So-called novelty bands tend to have a short shelf life. The progression tends to go something like this: you see the band open for someone else and you immediately tell your friends, then you see them again with your friends and have a great time, and then you keep going but your friends are over them. Meanwhile you’re telling the friends who have stopped going that the band is special; it’s not just a shtick. Sometimes you’re wrong, but sometimes you’re right. So am I right about Gil Mantera’s Party Dream? Continue reading “Show Review: Gil Mantera’s Party Dream with Triple Cobra and Go Going Gone Girls at Bottom of the Hill, 5/15/10”
Tag: San Francisco
Show Review: Jakob Dylan featuring Neko Case and Kelly Hogan with The Felice Brothers at the Regency Ballroom, 5/12/10
Could it be possible that Jakob Dylan actually prefers to exist in the shadows of others? I mean, seriously. First he makes the questionable decision to get into the exact same line of work as his father. And if that line of work was, like, plumbing or something, then fine. But if Bob Dylan is your father and you decide you’re also a folk-rock singer-songwriter? That’s like Janis Joplin’s (rhetorical) daughter choosing to become a boozy bluesy hippie, or Moses and Apple Paltrow-Martin deciding to start insufferable lifestyle blogs and rip off U2 for a living — your parents pretty much pioneered the concept, so why bother?
Show Review: Kate Nash with Supercute! at Bottom of the Hill, 5/8/10
If you’ve listened to the new Kate Nash album, My Best Friend is You, you wouldn’t have been surprised by what you heard last night at Bottom of the Hill. Unfortunately it seemed most of the audience hadn’t. Kate Nash played mostly new songs and while I was looking forward to dancing around with the crowd to those songs, I guess nobody else was. But I’m getting ahead of myself. Continue reading “Show Review: Kate Nash with Supercute! at Bottom of the Hill, 5/8/10”
The Music Room SF International Film Festival
Of all the movies playing at the San Francisco International Film Festival Jalsaghar (The Music Room) was what I wanted to see most.
An Indian film from 1958 that has been recently restored is not your usual popcorn popping movie. It’s more of a privilege to see and everything about my experience was just that. Continue reading “The Music Room SF International Film Festival”
Show Review: Heartless Bastards with Hacienda and Amy Cook at The Independent, 5/4/10
Last night was yet another opportunity for San Francisco’s considerable population of Ohioan expatriates to cluster around and listen to one of our homeland’s finest musical exports. Dayton and Cincinnati were enthusiastically represented by the barreling, moody Midwestern rock of Heartless Bastards, while Akron was represented in absentia by The Black Keys’ Dan Auerbach, whose influence is largely responsible for the recording careers of both the Bastards and opener Hacienda.
Show Review: Rogue Wave with Man/Miracle at The Fillmore, 4/30/10
I was one grumpy bitch last night. The minute I left the house I knew it was bad news. But my brother was in town from Davis, so I dragged him along with me. When we were kids, and as he’s my younger sibling, there’s a long history of me pulling him with me to all the random shows I wanted to see growing up in the city. He even said the last time he thinks he went to a show was in 1999, and it was with me to some random whatever. I guess I have to drag him, because he sure won’t go on his own. Continue reading “Show Review: Rogue Wave with Man/Miracle at The Fillmore, 4/30/10”
Show Review: Keith Emerson and Greg Lake at The Regency Ballroom, 4/26/10
Before the show even started, and long after it ended, fans were gathered around the stage to take photographs of the famous synthesizer on stage at The Regency Ballroom on Monday night. This is the actual synthesizer that was used on “Lucky Man,” the classic track by Emerson Lake & Palmer that both kicked off their career and ended this concert. That prog nerds (like me; I was taking a photo, too) worship equipment is well known, but what about the people playing it? What about Emerson Lake & … well … nobody?
Continue reading “Show Review: Keith Emerson and Greg Lake at The Regency Ballroom, 4/26/10”
Show Review: Jennifer Knapp at Red Devil Lounge, 4/25/10
After a seven-year hiatus, bestselling Christian singer/songwriter Jennifer Knapp —who always stood apart from her contemporaries in terms of her musical grit and unadorned emotional ferocity; who created some of the most iconic songs of her genre and generation, such as “Undo Me” and “A Little More,” — came back with two big announcements: (1) she’s returning to music; and (2) she’s a lesbian. Predictably, the latter has eclipsed the former. But Knapp is first and foremost a musician, as she demonstrated last night at Red Devil Lounge (I can only imagine what her horrified conservative fans think about their disgraced idol playing at a San Francisco bar named after Satan, which: bonus!).
Continue reading “Show Review: Jennifer Knapp at Red Devil Lounge, 4/25/10”
Show Review: The Bloody Beetroots (Live) at The Independent, 4/22/10
For the longest time I have been looking for an electronic DJ to bridge the gap from DJing and samples to actually playing tracks live. The Bloody Beetroots seem to have done it. Not only have they done it, but they did it in a way that demands you to rethink electronic music! Continue reading “Show Review: The Bloody Beetroots (Live) at The Independent, 4/22/10”
Show Review: Dr. Dog with Sean Bones at the Great American Music Hall, 4/24/2010
Openers. As a general rule of thumb they tend to be doomed. The crowd isn’t usually there to see them and this can lead to feelings of impatience amongst the audience. This was not the case last night at the Great American. I had never heard of or seen Sean Bones prior to last nights show. A quick Google image search led me to assume that this was going to be a Brooklyn based indie band with stupid instruments. This also, thankfully, was not the case. Continue reading “Show Review: Dr. Dog with Sean Bones at the Great American Music Hall, 4/24/2010”