Tag: spy

Show Review: Highlights of Aftershock 2025!

Review by:
Alan Ralph @ConcertGoingPro and Emily Anderson @emilyphotoadventure

Photos by:
Alan Ralph @ConcertGoingPro unless otherwise stated

Nearly one year ago, at the very end of Spinning Platters’ Aftershock 2024 review, this question was raised: “West Coast’s Biggest Rock Festival had such a stellar lineup this year, HOW are they possibly going to outdo themselves in 2025?!?!” 

If one hundred people were asked if 2025 was better than 2024, there would undoubtedly be one hundred different answers and opinions. Aftershock 2024 was so exceptionally good and a heavy metal fan’s wet dream – Iron Maiden, Judas Priest, Slayer, Pantera, Slipknot, Mastodon, Anthrax, Clutch, Ministry, Body Count and more! Fans of other genres of rock, punk, and loud music were still out in force, as Aftershock 2024 set an attendance record of 40,000 people per day, but may have felt neglected by the sheer amount of metal that closed every night of the festival.

For the 13th annual Aftershock in 2025, promoter Danny Wimmer Presents (DWP) altered the overall lineup to cater to the rest of those fans while still appealing to the heavy metal fans, by combining every Warped Tour, Ozzfest and Rockstar Mayhem Festival lineup, put it all in a blender, and poured it in a tall glass of Discovery Park for four days of the best rock, alt-rock, metal, 2000’s nu-metal, hardcore, and pop-punk bands, all in one place at one time in the outskirts of downtown Sacramento!  

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Film Review: Allied

Polished, pulpy WWII tale how they used to make’em, for better or worse.

Brad and Marion play the WWII spy game.
Brad and Marion play the WWII spy game.

Like reading a dime novel from off the shelf of your local supermarket, Allied supplies a quick dose of melodrama, suspense, humor, and twists. It’s similarly digested easy, immediately emotional, and just as quickly forgotten. Director Robert Zemeckis has delivered his fair share of sensationalism, from Romancing the Stone to Forrest Gump to The Walk, and many memorable films in between (trust me, you’ve seen a lot of them). My semi-belabored point is, Zemeckis is no stranger to managing exaggerated storylines and overly dramatic plots. In Allied, he sets each scene like a stage play, without any noticeable complexity or vagueness. The complexity is left up to the characters. Yes it may be subtle, but while creating a blatant sense of the time period, the old school art direction also compliments the twists at the heart of the story — after all, this is an elaborate spy game. Pitt and Cotillard bring their serviceable ‘B’ game (not their best work but far from their worst), inflicting just enough charm and charisma into the plot to carry the somewhat nonsensical and ultimately forgettable story forward. 

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