Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Sensitive gays from around the Bay Area flocked to Bottom of the Hill last night for the latest San Francisco appearance by outrageously cute twee-folk pin-up Jay Brannan.
Continue reading “Show Review: Jay Brannan with Terra Naomi at Bottom of the Hill, 6/16/10”
The 34th annual Frameline LGBT Film Festival, which remains the largest of its kind in the world, will take place in San Francisco from June 17-27. Packed into those eleven days will be hundreds of narrative films, documentaries, and shorts covering nearly every conceivable angle of the LGBT experience from just about every corner of the globe. After the jump, Spinning Platters helps you narrow it all down by picking three films from each of four main categories.
Last night, supermodel/singer/rock-n-roll wife Karen Elson kicked off the opening night of her very first tour with a sold-out concert at Café Du Nord. When I learned that the show was sold out, I was intrigued. Why was the interest in Ms. Elson already so piqued? After all, she has but a single album to her name, The Ghost Who Walks (Third Man), which was produced by Elson’s husband, Jack White, and just came out on May 25. The buzz has been modestly positive, if not hyperbolic.
So who were all these fans and looky-loos? Were they committed White Stripes fans whose enthusiasm for the group extends even to its spouses? Or was it a decidedly stranger subculture of model-turned-singer fetishists resentful that Tyra Banks’ “Shake Your Body” and Naomi Campbell’s Baby Woman never took off stateside? Or maybe, like me, they were just your garden variety redheaded-girl-singer fans.
Continue reading “Show Review: Karen Elson at Café Du Nord, 6/8”
It’s truly a pity that James Murphy, the man behind LCD Soundsystem and the legendary DFA record label, which has released all of the band’s material including their 2002 hit breakthrough single, “Losing My Edge,” has decided to pull the plug on what is inarguably one of the coolest, most transcendent musical outfits to emerge in the past decade.
Just as Jerry Seinfeld and the cast bowed out at their peak after a nine-year run with their hit television show, Seinfeld, Murphy has decided to call it quits after the same amount of time when fan interest is at its most fervent, dedicated level. Continue reading “Show Review: LCD Soundsystem at The Fillmore, 6/3/10”
Blown away. That is how the night ended for me. Unfortunately the night didn’t start out that way. I was tired from partying too much on Friday and then taking an epically long hike on Saturday. I wanted to sleep and wasn’t sure if a show was the best thing to be attending in my sleepy daze. Fortunately The Soft Pack came on and gave me a bit of an energy boost. Continue reading “Show Review: Matt & Kim with Golden Filter and The Soft Pack at The Mezzanine, 6/5/10”
Somewhere during this show, this genre became dead to me. I don’t even know what you call the genre (besides “typical” indie rock), but I’ll try to describe it. A bunch of dudes wearing clothes they bought at thrift stores (or are meant to look like they bought them at thrift stores in Brooklyn) play mid-tempo numbers, and then occasionally the songs build to a giant crescendo where they all scream into their microphones together to let you know that this song is intense, man. It now feels a bit fake to me. Continue reading “Show Review: Local Natives with Suckers at Bottom of the Hill, 6/3/2010”
During OK Go’s show at The Fillmore in San Francisco on Wednesday night, lead singer Damian Kulash tried to explain why the band’s home is San Francisco. “Because we live on YouTube” was his explanation. Yeah, alright, whatever. But it’s clear what they meant was that the Bay Area is made to appreciate a label-leaving, DIY-video-making band of nerds like them. And this video thing is working out for them. One blog recently called them the “shtickiest band ever,” so what sort of shtick did they bring with them? Continue reading “Show Review: OK Go with Earl Greyhound and Grand Lake at The Fillmore, 5/26/10”
The boys from Bristol are back. After a seven year waiting period, studio perfectionists and UK music pioneers Massive Attack return to full form with their newest and much delayed album, Heligoland. The second show of a two night stop in San Francisco, Massive Attack bring their eccentrically driven set for all to marvel at. Would their perfection pay off?
Continue reading “Massive Attack with Martina Topley-Bird and MNDR at The Warfield, 5/26”
Long live the super group. Established producer Brian Burton (aka Danger Mouse) and his musical pal, James Mercer of The Shins, made their way to the Grand Ballroom in San Francisco Friday night to showcase their new experiment, Broken Bells. After what seems to have been the season of all star groups such as Them Crooked Vultures and Atoms for Peace, did this long anticipated show live up to all its hype? Continue reading “Show Review: Broken Bells with The Morning Benders at The Regency Ballroom, 5/21/10”
When Amanda Palmer and Jason Webley decided to join together to do a musical project, they decided to literally join together. They created Evelyn Evelyn, conjoined twin musicians, built a story and characters, recorded and released an album, and they’re now on tour together. This show was billed as Evelyn Evelyn with Amanda Palmer, Jason Webley and Sxip Shirey “also appearing.” There’s a point in this absolute pleasure of a three-hour show when Amanda Palmer thanks people for coming to such an odd show, and practically begs the audience to tell their friends in whatever way they can that they should come see the show. I’m game for this; read on to be convinced. Continue reading “Show Review: Evelyn Evelyn with Amanda Palmer, Jason Webley and Sxip Shirey at Great American Music Hall, 5/22/10”