Ben Gibbard is called out by Bob Mould at Noise Pop
Closing the Noise Pop festival with solo acoustic shows from Ben Gibbard and Zach Rogue was the right choice. People flew in from Europe, skipped the Oscars, even skipped church for an a relaxing evening at San Francisco’s Great American Music Hall. The young crowd was a mix of experienced Noise Pop festival attendees and those that made last night’s show their select choice. Continue reading “Noise Pop Show Review: Ben Gibbard at Great American Music Hall, 2/27/11”
Greg Bertens of Film School. (Photos by Abby Wilcox)
It’s certainly nice when one is soaking wet from the heavy downpour outdoors to go underground in a warm and friendly place such as Cafe du Nord and find a cute-as-a-button folk singer crooning softly, trading an acoustic guitar with a harp (!) for good effect. It helps warm cold limbs anyhow.
This was my entrance to Thursday night’s Noise Pop offering with headliner Film School, a band that acknowledged having its own breakthrough at the 2004 instance of the indie-rock festival, opening for Cat Power then. They ended the evening with its members hugging onstage and telling us, “we wanted to come down and play a really good show because we wouldn’t be us without San Francisco.” Continue reading “Noise Pop Show Review: Film School with Apex Manor and Gregory & the Hawk at Cafe Du Nord, 2/24/11”
They're outside, but they're at the show. Confused? Read on.
At least for a couple hours, it’s Dan Deacon’s show and we just live in it. You know it right from the beginning; from before the show even, considering his reputation. The acts before him were pretty straightforward players (save for Ed Schrader’s Music Beat but more on that soon) but Deacon breaks it from the get-go: starts a piece that gets the crowd all riled up, plays just a few seconds and then abruptly stops “Okay that works,” he says. What a tease. Continue reading “Noise Pop Show Review: Dan Deacon with Altars, Oona and Ed Schrader’s Music Beat at The Independent, 2/22/2011”
Chester Bennington, bathed in the spotlight. (All photos on this post by Alan Ralph.)
I make no secret of the fact that A Thousand Suns was my favorite album of 2010. I’ve been jeered by other music nerds many times for this. Then, when hanging out near the box office trying to buy a decent ticket to last night’s show, one woman said “It’s not completely sold out, I guess. Because the new album’s no good.” Now this may be the conventional wisdom of a lot of Linkin Park fans, including many in attendance at the HP Pavilion last night, but they’re wrong. It’s a great album that’s pushed the band and their live show about a thousand times forward. Continue reading “Show Review: Linkin Park with Prodigy at HP Pavilion, 2/22/2011”
His name is Lucca. No idea if he lives on the second floor.
Of all of the LA-based singer-songwriters I enjoy seeing live, Tony Lucca is perhaps my favorite. While his peers seem content to bask in the sun, studio, or local LA venues, Tony faithfully treks up to the Bay to play for his “neighbors” on a regular basis. Furthermore, his show is sure to be a crowd pleaser, as he’s literally got something for everyone. Face-melting vocals? Check. Sincere, relatable, clever lyrics? Check. Rockin’ guitar skills? Check. Wit and charm to spare? Check. Former-Mousketeer good looks? Check.
Wait. What? Yes, you read that right, so let’s get it out of the way now: as a teenager, Tony was part of the Disney Channel’s MMC cast, alongside the other smiling faces of Keri Russell, Ryan Gosling, and Justin Timberlake. As an adult, however, he’s been steadily working as a solo artist since 1997. Since 2006’s Canyon Songs, he has toured steadily, sharing the stage with other talents like Tyrone Wells, Keaton Simons, Curtis Peoples, and most recently, Matt Duke and Jay Nash (with whom he released the excellent TFDI EP).
Yoshi’s might not be a typical spot for a hip-hop show, especially one that can incite the kind of passion that Public Enemy can. However, recalling that Public Enemy put out their first record nearly 24 years ago, Yoshi’s might actually be the perfect place for one of the undisputed best Hip-Hop groups to Bring the Noise. Continue reading “Show Review: Public Enemy at Yoshi’s SF, 1/14/2011”
Forget what you thought you knew about how to celebrate for the beginning of a new year. Forget what you thought could happen with two Bostonians, a collective of YouTube musicians, a pile of balloons, two cannons of confetti, and two thousand lovers of punk cabaret. If you were not one of the aforementioned fans that filled San Francisco’s Warfield Theater to nigh-overflowing to see the triumphant Bay Area return of the Dresden Dolls, you missed one of the greatest shows in the band’s career, and one of the best shows of 2010, and, quite likely, 2011 as well.
This is what they looked like. No idea who the smiling guy in the hat is.
When I thought about what to expect out of a Bell Biv Devoe show at a jazz club in 2010, I thought this: a 12-minute version of “Poison,” a 10-minute version of “Do Me!”, an instrumental jam by the band and a medley of everything else. “What about New Edition? I bet they do a lot of that,” remarked one friend. What about them? What does a Bell Biv Devoe show look like in 2010? The short answer: it looks like MTV in 1990. The long answer? Continue reading “Show Review: Bell Biv Devoe at Yoshi’s SF, 12/23/2010”
