Andrea Gordon takes the helm as Director of Play Reading and Production at the Magic Theatre in San Francisco. Photo by Jessamyn Picton, 2024.
Acclaimed theatre writer, director and producer Andrea Gordon is presenting a six-part series of monthly play readings with her company Rainbow Zebra Productions at the Magic Theatre in San Francisco. Titled the ‘Reading Series Extravaganza’, every performance will feature a piece of new writing and local actors, with casting by Liam Vincent.
Curious to know more about this ambitious and community-minded project, Spinning Platters recently sat down with Andrea Gordon for an interview.
Nearly a year after Ernest & Celestine screened at the 56th San Francisco International Film Festival, this charming French animated film is finally being released into U.S. theaters (in the Bay Area on 3/28). I’ve been eagerly awaiting this moment, since Ernest & Celestine was not only one of my favorite films of 2013, but also one of my favorite animated films of all time. At last year’s SFIFF, Benjamin Renner, co-director of the film, was simultaneously exhausted, excited, and relieved that the film was getting such a great response. With his friends waiting to go celebrate over a few drinks, Mr. Renner was kind enough to sit down with me at the Sundance Kabuki, just outside the auditorium where his film just finished screening, to discuss his experience…
Chad: How did you first get involved with this film?
Benjamin Renner: I started working on this when I just left school. I didn’t know anything except that it was an adaptation of the books by Gabrielle Vincent. The producer, Didier Brunner, the one who made Triplets of Belleville and Kirikou and the Sorceress, really famous in France, asked me if I could help work on this film. So I started reading the books, Ernest & Celestine, and I was so impressed by the books, the drawings, and everything. So I said, ‘I really want to work on this. Whatever position you want to give me. Even if I’m making coffee, I don’t care, it’s perfect.’ I really wanted to work on the animation, especially. So I started making him small animations. He loved it and said that I could work on the film. So that’s how I got involved. I was not a director, just a lead animator.
