Film Review: Hidden Figures

Hidden figures brought to light in inspiring new film

Katherine (Taraji P. Henson) performs a calculation that will help NASA successfully launch manned capsules into space.

2016 hasn’t exactly been a stellar year in a lot of ways, but in terms of film, it’s been an exceptional year for girl power movies. This is a year in which we saw a brave 13-year-old stand strong against centuries of male-dominated tradition in The Eagle Huntress, a 14-year-old chess prodigy overcome tremendous odds in Queen of Katwe, and now, in Theodore Melfi’s new film Hidden Figures, we witness a trio of African-American women contribute to national success despite facing rampant and demoralizing sexism and racism in the segregated south of the early 1960s. There has never been a better time to be inspired at the movies.
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Film Review: St. Vincent

Evidently, a movie can be both completely predictable and completely enjoyable at the same time.

Melissa McCarthy sets up Bill Murray for the best line of the entire movie.
Melissa McCarthy sets up Bill Murray for the best line of the entire movie.

Before seeing St. Vincent, the debut feature from Theodore Melfi, I knew very little about it. I knew that Bill Murray plays a cranky old man who lives next door to a single mother, and he develops a relationship with this woman’s young son. That’s it. I knew it was an indie movie, so I predicted to anyone who’d listen that the movie would definitely have a scene featuring an indie rock song punctuating an important uplifting moment. About this, I was wrong. The song by The National, “Start a War,” is used to punctuate an emotionally sad moment. How predictable was the rest of the film, you ask?

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MVFF Spotlights #4: Wild/St. Vincent/After the Fall

We’ve got three final spotlights from the 37th Mill Valley Film Festival, which closed Sunday night after ten days of showcasing dozens of fresh and exciting titles. Festival highlights, photos, and videos are available at: http://mvff.com. We’ll see you at the Fest next year!

Wild
(USA 2014, 120 min)

Cheryl (Reese Witherspoon) at the start of her long and often arduous journey.

Director Jean-Mark Vallée (Dallas Buyers Club) and writer Nick Hornby have turned Cheryl Strayed’s exceedingly popular memoir Wild into one of the best pictures of the year. Reese Witherspoon gives perhaps the fiercest performance of her career as Strayed, who, in the mid-1990s, hiked the Pacific Crest Trail (PCT) solo as a way to cope with several losses in her life. A powerful meditation on grief, healing, strength, and redemption, Vallée’s picture benefits enormously from the emotionally raw performances of is two lead actresses. Laura Dern, as Strayed’s mother Bobbi, seen in flashbacks, is devastating as a young mother whose capacity for hope and love is beyond measure. Shot on location at various points along the PCT, Yves Bélanger’s cinematography is breathtaking, and fittingly accentuates the emotional complexity of Strayed’s story.

Release Date:
– Opens nationwide on December 5th

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