Show Review: Stone Temple Pilots with The Dirty Hooks at the Fillmore, 3/12/18

Color me impressed, Mr. Gutt.

Gather round, children, it’s story time. (Well, okay, it’s really just more of a long-winded introduction, but bear with me here…) My brother is, by far, one of my favorite people on the planet. He’s a few years older than me, so he was a senior in high school when I was a freshman, and I was fortunate that he was nice to me in front of his peers. This meant that all the older, cooler kids accepted me rather than finding me annoying. This was also the time in our lives when we first started to agree on (and bond over) music. In particular, we loved Aerosmith (because who wasn’t obsessed with Get a Grip in the early/mid 90s?) and Stone Temple Pilots. So fast forward nearly 25 years, and you’d better believe we were both dying to catch the band at San Francisco’s legendary Fillmore. Continue reading “Show Review: Stone Temple Pilots with The Dirty Hooks at the Fillmore, 3/12/18”

Show Review: Andrew W.K. at The Independent, 9.27.17

This show had all of the essentials needed for a great metal show. Andrew WK, the patron saint of partying, leading his six piece backup band of very loud and technically adept musicians. Two members of his backup band were women, which made the party even better, as did the pizza guitar he played mid-set. AWK is a live wire with big, metal voice, but at the show, he seemed a little dampened. It happens – a lot of us have had the crud, and if he did I hope he feels better. This didn’t lower show’s wattage though, or cause anyone to party any less hard. A great metal show also has a fist pumping crowd in the back,  and mosh pit up by the stage. Here, at an AWK show, all of these are accounted for. AWK writes great hooks that keep you moving and joyful, and his touring band brings them to a higher level of musicianship than the original recorded version. Continue reading “Show Review: Andrew W.K. at The Independent, 9.27.17”

Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016

o.a.r. headlines Live in the Vineyard 2016 Night 1
o.a.r. headlines Live in the Vineyard 2016 Night 1

Ladies and gentlemen, it’s that time again: Live in the Vineyard. For those unfamiliar, this is a biannual celebration of food, wine, and music, featuring a mix of hit artists and those that are up-and-coming. Events take place in locations all over the Napa Valley, typically culminating each (weekend) day in a concert at Napa’s Uptown Theatre. The event is exclusive in the sense that essentially the only way to attend is to win tickets via one of many contests available via the internet or the radio. This year’s fall event took place last weekend, with Friday night’s show a representative mix of the new and the tried-and-true: Britain’s Got Talent star Calum Scott, bluesy soul married duo JOHNNYSWIM, up-and-coming singer/songwriter Wrabel, American Idol winner Phillip Phillips, and celebrating their 20th anniversary as a band, o.a.r.. Continue reading “Show Review: Live in the Vineyard 2016 at Uptown Theatre Napa, 11/4/2016”

SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall

Mortified-Logo-Handwritten
Makes me wish I’d kept journals & the like.

That Mortified has been selling out shows for the past decade shouldn’t surprise me. What should is that this year was my first time getting to find out why. It was Sketchfest 2016’s final weekend (Saturday, 1/23, to be exact), and while I had booked myself back-to-back shows for the evening, I wasn’t concerned since both were taking place in the same venue (Swedish American Hall). The only minor caveat was that I got so excited about this fact (and that I have been to the former venue next door so many times I know the area well), that I forgot to take what a bitch it is to find parking in the neighborhood. Making matters worse, I stood in a line of people wanting to buy tickets for at least five minutes before I realized I could bypass them all and go find a spot in what was now standing-room-only. And yet, it was absolutely worth it! (The only thing I’d do differently is give myself an exorbitant amount of time for parking next time…) Continue reading “SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall”

SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall

tommy lau2
Bring the Rock ALWAYS brings the fun(ny). (Photo thanks to Tommy Lau.)

Sketchfest is always fun. It’s even better, though, when I get to see Greg Behrendt, and most of all when it’s for Bring the Rock, as was the case for the final weekend of Sketchfest 2016 at Swedish American Hall. It’s even sweeter than usual, though, because it marks my fifth anniversary with Spinning Platters: I first met editor-in-chief Gordon Elgart at a similar event in 2011. It was called Maximum Volume, but the premise was the same, and any chance I have to be there when an event like this takes place, I’m not gonna miss it. Continue reading “SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall”

SF Sketchfest Review: Tribute to Sally Field, ‘Hello, My Name is Doris’ Screening and Q&A with Sally Field and Michael Showalter, 1/22/16 at Alamo Drafthouse

12509650_10153829363552667_6511806589562874559_n
How can you not enjoy these two? (Photo thanks to Tommy Lau.)

Okay, it’s taken me almost a week and I still haven’t been able to decide: do I want to call Sally Field “radiant,” or is “luminous” the right word? I swear, that’s a big part of the reason it’s taken me five days to publish my review. (It also doesn’t help that I’ve been as lazy as my crazed-grad-school lifestyle will allow…) And here I am, I still haven’t decided. Suffice it to say, Ms. Field is all that and more. Anyway, so when SF Sketchfest announced this year’s schedule, I immediately zeroed in on this chance to attend the tribute to Sally Field and screening of her quirky new comedy, Hello, My Name is Doris last Friday night at the amazing Alamo Drafthouse. (Bonus: the Q&A after the film also featured the film’s director/co-writer, Michael Showalter!) Continue reading “SF Sketchfest Review: Tribute to Sally Field, ‘Hello, My Name is Doris’ Screening and Q&A with Sally Field and Michael Showalter, 1/22/16 at Alamo Drafthouse”

SF Sketchfest Review: Workjuice Theatre with Paget Brewster, Craig Cackowski, Mark Gagliardi, Marc Evan Jackson, Hal Lublin, Busy Philipps, Paul F. Tompkins and more, 1/9/2016 at Brava Theater Center

The Thrilling Adventure Hour reincarnated = Workjuice Theater
The Thrilling Adventure Hour reincarnated = Workjuice Theater. (Photo cred: thanks to Tommy Lau photography!)

This year would have been my fifth consecutive year watching The Thrilling Adventure Hour at SF Sketchfest. Sadly, it seems I must finally admit that I’m a terrible podcast fan. I adore this show, but I’m a little behind. Ok, a lot behind: what I mean is, I never listen to podcasts. Like, ever. So that’s how far behind I am. It’s always been enough for me to keep up with this show whenever I could catch it live (which, as it happened, was once annually here in the city at Sketchfest). So okay, I didn’t know that there were ashes from which something new could be reborn, but mercifully, I needn’t waste too many tears: Workjuice Theatre definitely scratches the itch withdrawals from TAH might have given me. (Am I making any sense? Translation: I didn’t know that one of my favorite shows had ended, but a similar show with even same bits and characters has taken its place, so yay! Anyway, the show may have a new name, but I was just as happy as always to find myself back in my usual seat at Brava Theater Center last Saturday night to watch Craig, Hal, Marc, Mark, Paget, Paul and the gang! Continue reading “SF Sketchfest Review: Workjuice Theatre with Paget Brewster, Craig Cackowski, Mark Gagliardi, Marc Evan Jackson, Hal Lublin, Busy Philipps, Paul F. Tompkins and more, 1/9/2016 at Brava Theater Center”

BottleRock Napa Valley 2015 Festival Journal, Day 3

I think Shakespeare might have been seeing into the future of BottleRock when he said “parting is such sweet sorrow.”  True story: on the last day of the inaugural festival in 2013, I remember thinking that I was like a kid at summer camp; I wanted to just keep coming back, but I knew that if I showed up the next day, all my friends would be gone and it would just be a big, sad mess that would leave me emotionally scarred.  Thankfully, though, after an amazing Day One and a lovely Day Two, I still had a whole final day to see, and this time, my bestie had come to join the fun. Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 3”

BottleRock Napa Valley 2015 Festival Journal, Day 2

After a smashingly successful day one, I couldn’t wait to see what BottleRock 2015 had in store for me on Day Two. I got a bit of a late start and arrived just in time for Scott Weiland and the Wildabouts.  This is one of the things I love most about the typical BRNV lineup: excellent blasts from the past, and you get a chance to see them in a whole new way.  (In BRNV years past I’ve been treated to Weezer, Heart, and the Spin Doctors, to name a few.)  I overheard someone saying that they thought the Wildabouts were “very STP,” and I can’t say I entirely agree.  Sure, it’s been quite a while since I heard much Stone Temple Pilots on the radio (much less even listened to the radio…), but I loved them, and so I remember enough.  Weiland and his Wildabouts were fun to watch, sounded great, and Weiland definitely still has the chops, but I think the biggest similarity between the two groups is simply Scott Weiland himself (and perhaps that both fall into the genre of rock).

Scott Weiland & the Wildabouts
Scott Weiland & the Wildabouts

Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 2”

BottleRock Napa Valley 2015 Festival Journal, Day 1

Ahhhh, BottleRock. It’s hands-down my favorite time of year. What could be better than waking up to the sounds of fantastic headliners sound-checking from my open bedroom window? (This year, specifically, it happened twice: once with Imagine Dragons, and again with No Doubt. Not bad. Not bad at all.) Anyway, besides the excellent wake-up call, it’s all mild May weather in my gorgeous hometown of Napa, full of the best food, wine, and beer you can find with fantastic bands. I’ve never missed a day of this festival’s three years (and counting), and hope I never have to. Here’s what you missed this year: Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 1”