These were the first words that the legendary Cloris Leachman, who will actually be turning 85 in two months, said into her microphone at Idol Worship: An Evening with Cloris Leachman on Saturday, the main attraction of the 10th annual SF Sketchfest’s closing night, co-presented with Midnight Mass and hosted by “the very, very nervous” Peaches Christ. And Peaches had every right to be nervous: Ms. Leachman was as delightfully batty and unpredictable as the audience could have dared to hope.
While past recipients of the SF Sketchfest Comedy Writing Award have included Robert Smigel and John Hodgman, the Sketchfest crew that introduced this years’s winner freely admitted to outdoing themselves this time: the legendary James L. Brooks, a towering institution in the worlds of film and television writing, the man who won three Oscars – Picture (as a producer), Director, and Adapted Screenplay – for his very first directorial effort, the immortal weepie Terms of Endearment.
And not only did they snag Brooks, but they also got the inimitable Danny DeVito, who has known Brooks since their Taxi days, to serve as a moderator for what was intended to be a discussion of Brooks’ life and career. I say “intended” because the evening was ultimately less about Brooks’ personal career reflections than DeVito’s broad comic interpretation of their years working together. But since he had everyone (including Brooks) red-faced and panting from laughter, everyone still walked away satisfied. Well, everyone except poor Debra Winger.
I chose Music Night as my finale to a wonderful Sketchfest mostly because of my long-term fangirl love for Chris Hardwick (I even watched Shipmates back in the day, Shipmates!). So, just like the night before for the Nerdist Podcast, I got to Cobb’s early hoping to be right up front. I was rewarded with a front row seat for one of the best and funniest nights I’ve ever seen. With so much talent on stage: Mike Phirman, Eli Braden, Zach Selwyn, Garfunkel & Oates, David Koechner doing 10-20 minute sets each and Chris Hardwick MC-ing, it was bound to be non-stop entertainment. Continue reading “Sketchfest Review: Music Night at Cobb’s Comedy Club, 1/29/11”
The Thrilling Adventure Hour is a monthly live performance podcast done at Largo in Los Angeles written by Ben Acker and Ben Blacker. For SF Sketchfest we were treated to two performances featuring many great actors of varying degrees of famous-ness. The 10:30 show featuring Neil Patrick Harris sold out, as everything he has done at Sketchfest has, so my ticket was for the early NPH-less show. But the show didn’t need Neil Patrick Harris to be great. It was an hour of fun witty writing and excellent acting, so good in fact I came home and subscribed to the podcast. Continue reading “Sketchfest Review: The Thrilling Adventure Hour at Marine’s Memorial Theater, 1/22/11”
To be honest, when I arrived at the Punch Line on Thursday night I still had no idea what to expect. All I knew was that one of my favorite comedians, Matt Braunger, was performing and that he would be funny. Since it is a SF Sketchfest show, I knew I wouldn’t be watching a standard stand-up performance. What I got was an evening full of pleasant surprises, where women dominated, the guy with all the sex jokes bombed, and I laughed so hard I cried. Continue reading “Sketchfest Review: Iron Comic hosted by Nato Green at The Punch Line, 1/20/11”
According to the song that opened their winning 90-minute set, comedian Julia Sweeney (best known for her 1990-1994 run on Saturday Night Live) and musician Jill Sobule (best known for singing “I Kissed A Girl” first and so much better) met randomly at the Monterey Bay Aquarium one lucky day not long ago. Sobule cautiously approached Sweeney to express her admiration, but then Sweeney spotted Sobule and pounced her. Their mutual admiration society has led to an ongoing story-song collaboration called “The Jill and Julia Show,” which made its first Bay Area stop last night as part of the 2010 SF Sketchfest.