s first “summer blockbuster”, a term coined for Jaws back in 1975 that gets attached to any commercially successful tentpole action-adventure film released by a major studio between the months of April and August.  Oblivion fits nicely into the blockbuster mold; it features action, romance, a great soundtrack and a PG-13 rating.  It also showcases an eye for a unique visual style that writer/director Joseph Kosinski (Tron: Legacy) continues to demonstrate in his work. Although it doesn’t break any new ground, Oblivion has just enough complexity within its mash-up of original content and popular sci-fi references to be a thoroughly entertaining sci-fi adventure.  Yet it’s the film’s abundance of visual artistry that is most memorable.

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Film Review: “Rock of Ages”

starring: Julianne Hough, Diego Boneta, Tom Cruise, Alec Baldwin, Russell Brand, Malin Akerman, Catherine Zeta-Jones, Mary J. Blige, Paul Giamatti, Bryan Cranston

written by: Justin Theroux, Chris D’Arienzo, Allan Loeb

directed by: Adam Shankman

MPAA: Rated PG-13 for sexual content, suggestive dancing, some heavy drinking, and language

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