Show Review: The Thermals, Thao with The Get Down Stay Down, and Grass Widow at Great American Music Hall, 2/5/10

the-thermals
Standing in the shadow of the Beast.

I wasn’t sure what to expect when I agreed to cover Friday nights show at the Great American Music Hall. I wasn’t even aware of the set up of the show; co-headliners The Thermals (whom I had never even heard of before) and Thao with The Get Down Stay Down.  Because of this, I arrived late thinking TWTGDSD was the opener, the real opener just finishing as I entered the venue. Sorry Grass Widow. I promise to check out one of your various shows in Austin at this years SXSW. Continue reading “Show Review: The Thermals, Thao with The Get Down Stay Down, and Grass Widow at Great American Music Hall, 2/5/10”

Show Review: VV Brown with Ebony Bones! at 330 Ritch (Popscene), 2/4/10

VV Brown welcomes us with open arms.

I generally avoid Popscene when possible. There are myriad reasons for this, which needn’t be explained to anyone who’s been there. For one, it’s notoriously 18+, which: no thanks! Any club that needs to see my special grown-up wristband before letting me have a beer is a place I’m happy to avoid. Secondly, there’s the inherent wrongness of any establishment that bills itself as “San Francisco’s premier indie nightclub.” So. Much. Wrong. Third, it’s scene-y in a superficially obvious way that still makes me feel I’m Susan Boyle standing around at Danceteria or something (cue the glittery 18-year-olds: “Who at the what?”).

And finally, I resent their unassailable skill at booking the hottest, coolest young acts and forcing the rest of us to go all the way to 330 Ritch in Mission Bay to see them (plus, I’m still mad I couldn’t get tickets when they hosted Amy Winehouse for her only Bay Area show to date). But sometimes these various negatives can come together for a really amazing positive. Last night’s show was one such exception. Continue reading “Show Review: VV Brown with Ebony Bones! at 330 Ritch (Popscene), 2/4/10”

Show Review: Mos Def, Jay Electronica and Supernatural for Haiti relief at The Independent, 2/3/10

Always cool and in control

The character that is Mos Def never stops to entertain, on stage, in film or in person. His music is layered with decades of influence and years of knowledge wrapped up in a style that undoubtedly his very own. This night is no different than the Mos Def that we’d expect. Arriving ever so fashionable, and fashionably late, with an entourage to boot. He takes the stage with his bright red mic, circa 1960, and a perfectly knotted bow tie. Clean and smooth with a swagger that makes it clear that the show is completely under his control. Continue reading “Show Review: Mos Def, Jay Electronica and Supernatural for Haiti relief at The Independent, 2/3/10”

Show Review: The Downer Party, The Hot Toddies, Tempo No Tempo and Fighting the Villain at Bottom of the Hill, 2/3/10

The Downer Party is anything but a downer

Winter Music Fest. It’s a thing, and it’s happening right now. If Noise Pop is the Oscars, then perhaps Winter Music Fest is the Golden Globes. Last night four bands of varying talent took turns taking the stage at Bottom of the Hill, and the result was a cornucopia of cacophony. Sure. Continue reading “Show Review: The Downer Party, The Hot Toddies, Tempo No Tempo and Fighting the Villain at Bottom of the Hill, 2/3/10”

Show Review: Do Make Say Think with themselves at Great American Music Hall, 2/2/10

Nine musicians in constant motion, giving it their all

Do Make Say Think are one of the leaders of the instrumental rock genre, and have been for some time. Along with Explosions in the Sky, Mogwai and Godspeed! You Black Emperor, they’ve fought hard against the tyranny of lyrics to play dramatic and emotional music that’s all about the music. They’re the electric guitar era’s answer to classical music.  And on Tuesday night, they brought their nine-piece ensemble to Great American Music Hall, which is a perfect venue for them. Continue reading “Show Review: Do Make Say Think with themselves at Great American Music Hall, 2/2/10”

SF Sketchfest Review: The Jill and Julia Show at Yoshi’s San Francisco, 1/27/10

Julia Sweeney and Jill Sobule

According to the song that opened their winning 90-minute set, comedian Julia Sweeney (best known for her 1990-1994 run on Saturday Night Live) and musician Jill Sobule (best known for singing “I Kissed A Girl” first and so much better) met randomly at the Monterey Bay Aquarium one lucky day not long ago. Sobule cautiously approached Sweeney to express her admiration, but then Sweeney spotted Sobule and pounced her. Their mutual admiration society has led to an ongoing story-song collaboration called “The Jill and Julia Show,” which made its first Bay Area stop last night as part of the 2010 SF Sketchfest.

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Show Review: White Denim at The Independent, 1/20/10

No white jeans in sight.

What makes a live show good? Obviously the music is a huge component. It’s almost a stupid question to ask. But when you think about it, music isn’t the only component. You can go to a show where the music is revolutionary but the performance, crowd, maybe even the smell just suck. I pose this question because White Denim, is a hard performing band. As much as you may read that they don’t stick to one genre, you won’t understand until you see them live. Their music was good. What made the show awesome was how hard they performed. Continue reading “Show Review: White Denim at The Independent, 1/20/10”

Show Review: Styx at the Regency Ballroom, 1/17/10

Up close and personal with the legends.

Styx gets a bad rap. They’re one of those punch-line bands that people claim to like ironically. This is both unfair and stupid. There’s a subset of great classic rock bands that are being kept out of the Rock & Roll Hall of Fame for having the gall to be too popular. Along with Journey, Kiss, Rush, Boston and Chicago, it seems that success and longevity have worked against them. No matter, though, because an evening with Styx is what rock n’ roll is really all about. Continue reading “Show Review: Styx at the Regency Ballroom, 1/17/10”

Show Review: Hockey with Asa Ransom and fakeyourowndeath at Bottom of the Hill, 1/15/10

It's Hockey, but he's not singing Oh Canada.

I like going to see hockey. I’m always telling people that they can’t appreciate hockey unless they see it live. You can’t see the speed, the positioning, or really feel the hits unless you’re in the arena. But what about Hockey, the band? Do you need to see them live to truly appreciate them? Do they bring something to the table live that you just can’t hear on their excellent record, Mind Chaos? Continue reading “Show Review: Hockey with Asa Ransom and fakeyourowndeath at Bottom of the Hill, 1/15/10”

Show Review: Hunx and His Punx, Brilliant Colors and Gun Outfit at Hemlock Tavern, 1/3/10

I miss the days when the Hemlock looked like this.

I was such a good little soldier. I took notes on my cell phone, but I was so cheap that I didn’t email them to myself because my data plan is a bit limited, and not in a good way like the 38L is. I figured I would just read them when I got into work the next day. But then the battery died. So my phone is at home, charging and watching Drew Carey butcher The Price Is Right. Good thing Brilliant Colors played, because I don’t need notes to talk about them and their heavenly sound. (Did you see what I did there?)

Continue reading “Show Review: Hunx and His Punx, Brilliant Colors and Gun Outfit at Hemlock Tavern, 1/3/10”