show review – Page 8 – Spinning Platters

Show Review: The Package Tour – New Kids on the Block, Boyz II Men, and 98° at HP Pavilion, 7/7/2013

In the little world that exists between the New Kids on the Block and their fans, I’m what’s affectionately referred to as a “BH:” a Blockhead. I don’t say this with any level of chagrin or irony, and there’s nothing I feel guilty about in the pleasure I take from this group. The fact of the matter is, I’ve loved them for more than 25 years, and at this point, I don’t feel the need to explain or justify that to anyone who doesn’t get it. (And honestly, why do we feel the need to ridicule each other for something that brings us joy?) If anybody is experiencing anything like the fun I have with the NKOTB, I would be a fool to try to tear it down – that’s the kind of thing I think we ought to seek out and celebrate! Which is exactly what I did, when The Package Tour (NKOTB, Boyz II Men, and 98°) pulled up to HP Pavilion last night in San Jose. Continue reading “Show Review: The Package Tour — New Kids on the Block, Boyz II Men, and 98° at HP Pavilion, 7/7/2013”

Show Review: They Might Be Giants with Moon Hooch at the Warfield, 6/14/2013

They Might Be Giants have been playing together, in some shape, since 1982. Please, take a moment to let that sink in; this Brooklyn-based nerd-pop outfit has been churning out music for more than thirty years. This is a band that’s spanned five different presidents. A band that has witnessed countless similar acts form and breakup, reform and rebreakup. A band that has been making music for twice as long as Jaden Smith has been alive. A band with a legacy this long has two choices: They can become their own cover band, playing the hits that their audience crave, never growing, never changing. Or they can keep producing new music, evolving their sound, keeping their live-show fresh.

Fortunately for both the band and the fans, They Might Be Giants opted to take option B, and their set at the Warfield last Friday was all the better for it.

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Show Review: Sara Bareilles at Slim’s, 05/13/2013

Sara Bareilles wants to see you be brave.

It’s been two and a half years since Sara Bareilles released her last fantastic record, Kaleidoscope Heart. Now she’s got a great new single, “Brave,” and is challenging herself to be just that by touring solo. The “Brave Enough Tour” challenges Sara to play not only alone on stage, but without the support of an opening act. This week it was San Francisco’s turn to get up close and personal with Miss Bareilles at a sold-out, standing-room-only show at Slim’s on Monday night. And what a treat it was, as usual… Continue reading “Show Review: Sara Bareilles at Slim’s, 05/13/2013”

BottleRock 2013 Review: Napa’s Inaugural Music, Wine, and Food Festival

A brand new festival just outside my front door.

When rumors about the first ever BottleRock Napa festival began to circulate, they were impressive: early flyers listed Dave Matthews Band and Pearl Jam as headliners (neither was ever confirmed). Still, the festival had the attention of the Napa Valley and surrounding music lovers long ago.

Once the final lineup had been released and tickets purchased, however, it was time to finally see what all the hype had been about. Because my home is in such a central location within “Napa proper,” as we all call the city of Napa (so as not to confuse it with the rest of “the Valley”), I didn’t actually experience the crazy traffic so many locals worried about. And while I did hear on one of the first few days (Weds or Thurs, though I’m not 100% certain which) that it took someone approximately 90 minutes to reach the Napa Expo from Fairfield (normally a 25-30 minute drive), I know for sure that the traffic relaxed and was relatively comparable to any other holiday weekend. (Which is to say, not insane as predicted.) The parking situation was the same as it usually is, I know for sure. The first three days, I arrived well before noon. As such, I beat the crowds and was able to find nearby parking with such ease that I chalked that up to my knowledge of the neighborhood, vs. all those who were coming in from out of area who didn’t know where to look (and as a result, were paying $25-40 to park much farther away). Continue reading “BottleRock 2013 Review: Napa’s Inaugural Music, Wine, and Food Festival”

Noise Pop Show Review: The Thermals with Dirty Ghosts and The She’s at the Rickshaw Stop, 3/1/2013

It’s about halfway through Goddamn the Light that I realize something is off about the song. Up to this point, the Thermals set has been impeccable, but now there’s something clearly missing. The rhythm is all off, and as I scan the stage for an explanation, it dawns on me: The Thermals don’t have their drummer anymore. We have their drummer. Westin Glass has abandoned his kit to crowd surf, and he’s loving every minute of it.

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Show Review: Tomahawk with Retox at the Great American Music Hall, 2/15/2013

A dark-snarling-rocker, avant-garde-artiste-extraordinaire, maniacally-grinning crooner, possessed of a sinister disposition and an undulating, catlike movement — these are all terms that accurately describe Bay Area native Mike Patton. Outside of the impressive trail that he and his bandmates in alt-metal band Faith No More blazed, through early 90s metal and the foundations of heavier alternative music, Patton has always been dabbling in sonic experiments and new forms of performance, and the extent of his craft is all but belied by Faith No More’s marvelous, but definitely accessible, compositions. Patton, of course, is not the only creative force within his various endeavors, and has spent most of his projects with bassist Trevor Dunn, in bands such as Mr. Bungle and the John Zorn-spearheaded Moonchild Trio. Dunn has now joined the ranks of the indescribable-yet-definitely-dark-and-thrashy Tomahawk, formed by Patton and Jesus Lizard guitarist Duane Denison, and the result is a tough-as-nails blast of energy and mesmerizing chemistry in an onstage performance — all the sensation of the insane chaos of the pair’s less accessible work, coupled with enough familiar songwriting techniques to draw in the more discerning of music fans.

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Show Review: Petty Fest at the Fillmore, 02/27/2013

If you’ve never experienced The Cabin Down Below Band, you quite literally don’t know what you’re missing. My advice? Remedy this error as soon as is possible! This week I got my chance to do just that with a night to remember: Petty Fest’s first ever stop in San Francisco! The evening was hosted by the aforementioned brilliant band, sponsored by the generous Jameson, and boasted a line-up well worth dragging one’s self out on a “school night” for: Boz Scaggs, Nick Valensi of the Strokes, Tom Johnston of the Doobie Brothers, Lucinda Williams, Jon Heder, Aimee Mann, and Matt Sorum, to highlight just a few… Continue reading “Show Review: Petty Fest at the Fillmore, 02/27/2013”

Sketchfest Review: The Doug Benson Movie Interruptions: Twilight at the Castro Theatre, 2/9/2013

Can you think of any way to spend a Saturday afternoon that’s more fun than in a crowded Castro Theatre with everyone’s favorite stoner and funny man Doug Benson making snide and silly comments over some of pop culture’s most fun (and fun to trash) films? I couldn’t either. Announce that, among films like Anaconda, Catwoman, and The Notebook, he planned to also poke fun at the hilariously and fabulously terrible Twilight, and I was putting my shoes on. Throw in that he was bringing in big comedy guns Greg Behrendt, Patton Oswalt, Michael Ian Black, and Zach Galifianakis, and I’m the first one to arrive. (Well, not really…it’s really hard to find parking in the Castro. I actually missed the introduction and had to sit on the floor. But I digress.) Continue reading “Sketchfest Review: The Doug Benson Movie Interruptions: Twilight at the Castro Theatre, 2/9/2013”

Show Review: Two Gallants with Akron/Family and Future Twin at The Fillmore, 2/2/2013

Adam Stephens and Tyson Vogel of Two Gallants

The formula of reverb-drenched-rock, guitar-drum-vocal, two-man band has proven itself, time and again, to be a successful combination. Acts like the Black Keys and the White Stripes proved that it could be done, and tore their way up the charts while they did so. It is, nevertheless, challenging, blending a careful balance of lo-fi and limited composition with gripping vocals, intricately crafted licks, and thundering percussion, maintaining a smart pop sensibility the entire time. To avoid being pigeonholed, however, as another blues-rock soldier on his quest to the top, it’s important to bend the rules of the genre, throw in some curveballs, and introduce some unique elements to one’s sound, such as the close, soulful cousins that are bluegrass and western folk music. San Francisco duo Two Gallants have done just that, constructing a sonic experience that bears this variety of genres, and yet still stands unique and full of raw passion, which they brought to the Fillmore on Saturday night for their end-of-the-tour hometown show.

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Show Review: Pentatonix with SPEAK at The Warfield, 1/27/2013

"PTX" takes the stage — “PTX” takes the stage (L to R: Kirstie, Avi, Kevin, Scott & Mitch)

Never heard of Pentatonix? That’s okay, you’re not alone: neither had our editor-in-chief until I mentioned my excitement at covering their sold-out show at the Warfield this past Sunday. While he feared he may be losing his touch (“getting old I am,” said his text), I reassured him that if a cappella groups aren’t his thing and/or he’s never seen a recent episode of NBC’s The Sing-Off, it makes sense that season 3 winners Pentatonix haven’t yet crossed his radar…until now.

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