Show Review: The Big Pink, A Place to Bury Strangers and io echo at Great American Music Hall, 3/10/10

When are they gonna play Dominos?

The amps were turned up high and the lights were turned down low at the Great American Music Hall on Wednesday night, as some feedbacky, shoegazery throwback bands were on the bill. The Big Pink showed up with half of the band missing, A Place to Bury Strangers ended their set in blood, and hardly anyone got there early to watch io echo. It was a weird show that featured good music, but was less than satisfying in the end. It could have been better. Continue reading “Show Review: The Big Pink, A Place to Bury Strangers and io echo at Great American Music Hall, 3/10/10”

Show Review: Little Boots, Dragonette and Class Actress at The Fillmore, 3/9/10

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Casting another glance at the sound guy? (Photos of Little Boots by David Price.)

At 6:00, I was crowded into the country section at Amoeba waiting to watch Little Boots perform a short in-store at Amoeba. She played four songs there, all solo, sang them beautifully (including a Kate Bush cover), and then proceeded to sign copies of her album as I made my over to The Fillmore to see her full band set. Little did I know that only hours later, I’d be trying to defend her to people, for The Fillmore show was not a good night for Little Boots. All was not lost, though, as there was definitely one band worth seeing. Continue reading “Show Review: Little Boots, Dragonette and Class Actress at The Fillmore, 3/9/10”

Show Review: The Appleseed Cast at Bottom Of The Hill, 3/6/10

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In 2001, Kansas’ The Appleseed Cast made the leap from being a well-regarded emo rock group to something not on any charts.

The band released an ambitious precedentless work: Low Level Owl, Volume 1 & 2.

The songs of the Low Level Owl project mostly flow into one another without break, changing tempos and beats mid-stream. Some songs have choruses, some don’t. Some have singing, most don’t. Musical facets or patterns repeat and shimmer like dust devils dancing through the summer air. This aural sum flitted free of convention so thoroughly that it couldn’t well be called “emo” rock. What does it sound like? Intricate chiming melodic rock that fords forward without map yet with purpose. It sounds matter-of-factly majestic without trying to be majestic — like a hawk cutting a turn through an updraft. Continue reading “Show Review: The Appleseed Cast at Bottom Of The Hill, 3/6/10”

Noise Pop Show Review: Magnetic Fields at the Herbst Theater, 3/1/10

The Magnetic Fields, unadorned.

“You’re REAL handsome.” This is what the toothless bum, who was propositioning me for a 3-way said, as I made my way to the Herbst Theater for The Magnetic Fields. I was running a real tight schedule and unfortunately I had no time for a toothless-three-way, I had a show to get to.

The Magnetic Fields were first introduced to be in the form of 69 Love Songs. I was amazed that I’d never heard of the band and even felt a little embarrassed. Since then the Merritt-led band have been gracing my iPod playlists, adding some unique perspectives on love and sound. They’re the type of band that most of your friends don’t know about and you feel real proud when you’re the one to pop their Fields cherry. Continue reading “Noise Pop Show Review: Magnetic Fields at the Herbst Theater, 3/1/10”

Noise Pop Film Review: Strange Powers Stephin Merritt and The Magnetic Fields at The Mezzanine, 2/28/10

Added Bonus: Q & A with Stephin Merritt, Claudia Gonson and the Directors

The film Strange Powers, Stephin Merritt and The Magnetic Fields opens with Stephin Merritt being interviewed by one of the directors.  She asks “What are you reading now?” and the question is greeted with a dark stare and stony silence.  This is how genuine the film is in its portrayal of this iconic songwriter, which is demonstrated in the Q & A after the movie.  Stephin Merritt doesn’t waste words.  Much like his song lyrics, his responses are concise and thought out. The good news is, for the most part, so is the film. Continue reading “Noise Pop Film Review: Strange Powers Stephin Merritt and The Magnetic Fields at The Mezzanine, 2/28/10”

Noise Pop Show Review: Dizzy Balloon, The Hounds Below, Visqueen and Laarks at Bottom of the Hill, 2/28/10

I forgot my camera at home, so instead you get this reference to Bottom of the Hill Sundays of the past.

The annual Sunday day show at Bottom of the Hill is an odd little affair. The sunlight coming through the window feels jarring, for sure, but what was odd about this year’s version was the crowd. This was an all-ages show featuring a headliner made up of young boys playing sunny rock, and that brought a crowd of admiring teenage girls to the venue. Mix them with the usual Sunday afternoon crowd of hungover aging hipsters Noise Pop veterans, and what do you get?
Continue reading “Noise Pop Show Review: Dizzy Balloon, The Hounds Below, Visqueen and Laarks at Bottom of the Hill, 2/28/10”

Noise Pop Show Review: We Were Promised Jetpacks at Slim’s, 2/27/10

We were promised awesome

I feel like I’ve been on a music marathon this past week. And then, this Saturday was the show I’ve been looking most forward to. That night We Were Promised Jetpacks were back in town and I f’ing love them. Yes this review will be extremely positive because this was hands down the best show I’d seen as of yet during Noise Pop. Continue reading “Noise Pop Show Review: We Were Promised Jetpacks at Slim’s, 2/27/10”

Noise Pop Show Review: The Mumlers with Sonny and the Sunsets at Cafe Du Nord, 2/26/10

Ho hum?

Some mildly shocking things happened at the Cafe Du Nord. Friday night was the first time I had ever been to Cafe Du Nord in my life. I know, shocking right? The last time I wanted to see at Cafe Du Nord was when I was 18, begging the Cafe to let me in so I could see Erin McKeown. I had a huge crush on her back in the day. So I walked into the Cafe and liked what I saw, a bar, pool tables, and a cool setup. Continue reading “Noise Pop Show Review: The Mumlers with Sonny and the Sunsets at Cafe Du Nord, 2/26/10”

Noise Pop Show Review: Mirah and Thao with Horse Feathers at Swedish American Hall, 2/27/10

Photo by Kata Rokkar

“We are aiming for sincere energy, not professionalism or fluid transitions.” Those were the words of Thao Nguyen, of Thao and the Get Down Stay Down, halfway through her immensely crowd-pleasing collaborative performance with Mirah last night at Swedish American as part of Noise Pop 2010. And while Ms. Nguyen may have felt the need to defend herself with this disclaimer, there didn’t appear to be a single fan in attendance who wasn’t in complete ecstasy for the duration of the evening.

Continue reading “Noise Pop Show Review: Mirah and Thao with Horse Feathers at Swedish American Hall, 2/27/10”

Noise Pop Show Review: !!! at The Mezzanine, 2/27/10

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In your face, and you love it.

If there was any doubt in anyone’s mind that !!! is one of the best live shows touring, then allow the next few minutes of reading dispel that. Like a tsunami, you know it’s coming, but your not quite sure what to expect, talk of what is coming seems nearly speculative until it happens and it takes you with it. Caught up in !!!’s wave of sweat, dance and sex! As we make our way inland it’s clear we are all at the mercy of front man Nic Offer. Offer spends most of his time dancing and waving his arms at the very front of the sage, flailing and shaking yet graceful and rhythmic. Offer makes it known that he’s here to entertain and you have no option to join, as he makes his first tour around that crowd: you’re not dancing, now you are! Drinking a bottle of beer at the front of that stage: no you’re not, Offer is now dumping it over his head, now you’re all wet because he shook it all over you, it’s OK your drenched in sweat anyways. Continue reading “Noise Pop Show Review: !!! at The Mezzanine, 2/27/10”