The Fillmore – Page 4 – Spinning Platters

Show Review: A Perfect Circle performing eMOTIVe at The Fillmore, 11/18/2010

As massive undertakings go, a tour focused around three-show residencies, full-album sets, and no-opener-just-what-you-paid-to-see performances is pretty high up on the list. The ante is upped even further when the third night of said shows is focused on an album entirely comprised of cover songs — most of which, according to the band tonight, had never been played live before. The thousand-plus fans that showed up to witness A Perfect Circle perform these songs at the final night of their Fillmore residency reacted to such a statement with awe and applause — while all good things must, eventually, come to an end, the precision and care that the band emphasized in tonight’s show helped their stay come to a brilliant conclusion, and the crowd was all the more excited to witness it.

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Show Review: A Perfect Circle performing Thirteenth Step at The Fillmore, 11/17/2010

The average passerby outside The Fillmore this evening might have been puzzled at the sight that met their eyes. Several hundred people — maybe around a thousand at the most — all lined up next to the post office? There’s no big tour bus, no semi full of stage gear, parked out in front of the famous club. The more keen-eyed observers — specifically, those who might have happened by this location yesterday — might also have spotted a great deal of people from the night before this one. What would possibly draw so many people back again? It’s still two hours before the doors open, but the devoted fans of A Perfect Circle don’t mind the wait; tonight marks the second of the band’s 3-night album-performance residency at the Fillmore, with their sophomore effort Thirteenth Step taking center stage for the evening that was to follow.

As singer Maynard James Keenan would say later on that night, the message of excitement that ran through the crowd was a simple one: “Welcome to Night Two.”

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Show Review: A Perfect Circle performing Mer de Noms at The Fillmore, 11/16/2010

In live music, one of the most intriguing types of performances to see is a full-album show. It is gratifying for the fans who want to hear that ONE obscure song that their favorite band NEVER plays live, and it is a challenge for the band who may not be used to playing said compositions — in a long time, or possibly at all. To take this concept and span it out into multiple nights, in multiple cities, for multiple albums, is an even bigger feat. Leave it, of course, to the men in A Perfect Circle to step up to this challenge — for they have arrived in San Francisco, and are taking over the Fillmore Auditorium for the next three nights, for this very purpose.

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Show Review: Lucha VaVOOM at The Fillmore, 10/31/2010

Lucha Queen — Lucha, VaVoom or both? Depends on your perspective.

A music blog reviewing a wrestling show? I thought the same thing moments after I agreed to review Lucha VaVOOM at The Fillmore on Halloween. But I had seen this event on the calendar multiple times, always thought about going, and figured there’s certainly going to be enough musical content to warrant a review. While apart from the theme music of Los Pollos Locos there wasn’t much music to talk about, I did find a whole lot of fun. Continue reading “Show Review: Lucha VaVOOM at The Fillmore, 10/31/2010”

Show Review: Morcheeba with The Mumlers and Mariee Sioux at The Fillmore, 7/28/2010

Crowds of people wait for her: Skye Edwards of Morcheeba

Any sort of band that plays music that can be even remotely described as “downtempo” has, in some eyes, a serious disadvantage when it comes to their live performance. The energy and excitement and wildness that comes from a live gig is toned down, and re-formed into the fluid, organic compositions that make up the worlds of dub, trip-hop, and ambient performance. Often, an audience with great patience and love of such swell in a melody becomes the ultimate factor in a successful show, or act, that brings mostly slower, dreamier, and more wistful compositions to the live world of music. Tonight’s crowd at the Fillmore Auditorium in San Francisco fit this bill perfectly, so to speak, so it was little surprise when Skye Edwards and the other Londoners of Morcheeba proclaimed the intimate venue to be one of their favorite places in the world to play. Continue reading “Show Review: Morcheeba with The Mumlers and Mariee Sioux at The Fillmore, 7/28/2010”

Show Review: LCD Soundsystem at The Fillmore, 6/3/10

It’s truly a pity that James Murphy, the man behind LCD Soundsystem and the legendary DFA record label, which has released all of the band’s material including their 2002 hit breakthrough single, “Losing My Edge,” has decided to pull the plug on what is inarguably one of the coolest, most transcendent musical outfits to emerge in the past decade.

Just as Jerry Seinfeld and the cast bowed out at their peak after a nine-year run with their hit television show, Seinfeld, Murphy has decided to call it quits after the same amount of time when fan interest is at its most fervent, dedicated level. Continue reading “Show Review: LCD Soundsystem at The Fillmore, 6/3/10”

Show Review: OK Go with Earl Greyhound and Grand Lake at The Fillmore, 5/26/10

Tim Nordwind, Damian Kulash and Andy Ross of Ok Go — A rare moment without confetti

During OK Go’s show at The Fillmore in San Francisco on Wednesday night, lead singer Damian Kulash tried to explain why the band’s home is San Francisco. “Because we live on YouTube” was his explanation. Yeah, alright, whatever. But it’s clear what they meant was that the Bay Area is made to appreciate a label-leaving, DIY-video-making band of nerds like them. And this video thing is working out for them. One blog recently called them the “shtickiest band ever,” so what sort of shtick did they bring with them? Continue reading “Show Review: OK Go with Earl Greyhound and Grand Lake at The Fillmore, 5/26/10”

Show Review: Rogue Wave with Man/Miracle at The Fillmore, 4/30/10

I was one grumpy bitch last night. The minute I left the house I knew it was bad news. But my brother was in town from Davis, so I dragged him along with me. When we were kids, and as he’s my younger sibling, there’s a long history of me pulling him with me to all the random shows I wanted to see growing up in the city. He even said the last time he thinks he went to a show was in 1999, and it was with me to some random whatever. I guess I have to drag him, because he sure won’t go on his own. Continue reading “Show Review: Rogue Wave with Man/Miracle at The Fillmore, 4/30/10”

Show Review: La Roux at The Fillmore, 4/14/10

Elly Jackson doing the British ginger strut at The Fillmore last night.

La Roux performed their third San Francisco concert in less than a year last night at The Fillmore, and it was a roof-shaking culmination of everything that’s been hinted at by their smaller-scale previous appearances.

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Show Review: Owl City with Lights and Paper Route at The Fillmore, 4/5/2010

In July of 2009, I saw Owl City’s San Francisco debut in a tiny club at 330 Ritch, the home of Popscene, the city’s center stage for brand new acts. Adam Young, the main brain behind Owl City, and Matthew Decker, who added live drums to the wall of synthesizer sound, performed seven songs for a crowd of less than 200 people. Now, see the speed at which fame moves you: less than nine months after that show, Adam and Matthew — along with a new plethora of performers — have returned to San Francisco for two — two! — sold-out performances. I think I should also point out the fact that both shows were completely sold out MONTHS ago — not an hour or to before the show, as was the case for their Popscene debut. Needless to say, I was bewildered — but excited — when I found myself returning to the Fillmore for the first of these two concerts. Continue reading “Show Review: Owl City with Lights and Paper Route at The Fillmore, 4/5/2010”