Seth Rogen – Spinning Platters

Film Review: “Teenage Mutant Ninja Turtles: Mutant Mayhem”

“Mutant Mayhem” is packed with undeniable T-U-R-T-L-E power!

The Teenage Mutant Ninja Turtles animated series and three feature films of the early 1990s that centered around the reptilian mutant fighting foursome were hugely successful and spawned a multimedia franchise of toys, shows, and comics for decades. The hype was tempered by three mediocre films between 2007-2016, with the latter two misfires produced by Michael Bay. Nostalgia was keeping the franchise afloat, despite diminishing returns. So with a huge sigh of relief and a heart full of nostalgic glee, I’m happy to report that the series reboot Teenage Mutant Ninja Turtles: Mutant Mayhem is an energetic and artistic cinematic take on what makes the Ninja Turtles brand so fun.

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Film Review: “Joy Ride”

Joy Ride is the funniest summer movie in years

Stephanie Hsu as Kat, Sabrina Wu as Deadeye, Ashley Park as Audrey, and Sherry Cola as Lolo in Joy Ride. Photo Credit: Ed Araquel

Sex comedies are officially back! Maybe they never completely left, but the sub-genre felt as if it were suffering, scarce, or diverted to streamers as limited series. Over the last decade, only a few exceptions like Girls Trip (2017) and Blockers (2018) broke through and made a splash. Now, hot on the heels of the R-rated sex comedy No Hard Feelings doing impressive business at the box office, Joy Ride hits theaters. Joy Ride is the feature directorial debut from Adele Lim (co-screenwriter of Crazy Rich Asians) and comedy producing super duo Seth Rogen and Evan Goldberg (This is the End; Neighbors). It’s a raunchy road trip movie that doesn’t shy away from explicit content – so let’s be perfectly clear: it’s super dirty, and f*cking hilarious!

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Film Review: “The Fabelmans”

Portrait of the filmmaker as a young man: Spielberg’s autobiographical drama fails to charm

Sammy (Gabriel LaBelle) is an aspiring filmmaker.

“Movies are dreams that you never forget,” Mitzi Fabelman (Michelle Williams) tells her young son Sammy (Mateo Zoryon Francis-DeFord) en route to taking him to see his first film, 1952’s The Greatest Show on Earth. Had they seen The Fabelmans instead, however, perhaps Mitzi might have thought twice about her proclamation. With The Fabelmans, writer/director Steven Spielberg wants to create a nostalgic love letter to cinema, but the picture is too bogged down with the weight of Spielberg’s autobiographical angst to become something unforgettable.

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Film Review: Long Shot

Cast is terrific, but this movie becoming a must-see is a long shot

Newly hired speechwriter Fred Flarsky (Seth Rogen, center) goes over his work with Secretary of State Charlotte Field (Charlize Theron, r.) and her aides Tom (Ravi Patel) and Maggie (June Diane Raphael).

Director Jonathan Levine tries his hand at comedy again for the first time since 2017’s tepid Amy Schumer/Goldie Hawn vehicle Snatched, and somewhat redeems himself. Long Shot is a bit smarter and a bit funnier than Levine’s previous picture, but, while entertaining enough, it isn’t destined to become a comedy classic.
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Film Review: Sausage Party

A profound examination of religious faith — buried deep, deep within a hilariously crude, offensive, foul-mouthed animated film.

Oh, sh*t, these foods are f**cking foul-mouthed!

Imagine if Toy Story was written by South Park creators Trey Parker and Matt Stone, and then sprinkled with a dash of Caligula. Even that probably doesn’t quite capture just how far Sausage Party goes in terms of it’s R-related language and content (supposedly it came close to an NC-17 rating, until they toned it down — yes, toned it down!). As advertised, the cast and creators of This is the End are back, this time to infuse their stoner, ultra-sexualized, black comedy into an animated feature. Sausage Party goes a step beyond just shock-value to deliver its laughs, serving a healthy does of side-splitting puns, curse-words, pop culture references, and hilarious characters. But Sausage Party is also an incredibly clever film. It disguises it’s more contemplative themes of divinity, the existence of an afterlife, and the triviality of religious tensions within the entertaining muck of a hilariously perverse one-note culinary joke — that anthropomorphic foods discover that they’re all doomed to be devoured by humans.

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Film Review: Neighbors 2: Sorority Rising

Stupidness getting stupider somehow makes it better.

Sample of the silly antics prevalent in Neighbors 2: Sorority Rising

Not only was I expecting to hate Neighbors 2: Sorority Rising, but I kinda wanted to. I wanted a chance to get all my pent up anger and frustration out in a gorgeous scathing review. But dammit, it was a fun movie. Continue reading “Film Review: Neighbors 2: Sorority Rising“

Film Review: The Night Before

It’s a (stoner) holiday miracle!

The spirit of Christmas is alive in these three "gentlemen." — The spirit of Christmas is alive in these three “gentlemen.”

I feel like its been a while since the last raunchy comedy, which I think was Trainwreck back in July. That’s not to suggest that I wish there were more R-rated comedies flooding the market, but I do think I was primed for a movie like The Night Before. I wanted a stupid, profanity-filled, drug-trippin, buddy comedy (in this case, a threesome bromance) and I wasn’t disappointed. Sprinkle in a bit of holiday cheer for good measure and add a pinch of well-timed celebrity cameos for extra zest! The Night Before is 70% unadulterated stoner comedy, 20% heart, and 10% holiday spirit, and I enjoyed 99% of it! (the other 1% was a very disappointing final 60 seconds).

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Film Review: Steve Jobs

Sorkin, Boyle get the Job(s) done with fast-paced drama

Steve Jobs (Michael Fassbender) argues with his daughter Lisa (Perla Haney-Jardine) just before the iMac launch…

Perhaps no picture has been more anticipated here in the tech capital of the Bay Area than the Aaron Sorkin-penned and Danny Boyle-directed biopic of Apple co-founder Steve Jobs, based on Walter Isaacson’s best-selling 2011 biography of the same name. Sorkin and Boyle, with their similar frenetic writing and directing styles (think The Social Network meets Slumdog Millionaire) prove to be the ideal team to dramatize the life of the Peninsula-raised inventor, entrepreneur, original tech titan, and icon. Indeed, their picture lives up to expectations, succeeding as both a fascinating character study, and as a historical dramatization of seminal events that took place here in the Bay Area, but ultimately touched the entire world.

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Film Review: Neighbors

It’s a very funny movie. What more do you need to know?

Zac Efron and Seth Rogen in Neighbors, in a scene chosen by me to get traffic if someone searches for "shirtless Zac Efron" — Zac Efron and Seth Rogen in Neighbors, in a scene chosen by me to get traffic if someone searches for “shirtless Zac Efron”

Comedy is subjective. What’s funny to you isn’t necessarily funny to me. There’s absolutely no way I can tell you that a movie is hilarious, and a must-see, and have it necessarily be the case for you. All that said, if you don’t think Neighbors is a very funny movie, I probably won’t take comedy recommendations from you in the future. It’s OK if you give me the same treatment. I’m guessing you won’t, though; this is as good as it gets in modern movie comedy. Continue reading “Film Review: Neighbors”

Spinning Platters Interview: Ari Graynor, Lauren Anne Miller, Katie Anne Naylon & Jamie Travis on “For A Good Time, Call…”

In For A Good Time, Call…, Ari Graynor and Lauren Anne Miller star as Katie and Lauren, sworn enemies forced to become roommates out of financial necessity. Fun-time Katie has been occupying her grandmother’s gorgeous rent-controlled Gramercy Park apartment since she semi-recently passed away, but the rent control is about to expire and her handful of odd jobs (including working for a phone sex line) won’t cover the new rent. Meanwhile, conservative Lauren finds herself unexpectedly homeless and in desperate need of housing. Their mutual gay best friend, Jesse (Justin Long), suggests they get over their long-standing feud and move into Katie’s apartment together, and the two begrudgingly agree. But when Lauren discovers that Katie has been doing freelance phone sex work, she has a business-minded brainstorm: wouldn’t it be much more profitable if they just started their own phone sex company?

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