The Album Leaf performed to a sold-out crowd in San Francisco on Friday, February 12th.
There’s something unmistakably unique about the music created by San Diego-based multi-instrumentalist Jimmy LaValle. It penetrates your soul and lingers long after you’ve stopped listening to the electronically-tinged indie rock melodies that reel you in with inviting, ambient choruses. I got hooked after discovering “The Light” on The Hype Machine from their 2006 breakthrough masterpiece, Into the Blue, a year back. Continue reading “Show Review: The Album Leaf at Great American Music Hall, 2/12/10”
Popscene is known for getting its share of buzz bands on the way up. Marcus Mumford, lead singer of Mumford & Sons, the newest such band to grace the Popscene stage, commented on this as well.
“There’s a wall of fame downstairs, and it’s a bit intimidating.”
Will Mumford & Sons follow in the footsteps of such past performers like Muse, Bloc Party, Amy Winehouse, The Killers, and countless others? I’m guessing yes. I’m also guessing it’s not going to be cool to like this band in a few years. I should explain. Continue reading “Show Review: Mumford & Sons at 330 Ritch (Popscene), 2/11/10”
I want to start this off by saying Wild Beasts were really appreciative of the sold out crowd at The Independent. They seem like really nice guys but man did I dislike that show last night.
The show started with a narration over some sort of noise that indicated an epicness was about to occur. The band had yet to take the stage and as this English narrator talked of nature and such, the band finally took the stage.
I wasn’t sure what to expect when I agreed to cover Friday nights show at the Great American Music Hall. I wasn’t even aware of the set up of the show; co-headliners The Thermals (whom I had never even heard of before) and Thao with The Get Down Stay Down. Because of this, I arrived late thinking TWTGDSD was the opener, the real opener just finishing as I entered the venue. Sorry Grass Widow. I promise to check out one of your various shows in Austin at this years SXSW. Continue reading “Show Review: The Thermals, Thao with The Get Down Stay Down, and Grass Widow at Great American Music Hall, 2/5/10”
I generally avoid Popscene when possible. There are myriad reasons for this, which needn’t be explained to anyone who’s been there. For one, it’s notoriously 18+, which: no thanks! Any club that needs to see my special grown-up wristband before letting me have a beer is a place I’m happy to avoid. Secondly, there’s the inherent wrongness of any establishment that bills itself as “San Francisco’s premier indie nightclub.” So. Much. Wrong. Third, it’s scene-y in a superficially obvious way that still makes me feel I’m Susan Boyle standing around at Danceteria or something (cue the glittery 18-year-olds: “Who at the what?”).
And finally, I resent their unassailable skill at booking the hottest, coolest young acts and forcing the rest of us to go all the way to 330 Ritch in Mission Bay to see them (plus, I’m still mad I couldn’t get tickets when they hosted Amy Winehouse for her only Bay Area show to date). But sometimes these various negatives can come together for a really amazing positive. Last night’s show was one such exception. Continue reading “Show Review: VV Brown with Ebony Bones! at 330 Ritch (Popscene), 2/4/10”
The character that is Mos Def never stops to entertain, on stage, in film or in person. His music is layered with decades of influence and years of knowledge wrapped up in a style that undoubtedly his very own. This night is no different than the Mos Def that we’d expect. Arriving ever so fashionable, and fashionably late, with an entourage to boot. He takes the stage with his bright red mic, circa 1960, and a perfectly knotted bow tie. Clean and smooth with a swagger that makes it clear that the show is completely under his control. Continue reading “Show Review: Mos Def, Jay Electronica and Supernatural for Haiti relief at The Independent, 2/3/10”
I’ll be the first to admit that I was a bit dubious when I initially heard about the first installment, via Twitter, of this San Francisco-based event back in November. How many seminars, workshops, and online tutorials are already out there promoting their take on the best practices in social media for musicians and managers? However, a closer look at the list of instructors, not to mention the partners including SonicLiving and the premier music technology event in the Bay Area, SF MusicTech Summit, revealed that the San Francisco Musician & Promoter Workshop promised to transcend your atypical music industry-related gathering.
Nine musicians in constant motion, giving it their all
Do Make Say Think are one of the leaders of the instrumental rock genre, and have been for some time. Along with Explosions in the Sky, Mogwai and Godspeed! You Black Emperor, they’ve fought hard against the tyranny of lyrics to play dramatic and emotional music that’s all about the music. They’re the electric guitar era’s answer to classical music. And on Tuesday night, they brought their nine-piece ensemble to Great American Music Hall, which is a perfect venue for them. Continue reading “Show Review: Do Make Say Think with themselves at Great American Music Hall, 2/2/10”
According to the song that opened their winning 90-minute set, comedian Julia Sweeney (best known for her 1990-1994 run on Saturday Night Live) and musician Jill Sobule (best known for singing “I Kissed A Girl” first and so much better) met randomly at the Monterey Bay Aquarium one lucky day not long ago. Sobule cautiously approached Sweeney to express her admiration, but then Sweeney spotted Sobule and pounced her. Their mutual admiration society has led to an ongoing story-song collaboration called “The Jill and Julia Show,” which made its first Bay Area stop last night as part of the 2010 SF Sketchfest.
